Innehållsförteckning för Issue 67 June 2019 från Artichoke

Our June issue celebrates the award-winning projects of the 2019 Australian Interior Design Awards, Australia’s leading awards program recognizing excellence in interior design. This year we received 551 entries, representing a variety of scales, budgets and strengths. This year’s award winners have used critical design thinking to dissect and investigate simple activities like a haircut, visiting a museum or going to work. The assemblage of award winners across the categories asserts the promising and robust state of our architecture and design industry and shows that design excellence is stretching to every corner of Australia – from the concrete tangle of downtown Sydney to a town in outback Queensland with a population of just 950. Good design solves problems and it makes a positive contribution, advancing and enriching the human experience.…

Designed by Tom Fereday with King Living, the ETO table integrates power, wireless charging and lighting seamlessly into one sophisticated minimal design allowing people to truly customize the table to suit their needs. Providing the first desk in the world to offer interchangeable lighting and charging accessories, the ETO table considers how people truly work and live. Including concealed power, USB and cable management, the ETO desk attempts to clear the unnecessary clutter of objects and cables normally associated with desks. A slim integrated drawer unit offers storage for everyday desk items, such as laptops and stationery. The ETO table is constructed from a unique extruded oval profile aluminium frame and finished with a oak, walnut or black Japan veneered table top. The ETO table is the first collection to…

Designed by multi-award winning architecture firm Tzannes and developed and built by Lend Lease, International House is one of Australia’s first engineered-timber commercial workspaces. The large timber beams act both structurally and as a key design element to the clean and exposed interior setting. In keeping with the building’s minimalist interior and sound environmental credentials, including a 6-Star Green Star rating, a roller shading fabric and blind system was required to be a non-invasive addition to the timber structure, have strong green certification, be fully automated and feature a fabric with a clean visibility view-through when the shades are drawn. The material and system of choice is Climate Ready Fabrics’ fully automated roller shades in Sea-Tex fabric in the colour “Haze.” Sea-Tex, developed by Climate Ready Fabrics and yarn innovation…

This issue presents the results of the 2019 Australian Interior Design Awards, celebrating the work of Australia’s architects and designers and their contribution to the spaces we use everyday. For more and to see the full gallery of shortlisted projects, visit — australianinteriordesignawards.com The Australian Interior Design Awards committee thanks the corporate supporters Awards program partners: Premier Award for Australian Interior Design: Award for Public Design: Award for Sustainability Advancement: Awards for Residential Design and Residential Decoration: Awards for Retail Design and Workplace Design: Award for Emerging Interior Design Practice: Award for Hospitality Design: 2019 Jury Host:…

Winner Workplace Design Designer BVN Design statement — The refurbishment of BVN’s Sydney Studio presented the chance to rethink what the future of the practice may look like and how the environment could push into the future; supporting new ways of working given the era of disruption the architecture and construction industry is now entering. Through the engagement process key areas were identified, which informed the primary objectives for the 1,800-square-metre studio space. One area was unleashing the power of teams to drive the business – well-supported teams perform better. Studies revealed different project stages within the creative process require different set-ups for team size and engagement. The goal was to move from a traditionally structured workplace to one that is fully flexible, giving teams and individuals agency to self-organize…

New South Wales — Commercial New South Wales — Residential Tasmania — Commercial Victoria — Residential Victoria — Residential Victoria — Commercial Western Australia — Residential Western Australia — Commercial Queensland — Residential Queensland — Commercial South Australia — Commercial South Australia — Residential International…

Last summer we were in the collective grip of Marie Kondo fever – asking ourselves if our sock drawer “sparked joy” and earnestly applying the “KonMari Method” to tidying up our homes, and by extension, our lives. Perhaps this is just another example of how in times of uncertainty in the world, we seek ways to create order in our own lives – and this time we had the book and the Tidying Up With Marie Kondo Netflix series to show us how to achieve it. What was fascinating to me was the succeeding conversation about the effect all of this tidying up had on our ability to think about and manage waste. Charities were faced with a veritable tsunami of donations that stretched their limited resources, waste management centres…

It’s easy to forget, when you’re looking at a pendant light, say, hanging serenely above a dining table in a beautiful architecturally designed house, that each designed object – light, table, house – is the end point of a process. Sure, sometimes that process might start with an idea of beauty and move inexorably towards its neat resolution. More often, it’s characterized by iteration and reiteration, dead ends and U-turns, and general messiness. Sounds like hard work! But speaking to Kate Stokes and Haslett Grounds from Melbourne design studio Coco Flip, you can hear the designers’ joy in that process. In their Collingwood studio, Stokes and Grounds are surrounded by their “end results.” There are pendant lights hanging from the ceiling, such as their widely loved first design the Coco…

