WHEN LAN SAMANTHA Chang was appointed director of the Iowa Writers’ Workshop in 2006, she became the first female and the first Asian or non-white person to head the program since its founding in 1936. The four directors who preceded her were all white men, and while it counted among its student and faculty alumnae such renowned writers as Flannery O’Connor, Robert Frost, and Raymond Carver, it had a reputation for insularity.
That began to change under the directorship of Chang’s writing teacher, Frank Conroy, but when Chang took over, her goal, she told O Quarterly, was to “create a more aesthetically, culturally, racially diverse program” in terms of students, faculty, and the kinds of writing considered for acceptance to the program. “I was really interested,” she says, “in finding…