Innehållsförteckning för 286 från Total Guitar

Welcome to your new look Total Guitar! Guided by the feedback that you, the readers, have given us we’ve been busy working to make your favourite guitar mag even better, and I think you’re going to like it! We want TG to be more useful, more hands-on and more about what you can get out of your playing than any other guitar magazine, so we’ve introduced a whole bunch of great new stuff, plus more of the existing stuff you love. First, we’ve added a song, giving you more tunes with backing tracks than any other mag, and we’ve brought in multi-brand gear round-ups designed to help you spend your hard-earned cash on the best affordable kit out there. Next up, our new TG Unplugged section means there’ll now be…

FILM OASIS – SUPERSONIC The long awaited documentary – produced by the same minds that brought us Amy and Senna – charts Noel and Co’s whirlwind rise to success from from their formation in Manchester through to the Britpop-defining gigs at Knebworth 20 years ago. It’s a must-watch for anyone who picked up a guitar in the mid-90s, featuring interviews with the band, and previously unseen archive footage – including some very early clips. The film is currently showing in cinemas around the UK, and will be released on 31st October. It’s the closest you’re gonna get to a reunion, so dig out your bucket hat, down a can of Hooch and get mad fer it. WHEN In cinemas now, DVD released 31 October LIVE PAUL GILBERT His latest album,…

1 “This thing is really special to me because it’s a completely new body design that Ibanez was gracious enough to allow me to conceive. I have a number of ergonomically designed extended range guitars in my collection, and I wanted to incorporate some of those design concepts into a guitar of my own, designed with Ibanez, – this is the result!” 2 “Aesthetically, I found that a lot of the guitars I was attracted to have really intricate natural wood finishes, but from a design standpoint I really wanted to make something that looked modern. So, I started referencing things like German car design – like Audi and Porsche – and even things like Apple products. And that’s where I got the idea of doing a matt finish. It’s…

Born To Run BRUCE SPRINGSTEEN The Boss could have released this book years ago and still had a wealth of material to draw from. The fact he didn’t suggests this is truly a passion project rather than a business obligation – which is how it’s always been in Springsteen’s world, and the poetically succinct but vivid prose fans will recognise from his lyrics pulses through his depictions of growing up in New Jersey here. There’s darkness; but it also brings new light to what has fuelled him as an artist. What emerges is a picture of a creative force also blessed with a crucial blue collar ethic that constantly gives him momentum. And the revelation that Born To Run started with a riff and the ‘Tramps like us’ line, then…

MANY PLAYERS COMBINE MULTIPLE OVERDRIVES TO IMPART EACH PEDAL’S CHARACTERISTICS ON THEIR SOUND 1 DRIVE This is the knob to turn when you want more gain 2 TONE Most overdrives include a single tone control. Full left will roll off the treble, full right will boost it 3 LEVEL The level control governs the overall output of the pedal. The higher you turn this, the more it will drive the front end of your amplifier WHAT YOU’LL LEARN What common overdrive controls do What to look for when buying a pedal How to use overdrive in your set-up 0 verdrive is bread and butter to guitar players, but it hasn’t always been this way. Back in the early days of the electric guitar, engineers strived to keep the guitar sounding…

1. JUST GOT PAID Rio Grande Mud [London, 1972] You know you’ve written a blues rock anthem when modern greats such as Joe Bonamassa have become renowned for covering it. The pick attack of the main riff carries the groove, which Billy contradicts with soft, sweet slide work that grows in intensity – making it one of the instant go-to’s for any bottleneck newcomer. 2. LA GRANGE Tres Hombres [London, 1973] Few songs exemplify why the raw nuances of using your fingers can sound infinitely better as well as La Grange. Billy’s A-shuffle blues intro simply wouldn’t feel right without that pop – it’s a technique which drives an almost unpredictable, spontaneous dynamic that brings more heart and soul into your playing. 3. BLUE JEAN BLUES Fandango! [London, 1975] Any…

