ONE HUNDRED YEARS AGO, LYTTON STRACHEY TOLD E.M. FORSTER THAT because he, Forster, was celibate, he didn’t know what he was talking about in Maurice, his novel of gay love triumphant. Strachey told him that the relationship he depicts between Maurice and Alec was unreal: That kind of love between men never lasted. But Strachey knew Charles Ricketts and Charles Shannon, artists living together when Forster finished his novel in 1914, and the characters of Maurice and Alec were modeled on the poet Edward Carpenter and his working-class partner, George Merrill, who, like Ricketts and Shannon, would live together for decades, until death. Such devotion is rare enough.
In A Great Unrecorded History: A New Life of E.M. Forster, Wendy Moffat tells us that Forster disapproved of the flamboyant carnation…
