In his 2003 book, The Uncanny: An Introduction, Nicholas Royle describes the uncanny as “concerned with the strange, weird, and mysterious, with a flickering sense (but not conviction) of something supernatural.” The uncanny, Royle continues, is also marked by feelings of uncertainty, inciting doubt about the very nature of reality itself.
When we’re reading ghost stories or watching creepy movies, the uncanny can be just what we’re going for. But when it comes to robots and computer-animated “digital people,” that uncanny feeling can be a problem.
Robots are cute. People tend to like them. But as they become more and more humanlike — somewhere, say, between C-3PO and Lieutenant Commander Data — robots hit a point at which they quickly go from cute to creepy.
IN A 1970 ESSAY, Masahiro…