1. CHOOSE YOUR LICK Choose a short, easy-to-repeat phrase and play it with your metronome or loop at a tempo where you’re making almost no mistakes. 2. START SLOW Practise the phrase to the click for 60 seconds. If 60 seconds is too long slow your click down a bit and try again. 3. INCREASE SPEED Increase the speed by 2 to 5bpm and play for another 60 seconds. It should barely feel any faster. 4. KEEP GETTING FASTER Repeat step 3 over and over, getting faster by a few beats per minute with each 60-second play through. 5. GO BACK TO THE START As you reach your speed limit and you start making mistakes, go back to your starting tempo – playing slowly should start to feel easier.…

WATCHING TV Grab your electric guitar, unplug, and play through short repeatable phrases such as legato lead lines or the classic spider exercise. The ‘subconscious’ approach to practice will help develop your muscle memory – and you don’t even have to stop watching Netflix! MAKING DINNER Even if you’re washing the dishes or frying off a Cumberland sausage, you can still practise – and we recommend ear training. Try singing or humming some major arpeggios. Sure, you’ll need to learn them beforehand, but that’s how ear training works. ON THE DAILY COMMUTE Okay, we don’t expect you to pick up your guitar while you’re sitting on the bus, but it’s a good opportunity to program a backing track that you can jam over later. With a free app such as…

In 2006, John Mayer began to follow a new musical direction, evolving his songwriting style on that year’s album release, Continuum, to bring more guitar to the laid back pop-tinged brand of soft rock that had brought him success. John always had chops (displayed early on with the fiendish finger-twister of a riff on 2001’s Neon), but, with an injection of blues attitude, a cover of Hendrix’s Bold As Love and guitar solos on nearly every song, Continuum was unapologetically framed around his six-string skills. 10 years on, you can learn how to play three of John’s best riffs from that era. Although quite different in tempo and groove, Belief and Slow Dancing In A Burning Room feel musically akin – most likely thanks to their diad-based melodies. Good Love…

Don McLean’s original LP version of American Pie is over eight minutes long, so, when the song was released as a single in 1972, it had to be sliced in half, spanning across both sides of a 45rpm record. It’s the shortened single version (ie, the A-side) that we’re looking at playing here. If you can play this part, you can play the whole song If you’ve only recently mastered open chord shapes then you can ignore the slash chords (D/F# and C/G) and just play the more basic D and C shapes in the first verse and chorus. You could also stick to D instead of playing Dsus4 and Dsus2 chords if it makes it easier. However, if you’re already confident with standard open shapes then we recommend playing…

1 IT’S ALL IN THE RIGHT HAND “With the gypsy right hand, everything is wrist strokes. So, to help with that, don’t rest your hand on the bridge, which is something that electric players do a lot. Keep your hand free – apart from maybe where it’s touching the body just below the elbow – so your whole wrist is away from the guitar. That will allow you to be relaxed when you’re striking the string, and that’s kind of the key.” 2 THE RHYTHM’S GONNA GET YOU “I always practise with a metronome, because rhythm is everything with swing music.” 3 GET OUT AND PLAY “The best thing is just to get out and play. Obviously you have to spend time in your bedroom, but don’t be afraid to…

FRET-KING ELISE ‘GG’ GORDON GILTRAP MKII Even if you’re not familiar with Mr Giltrap’s back catalogue, you stand a good chance of falling for his guitar, with its semi-hollow mahogany/maple body, slim neck, plus standard size and mini- humbucker pickup arsenal. HAGSTRöM SUPER SWEDE TREMAR Like the PRS Singlecut, the pretty Super Swede takes its inspiration from Gibson’s original 50s classic. In this instance, you get Hagström’s trademark thin but ultra-arable neck, a vintage vibrato, plus a couple of great-sounding humbuckers. GIBSON LES PAUL ’60s TRIBUTE This twin-P-90-loaded beast manages to pay homage to a guitar Gibson didn’t actually build back in the 60s. No matter, fat-sounding single coils, direct-mounted to a weight-relieved mahogany/maple body, is a match made in tonal heaven.…

