Innehållsförteckning för #1 2020 från Artdoc Photography Magazine

“Photography is the gateway to humanity on earth.- The Artdoc Team Dear Reader, Photography is the gateway to humanity on earth. Photographs show who we are and what we think of ourselves; they are windows and mirrors at the same time, transparent and opaque, perplexing and confusing. Photography is the visual storytelling medium of our time, and it’s deeply permeated in the veins of our society and culture. This is the first issue of Artdoc Photo Magazine. In this issue, we bring photographers for whom the image is a way of expressing the provocative, abrasive and inquisitive relationship with the world. The Norwegian Ole Marius Joergensen made Hopper like scenes, depicting his melancholic feeling of never arriving at the goal. The Dutch photographer Erwin Olaf uses photography as a medium…

The origin of Olaf’s artistic approach to photography is the versatility of his sources of inspiration in his early years: the music of David Bowie, the visual arts of Andy Warhol, among others, the painting by Yves Klein, and the Italian and German film, by Visconti and Fassbinder. The early photos of Erwin Olaf sparkle with the powerful, rebellious energy of an angry young man, portrayed in the black and white images of his first series Chessmen from the 80s, which are bizarre and extravagant. His portraits, sm-photos, and the portraits of the wild nightlife were extremely confrontational. It was his overwhelming debut, full of expressive freedom, associated with the discovery of his homosexual orientation. Robert Mapplethorpe photographic sources of inspiration, and Joel Peter Witkin, clearly trickle through in this…

Highlights of Artdoc Exhibition…

The Foundation has as its goal a better intercultural dialogue and understanding, which are essential to ensure a prosperous future for our species and planet. But as the world’s cultural colours are fading fast, the photographer wants to collect the images of cultural identities before they pass away. How did he come to his ongoing project? The bald Jimmy Nelson carefully opens the Collector’s Edition XXL of the book Before they pass away, the massive book with a size of 46 by 63 cm and neatly packed in a large handmade box. The first remarkable feature is the colours of the pictures: subdued, sometimes almost monochrome, occasionally almost exclusively earth-like colours, but never harsh, clear, or fully saturated. It characterizes the atmosphere of the global project, Before they pass away,…

The photo series Circle is a personal story inspired by emotional events that Jung S Kim experienced in her childhood. She was seven years old when her parents divorced, after which she was forced to move to live with relatives. She ended up with her aunt, a shaman who kept Buddhist objects on her altar and paintings of folklore scenes. The paintings of her shamanic aunt had a great impression on Jung S Kim and her artistic development. “Since my parents got divorced, I had to move to different relatives’ homes. I felt like oil in water in the hard reality. I had to live with my aunt for five years. She was a fanatic shaman who, on the altar in her room, worshipped a Buddha, a spirit of a…

“I remember how my grandfather, Giuseppe, used to tell me stories about his youth and the mountains of his homeland and how, when caught by the German troops, he managed to escape and walked back home from Germany. I can still feel, through his memory, the strong sense of belonging to the place when he described the happiness to see again those mountains from far. cultural heritage In this project, I re-discover parts of my cultural heritage, portraying the different facets of the life of mountain villages in between the Italian and Slovenian borders. What I found in these mountain villages, was a community of survivors, a community of emigrants that imposed a self-exile after the World Wars and the earthquake of 1976, in order to chase that “wealth” promised…

Erwin Olaf | I AM In honor of Erwin Olaf’s sixtieth birthday, Erwin Olaf: I Am presents the first comprehensive survey of his work, bringing together his earliest images in black and white with his now-iconic color work, including selections from his most recent and heretofore unpublished series shot in Shanghai. This chronological presentation traces the evolution of the artist from cheeky provocateur to royal portraitist, as well as the refinement of his unique vision and stylistic panache over the last four decades. Interspersed among the various series is a wry, incisive commentary by Olaf on the contexts of and inspirations for his work. The book is published to accompany the largest retrospective of Olaf’s work to date, a multiple-venue show that will encompass installations at the Rijksmuseum, Amsterdam; Gemeentemuseum…

“I’ve been craving getting wildlife into my work for a long time. Thematically, it is a continuation of ideas I’ve had in mind for years and explored in my previous work. I always look to nature to restore a sense of grounding and calmness, and I find this in wildlife as well. With my repertoire, I explore themes about the human condition, namely personal identity, emotional intelligence, relationships, and emotionality. I find mindfulness in these creatures and vast landscapes. I also genuinely care about nature and wildlife conservation, and I want to draw more attention to conservation efforts. I hope to bring these works into people’s lives and on collector’s walls. It will encourage a conversation about conservation, and how it is not only good for the environment but for…