“Can I add something to your mix?” asks John Cohen after I tell him that I’m attending the Big Sky Documentary Film Festival in Missoula, Montana, to write about it. At the time, I was new in town, having just moved there from London, England, and was finding my footing by writing about the place.
“Yes, please,” I reply. After all, this is the man who introduced the great banjo player Roscoe Holcomb to the world, photographed Bob Dylan before anyone else, and was the stills photographer for Robert Frank and Alfred Leslie’s iconic 1959 film Pull My Daisy. Of course I want his feedback.
“What is documentary?” he says, fixing me with a razor-sharp look.
“I think it’s changing at the moment. In flux,” I answer, thinking about the…