Pitch-shifting means different things to different people. For some, it’s a simple chorus effect, while others will point at Jack White’s Seven Nation Army riff, played an octave down through a DigiTech Whammy, as a perfect example of creative shifting. That same pedal was used to fuel Tom Morello’s extreme pitch bends on Rage Against The Machine’s Killing In The Name , but pitch-shifting can also refer to the more refined harmonising guitar work of players such as Queen icon and badger lover, Brian May. Whatever your preferred pitch-shifter flavour, from the simple octave work of the TC Electronic Sub ’N’ Up to the iconic dive bombing of DigiTech’s Whammy Ricochet, the four pedals in this round-up cover all the major food groups.…

THE FIRST SONG I CAN REMEMBER… OB-LA-DI, OB-LA-DA – THE BEATLES “I remember singing it over and over again as a kid because it’s such an infectious melody. My parents would play it all the time.” THE SONG THAT INSPIRED ME TO PLAY… VOODOO CHILD (SLIGHT RETURN) – THE JIMI HENDRIX EXPERIENCE “I wanted to learn this because it sounded easy. That was foolish – you don’t start out with Hendrix! I learned the hard way. When I bought my first guitar I got a Chuck Berry songbook, and I learned the rudiments of Roll Over Beethoven.” THE RIFF I WISH THAT I’D WRITTEN… LA GRANGE – ZZ TOP “I’ll never get sick of hearing that, or Kashmir by Led Zeppelin. We played a festival with ZZ Top once, and…

CHRIS BIRD TG’s tuition editor has been nose to the grindstone writing and recording this month’s huge cover feature with long time TG contributor and virtuoso guitarist Richard Barrett. With 62 audio files for just this one feature, the pair haven’t cut any corners – and your practice routine will appreciate it! JOSH GARDNER Kicking off our brand new TG Unplugged section, Josh sat down with incredible gypsy jazz guitarist Remi Harris (p84). Even more incredible than his fret-blazing Django-esque chops, however, is that he’d never played a note of the stuff until he was 20 years old – maybe there’s hope for us yet! ROB LAING Rob knows just what it’s like to arrive in a new city wanting to collaborate with other players, but having no idea where…

Johnny Marr Book WHEN 7 & 10 November www.johnny-marr.com With his autobiography, Set The Boy Free for release on 3 November, Marr will host two special book events on 7 November at RNCM , Manchester, and at The Barbican, London on the 10 November. Glen Matlock Tour WHEN From 1 November twitter.com/glenmatlock The original Sex Pistols bass player tours the UK in November, playing songs and tell stories from his career at the heart of punk. Danny Gatton Film WHEN Now www.indiegogo.com A crowdfunding campaign has been launched to finish a new documentary film on the life of late Tele legend Danny Gatton. The Humbler (Danny’s nickname) is seeking to raise $36,000 for the final shooting and editing costs. At time of going to press the campaign was already 70…

‘HARDWIRED’ IS METALLICA'S TRIUMPHANT RETURN AFTER EIGHT LONG YEARS’ WHAT YOU WILL LEARN Build your picking speed Thrash-style pedal tone riffing Basic powerchord shapes CHEAT SHEET… APPEARS AT: 0:27-0:39 TEMPO: 185bpm KEY/SCALE: E minor/E blues MAIN TECHNIQUES: Alternate picking/ pedal tones Hardwired… To Self Destruct is Metallica's triumphant return after eight long years, and here we’re looking at the main riff from the record’s title track, Hardwired. The guitar parts are played in standard tuning so tune to EADGBE to play along. This all out thrasher of a riff is in the key of E minor and features E5, B5, B b 5 and A5 powerchords at its core, with super quick 16th note pedal tones on the sixth string providing a gutsy, almost mechanical sounding low end. Without doubt…

