Innehållsförteckning för October 2024 från Architectural Digest

“Growing up the daughter of a farmer and having such connections to my family farm, it just truly thrills me that everything here is edible.”—Jennifer Garner This issue is dedicated to city dwellers who have deftly carved out their own personal serenity in the midst of bustling, busy, urban places like New York, London, and Los Angeles. It’s evident to all from her witty and good-natured Instagram posts that our cover star, beloved actor Jennifer Garner, is a domestic goddess, even though she wears the mantle lightly and with her signature sense of humor. She cooks, she gardens, she is a backyard birder and animal lover, and she cofounded a food brand—Once Upon a Farm—that produces high-quality organic meals and snacks for babies and kids. And she does all this…

LONDON Georgian gusto, Victorian bohemianism, and aesthetic movement homages fresh from The Big Smoke; shown is a Chelsea home updated by AD100 titan Rose Uniacke. MILAN Dolce vita verve, modernist rigor, and maximalist joy from the epicenter of Italian design; shown is designer J.J. Martin’s Zona Conciliazione home. PARIS Opulent touches, redefined luxuries, and old-world savoir faire from the City of Light; shown is a Right Bank flat by AD100 star Fabrizio Casiraghi.…

“Table, Lay Thyself!” This was the title Svenskt Tenn founder Estrid Ericson gave her heralded 1933 exhibition, in which glassware, silver, pewter, and plates mixed in happy harmony. “She had exceptional talent for balancing the simple and unadorned with the lavish and festive,” says Maria Veerasamy, CEO of the Swedish brand. To celebrate its centennial, the company is recycling that zippy title for a store presentation that will launch a suite of dining room–ready pieces, including reeditions of a 1932 table by Jan Ruhtenberg and a 1920s chair and chandelier by Josef Frank. They are joined by new additions like block-printed linens and dishes in a whimsical fern motif. For a deeper look at Svenskt Tenn’s rich past, check out its retrospective at Stockholm’s Liljevalchs museum, opening this fall. svenskttenn.com…

Studio MUKA LOS ANGELES Zabie Mustafa (left) and Neda Kakhsaz, partners in business and life, bring a wealth of professional experience and emotional intuition to their three-year-old practice. Born in Tehran and raised in LA, Kakhsaz honed her skills at the AD100 firm Studio Shamshiri. Mustafa, a licensed architect, grew up in New York, immersed in his family’s Uzbek and Afghan heritage, before heading to California, where his path led him to the AD100 firm The Archers. “Our office is rooted in diversity and multiculturalism,” Kakhsaz says of MUKA’s foundational principles. “We honor both Western and Eastern philosophies for living with meaning and purpose.” Mustafa seconds the notion: “We reject conventional approaches with an inclusive, unbiased attitude toward building togetherness in every project we take on.” Today, the couple (pictured…

“Like any other home I’ve had, but to a much greater degree, this apartment has been a laboratory,” says Stilin. It’s the mark of tremendous talent that the first thing you notice upon entering Robert Stilin’s new Brooklyn apartment isn’t the view. Beyond the enormous windows, a cruise ship may be docking in the nearby terminal, a ferry crisscrossing the water, or a sunset streaking the sky. “Something’s always going on in the harbor,” says the AD100 designer, who likens the maritime panorama to an Andreas Gursky photograph. Still, before that vista can rightly command your attention, your eyes will first flitter among the many wonders inside—from the handsome vignettes of vintage and bespoke furnishings that fill every corner of the home to the eclectic artworks that cover the walls…

Whatever you design, whether it is an interior, a piece of furniture, or merely a stage set, must always contain the promise of a whole city,” the Italian architect Gae Aulenti told Architectural Digest for a story about her Milanese apartment in 1990. By that point, she had turned a train station in Paris into the Musée d’Orsay, designed galleries at the Centre Pompidou, and restored the Palazzo Grassi in Venice. But in 1965, after a 10-year stint crafting the visual identity of Casabella magazine, she was still working on a smaller scale—creating residential interiors and furniture to inhabit them. This was the year she conceived the so-called Jumbo table, a square slab of marble that rests on what resemble four extruded dumbbells. Set at 45-degree angles, those legs lent…

Olivia Cognet often dreams about changing her surroundings. Wouldn’t a sculpture look nice in that traffic circle? What if that fireplace were clad in glazed panels? “I’ve always been interested in incorporating art into architecture,” muses the French ceramist. She’s speaking over Zoom from her new studio in Vallauris, a longtime pottery hub in southern France, where legends like Marc Chagall and Pablo Picasso once fired their clay creations. Today she’s channeling that passion into work for her first solo show, opening September 26 at The Future Perfect in Los Angeles. “I’m designing with that house in mind,” she says, referring to Casa Perfect, the 1916 residence that serves as the gallery’s Hollywood Hills home. There, she’s installing a firepit in the garden, adding stone to walls, and placing a…