Winner Public Design Designer Cox Architecture Design statement — Rising like a phoenix from the ashes of the original Waltzing Matilda Centre, the building is an exuberant celebration of the famous ballad. Using metaphors of an ancient landscape, the striking forms and crafted, tactile materiality draw visitors into the building’s cool, gorge-like interiors, an immersive sequence of towering, fluid spaces. The brief was to house Winton’s extensive collection of historical artefacts, memorabilia and collateral pertaining to the song, its authors and the region. The design creates maximum effect in visitor experience by carefully crafting space and materials. The $13-million budget was used sparingly, a task made challenging by the constraints of a remote site. Accommodated within is a dedicated exhibition space, reading room, spectacular arrival space, gallery, retail outlet, tourist…

Hospitality Design Workplace Design Public Design Retail Design Installation Design Residential Design Residential Decoration…

The Australian Ballet centre by Hassell In refurbishing the Melbourne home of the Australian Ballet, Hassell set out to expand and renew. The design incorporates subtle details to meet the needs of the dancers. A central circular staircase, wide enough for two dancers in tutus to pass, mimics ballet shoe ribbon twisting up the ankles of dancers. A bespoke terrazzo tile, inspired by the pink hues and silk of the ballet shoe, is seen throughout. The space includes a public cafe, medical facilities and a world-class recovery room. Hassell — hassellstudio.com Terrazzo tiles by Covet Melbourne design studio Covet has introduced a new range of terrazzo tiles featuring aggregates measuring 20 mm or more. The range includes curated palettes, such as the Classic, Coveted and Noir lines, and also allows…

There is something profoundly mysterious about the creative process. The source of inspiration continues to capture the attention of artists, corporations and scientists alike; what is it that allows people to create, and what defines the individual creative process? How can creativity be fostered daily in response to a brief, budget and timeframe? Held in Brisbane, a recent Artichoke Night School session saw four creatives reflect on their personal approach to the creative process. The discussion spanned daily routines, inspiration, idea generation and problem solving. Emma James and David Twohill co-direct the Brisbane architecture firm Twohill and James. Their creative partnership sees them leading projects independently, yet an informal collaborative process allows shared contribution and a common trajectory for the design process. Throughout all stages of the design, their process…

Winner Premier Award for Australian Interior Design Winner Retail Design Designer George Livissianis Design statement — The intent was to create an ultra-modern, minimal and futuristic salon within the old Taubman’s paint warehouse that would redefine the traditional salon experience. The brief was to create a flexible space within the 300-square-metre warehouse, so that the entire space could be cleared out and used for seminars and collaborations with designers and artists. The design team started the process looking for mobility – aeroplane trolleys, freight containers and music cases. The design team wanted to create hair station “pods” that could be wheeled in, opened up for an appointment and wheeled away again. George Livissianis also wanted to enhance the difference between the early 1900s warehouse character and the futuristic vision of…

Winner Hospitality Design Designer Carr Design statement — Briefed to capture “understated exclusivity,” the interior design is both lavish encounter and reminder of home. Anonymity is explored at street level. Fine lettering on the facade is the only clue that this might be a hotel. There is no lobby, no reception, just a fifteen-metre length of foyer lined by the continuous gesture of blackened, vertical steel blades from the facade contrasting with a tactile, board marked concrete wall opposite. With a 12-metre height restriction, and basement and ground floors largely dedicated to restaurant tenancy, the design would need to maximize yield and spaciousness. To accentuate space, bathrooms are centralized, facilitating a surprisingly voyeuristic detail. Contained within one-way, mirrored pods, privacy is maintained for those showering while they take in the…

Winner Residential Decoration Designer Arent&Pyke Design statement — From a bed of soil inside the open living space of an industrial-style renovation at the back of a tiny weatherboard cottage, a ficus lyrata tree grows up the stairwell toward a skylit and retractable roof. The open plan encompasses the building’s majority – a hub for living and eating that opens to the garden – and although the wow-factor was architecturally established, this raw but refined aesthetic required warmth and ambience. Much of the interior design was already in place when we joined the project, but the furniture and lighting was yet to be resolved. A soft glow was introduced via several washi paper Noguchi light sculptures; colours are earthy and warm (from mustard and chartreuse to forest green) and textures…