JOIN MY BAND A site dedicated to those looking to join and form musical collaborations. It’s free to sign up and you can immediately view the ads based on county. There’s thousands of ads so this looks like a good place to start. JOINMYBAND.CO.UK GUMTREE A lot of people now think of Gumtree first when they think of advertising online. It’s free to list adverts on here, and you can search by region in the Music, Bands and Musicians section. GUMTREE.COM JAMKAZAM This app allows you to sign up and play music live online with others – rehearse with people you know or join open sessions for a jam with people at a similar level of ability. You can even record and broadcast your performances. We tried JamKazam out for…

BEYOND BASIC CHORDS “I’m always playing the same basic major and minor open chords. How do I sound like the pros?” Major and minor chords are great. They may be the most basic chords we learn, but all guitarists use them. The easiest way to develop your playing on from the basics is to try out some ‘extensions’. For now, just think of extensions as adding notes to the chords you already know. You can experiment by adding notes in a random way wherever you have a spare finger – but, of course, this wont always work. Get started with our first few examples, which are variations on basic open chords (C, A, G, E and D), before moving up the neck to try out some chords with a richer…

1. PRACTISE EVERY DAY A little practice every day is more effective than a long session once a week. For beginners, 20 to 30 minutes a day, five days a week is plenty. 2. DON’T PRACTISE YOUR MISTAKES If you catch yourself making a mistake, stop and correct yourself. Don’t keep making the mistake or you’ll struggle to ‘unlearn’ it. 3. PRACTISE WITH A RHYTHM TRACK Play along to a metronome or drum loop when you practise – we prefer the latter. It’ll help you improve your timing. 4. RECORD YOURSELF We’re not talking about recording a six-minute prog epic here. Listening back to yourself will help you to identify areas that need more practice. 5. PRACTISE SLOWLY Every piece of music, every exercise or chord change is easier when…

Popularised by legends such as Muddy Waters, Buddy Guy, Otis Rush and Bo Diddley, Chicago blues took the acoustic roots of the Mississippi Delta style and added electric instruments and a rhythm section. And, of course, as amplifiers became commonplace, so did the overdrive tones we guitarists take for granted today. This month’s jam track is a slow Chicago-style blues ballad piece and we’ve provided you with scales and chord shapes – all you need to play along. Typically, the blues scale and dominant 7th chords (A7, D7 etc) feature heavily. Tonewise, dial in just a little overdrive so the sound is just breaking up when you play hard. It’s a great chance to try out your skills at improvising (see TG’s 30 Days To Perfect Playing feature on p50…

Oasis’ second No 1 single features Noel Gallagher taking lead vocal duties in place of his frontman brother, Liam. The arrangement has plenty going on, instrumentation-wise, including strings, acoustic guitar, organ and at least two electric rhythm guitar parts with Noel’s lead lines played on top. For our purposes we’ve combined the key lead and rhythm lines into a single transcription that you can follow from start to finish on one guitar. Noel’s use of the C major pentatonic scale (C D E G A) is the most notable element of the solos and in fact of his playing style in general, so make sure to practise the scale shapes. Most of the chords are made up of notes from the key of C major, so the C major pentatonic…

It’s hard to imagine a time when the Gibson Les Paul guitar was regarded as a bulky, unfashionable design. Well, in the early- to mid-60s that was exactly the case until a handful of exciting players began using them and, in particular, a young Eric Clapton plugged his 1960 model into a Marshall combo and turned it up loud. In 1966, on John Mayall’s Blues Breakers with Eric Clapton album, Eric produced what would become one of the most sought after overdriven guitar tones of all time – contributing in part to Gibson’s reintroduction of the Les Paul in 1968. Luckily for us, we can reproduce these kind of overdrive sounds without the blistering volume needed back then – though its recommended you give that a try sometime, too! Of…