“The kids are all over the house,” says Garner. “They’re as comfortable sitting in the living room as they are doing homework in the dining room.” Of her new home, Jennifer Garner notes, “I wanted it to feel old and cool and historic, but I also wanted to make it work for a big family with a lot of things going on.” The actor, who reprised the role of Elektra in this past summer’s Deadpool & Wolverine, will start shooting the second season of the Apple TV+ series The Last Thing He Told Me later this year. Nestled in LA’s sun-dappled hills, the resulting retreat is a dexterous blend of farmhouse charm and contemporary comfort, one that prioritizes togetherness, usefulness, and down-to-earth living—the kind of place that can handle muddy…

Home ownership had never been at the top of any wish list for Antoni Porowski, the resident food and wine expert on Netflix’s hit show Queer Eye. “I was the guy with a backpack and some clothes,” says the serial renter, describing his self-professed “fantasy nomadic lifestyle.” Then the pandemic hit. On the advice of his business manager, he started looking for a place to lay roots, embarking on the “hectic but exciting real estate journey in New York City.” After years of living in Brooklyn, Porowski set his sights on downtown Manhattan, initially envisioning a historic loft with exposed beams, untouched charms, and creaky floors. But when he grappled with the prospect of renovation and the realities of constant travel, he quickly came around to the idea of contemporary…

A two-hour drive south from San Diego, the Mexican wine region of Valle de Guadalupe—dotted with fertile vineyards and family farms—has remained mostly under the radar, even to food-obsessed Americans. But the arrival of the Banyan Tree Veya resort, the first stand-alone outpost of the brand’s wellness concept, is drawing fresh attention to the area even beyond its culinary offerings. Tapped to design the hotel, Mexico City–based architect Michel Rojkind integrated the 16-acre resort seamlessly into the landscape. “We envisioned a holistic environment where architecture, agriculture, and sensory experiences intersect,” he explains. Embedded in the mountainside, 30 modernist villas seem to emerge from the ground, affording guests both privacy and spectacular views of the surrounding valley. This approach, Rojkind emphasizes, not only preserves the natural contours of the land but…

A well-rested brain is a creative brain. Just ask Finnish designer and interior architect Yrjö Kukkapuro. In 1981, after a taxing stint at the helm of the University of Art and Design Helsinki, he retreated to his country house with a pile of sketchbooks and colored pens. That summer, unbridled doodling gave way to one of the most radical Scandinavian designs of recent history: the Experiment chair, whose sober, tubular frame and upholstered seat are jazzed up by squiggly plywood armrests. This month, the eye-popping series returns to the market thanks to the Swedish furniture brand Hem, a current torchbearer of Nordic innovation. “The ’70s had been a visually dry era in Finland—very functionalist, very minimalist—but things were shifting,” recalls Kukkapuro, wearing his signature yellow cap for a Zoom call…

It’s the quintessential Greenwich Village town house, on one of the most coveted blocks in one of Manhattan’s most coveted It’s neighborhoods. It stands solid and straightforward, neither grand nor prepossessing. Its five stories contain a gracious parlor floor and five bedrooms, not to mention terraces and a back garden. It is the kind of place that generations of New Yorkers have dreamed of. Inside, it held surprises both good and bad. Originally built in 1830, almost all its period details had been stripped away in favor of expanses of white cabinetry and molding. The new owners, a family based on the West Coast, faced a bit of a dilemma: “We wanted to respect the history of the house,” says the wife, “but with five kids and a dog, utility…

Unapologetic. It is a word that crops up frequently when trailblazing fashion designer Harris Reed discusses his work and life. Described as the face of fluid fashion—indeed, his book published by Abrams earlier this year is titled Fluid: A Fashion Revolution—Reed and his theatrical creations may be beautiful but are much more than that. They also challenge notions of gender and spark conversations about identity and belonging. Cutting a striking figure at six feet four inches, with flowing, red-hued locks, Reed famously outfitted Harry Styles in his part-tuxedo, part-duchesse-satin ball gown ensemble in 2020 for the cover of Vogue, at just 24 years old. He has also dressed many other stars, including Adele, Iman, Sam Smith, Lil Nas X, and Beyoncé, in his glamorous creations. With such precocious talent, it…

“It would be impossible to dream the dreams we have of New York without the architecture of Rosario Candela.” So writes David Netto in an inspiring new monograph on the early-20th-century visionary, whose Manhattan apartment houses redefined genteel city living on the Upper East Side and beyond. Coauthored with fellow AD100 titan Peter Pennoyer and critic Paul Goldberger, Rosario Candela & The New York Apartment: 1927-1937 (Rizzoli) unpacks the architect’s fabled practice building by building—from 740 Park Avenue to One Sutton Place South (pictured circa 1930). Street-level intrigue gives way to skyline-shaping setbacks and water towers; handsome façades belie complex puzzles of units; and gracious foyers open onto layouts rigorous yet romantic, with private spaces coyly divided from public. Goldberger anoints it “the architecture of certainty.” Pennoyer heralds “essential lessons…