This track begins with a calypso-based intro, and a trace of this continues right the way through the song. Van is quoted saying that it “…was just a mistake. It was a kind of Jamaican song… ” Don’t be put off by the tricky intro – it’s there only as a cue. Further down the road you can return to the song and learn it in full. In Rockschool’s version you’ll mostly be playing the vocal melody. Read the rhythm precisely and focus your energies there. The rhythm of the melody’s first phrase is repeated three times. The next section, starting in bars 13 and 14, does the same thing. It’s worth studying these variations as it provides a valuable insight into how a vocalist embellishes a melody line. Many…

“THIS IS ONE CHERRY THAT’S RIPE FOR THE PICKING” 1 FAT AND PROUD The SE’s neck is cut to PRS’s Wide Fat profile – a chubby chaser’s dream with plenty of girth to fill the palm. 22 beautifully finished jumbo frets and a low action add to the guitar’s truly stunning playability 2 EAR AND EYE CANDY The bulk of the SE’s thick body is cut from mahogany, but it comes crowned with a sculpted maple top decorated with a sliver of flame maple 3 TONE MACHINE  Chris Robertson spec’d the highly regarded US-made PRS 57/08 humbucker for his signature guitar. This is PRS’s take on the iconic Gibson ’57 PAF ’bucker AT A GLANCE BODY: Mahogany w/ sculpted maple top and flamed maple veneer NECK: Mahogany SCALE: 622mm (24.5”)…

THERE’S MORE TO THIS THAN A FUZZ BOX’S PERFECT DATE 1 NECK  The S-200 T-Bird shares much of its spec with the Gibson SG, including the same scale length, fingerboard radius and slim-profile mahogany neck 2 TONE MACHINE  The T-Bird’s bright-sounding vintage-spec mini-humbuckers offer a range of tones from 60s garage-punk, Johnny Marr-style jangle and thick 90s grunge 3 SWITCH-HIT  The complicated-looking switching set-up offers several different pickup configuration options, plus there’s a low-cut tone switch that’s similar to a Fender Jag’s ‘strangle switch’ AT A GLANCE BODY: Mahogany NECK: One-piece mahogany, glued-in SCALE: 628mm (24.75”) FINGERBOARD: Rosewood FRETS: 22 medium jumbo PICKUPS: 2x Guild LB-1 ‘Little Buckers’ CONTROLS: 2x volume, 2x tone, mode switch 1, mode switch 2: low-cut tone capacitor on/off, neck pickup on/off, bridge pickup on/off HARDWARE:…

IT ADDS A NOTICEABLE RESONANCE AND BOTTOM-END TO THE SOUND “How can I make my plugged-in acoustic sound more like it does unplugged?” It’s a question that has echoed through the practice rooms and venues of the land for decades. But more companies are now trying to answer it, and hot on the heels of TC Electronic’s BodyRez is this equally diddy ‘Spectral Reassignment’ pedal from Xvive. It sounds like a painful medical procedure, but it’s a process of creating EQ curves based on the recorded direct-out and ribbon mic sound of nine different guitars. In theory it sounds reminiscent of Fishman’s Aura technology, but we better find out if it can deliver, too… There are nine EQs here for using live or DI with one selection control. We aren’t…

Temple Of The Dog TEMPLE OF THE DOG This was a supergroup formed for all the right reasons in troubled times, coming as it did before Pearl Jam was introduced to the world and paid tribute to Stone Gossard and Jeff Ament’s Mother Love Bone bandmate, Andrew Wood – a close friend of Chris Cornell, who pens the bulk of the songs here. The Soundgarden frontman shows his soulful side for the first time on what’s one of his finest vocal performances and the Brendan O’Brien remix on this reissue dries some of the reverb to reveal more detail in Gossard and McCready’s magical alt-rock rhythm and blues dynamic. The second disc of alternative mixes and demos will interest fans of the reunited band’s only record (so far).…

The Fender Strat has been an icon since 1954, and remains a go-to guitar for loads of different styles. That said, the new Strat Deluxe takes the classic outline, and brings it bang up to date. It’s packed with modern features making it the perfect choice for a do-it-all guitar. The pickups are an HSS configuration, and those two single coils are Vintage Noiseless models, meanwhile, the Twin Head Vintage humbucker has got you covered for fatter sounds. That’s not all though, because this Strat also comes equipped with Fender’s S1 switch, so you can split the humbucker for traditional single-coil bridge sounds, too. The 22-fret neck features a contoured heel for comfortable access to the upper frets, plus a 12-inch radius to make sure your big bends don’t lose…

It’s growing close to five decades since that little ol’ band from Texas started forcing the blues into directions new – injecting a new sense of danger to the trusty pentatonic scale. And still, their guitarist and leader Billy Gibbons continues to innovate, always searching for new ways to make his amps cook and bring those swampy sounds of the south to life. In this rare and exclusive interview with TG, we’re invited to an audience with the sharp dressed man himself, where he reveals the secrets behind some of the most sizzling tones in blues history… BLAME IT ON THE BRITS Billy explains where it all came from… “This is my opportunity to highlight the importance, or perhaps rather place some of the blame on Great Britain. In the…

PRACTISE FRETTING YOUR RIFF You’ve got two hands and you’ll be using them both, but practising one hand at a time lets you focus on specific skills. Start with your fretting hand and play through your lick without worrying about speed, timing or how you pick. Identify any tricky position shifts and practise them slowly. GLOSS OVER THE HARDEST BITS It may sound counter-intuitive, but ditch the most challenging techniques and you may find you can play a rougher version of your song/ solo. This is a good thing – loosely playing through a piece is an achievement and you can keep practising the hard bits. Literally just ignore problematic notes all together. PRACTISE PICKING YOUR RIFF The idea here is to practise without any notes, so deaden the strings…

ALSO AVAILABLE OASIS: (WHAT’S THE STORY) MORNING GLORY TAB (Guitar Tab with chord symbols, 96pp, £16.95 ref. AM934802) This excellent songbook boasts a complete and carefully presented collection of all the songs from Oasis’ iconic second album. Includes huge hits ‘Wonderwall’, ‘Champagne Supernova’ and ‘Don’t Look Back In Anger’. Arranged for guitar and voice with guitar tablature and standard notation arrangements, this book is an ideal choice for all guitarists. Available from: www.musicroom.com DON’T LOOK BACK IN ANGER Music and lyrics by Noel Gallagher © 1995 Oasis Music Creation Songs Ltd.SM PUBLIShING (UK) LIMITED UK/EU reproduced by kind permission of Music Sales Limited. US/CAN reproduced by kind permission of hal Leonard Corporation. All rights reserved. International Copyright Secured. OASIS don’t look back in anger INTRO TrACKS 71-72 Pick…

WHAT IS TAB? Tab is short for tablature, a notational system used to give detailed information as to where notes should be played on the fretboard. Tab appears underneath conventional music notation as six horizontal lines that represent the strings of the guitar, from the sixth (thick) string at the bottom to the first (thin) string at the top. On these lines, numbers represent which frets you place your fingers. For example, an A note on the 2nd fret, third string, will be shown as a number ‘2’ on the third line down on the tab. Unfretted strings are shown with a ‘0’. The key and time signatures are shown in the notation. TG also includes a timestamp to tell you where in the original track you’ll find each example…

“I’m trying to blend gypsy jazz and my rock licks in one big melting pot” Remi Harris was just a kid when he first heard gypsy jazz – the frenetic, kinetic music invented by legendary Romani guitarist Django Reinhardt in the 1920s – but it never really pulled him in. “My granddad always played a bit of jazz on family holidays and things,” the 28-year-old English guitarist recalls. “But it kind of passed me by when I was younger – I was too interested in Led Zeppelin and AC/DC.” It’s a remarkable thing to realise – when you hear Harris’ remarkable, genre-defying take on gypsy jazz guitar on second album, In On The 2, you assume he’s been woodshedding Django licks since he was in short trousers – but in…

Welcome to the GAS (Gear Acquisition Syndrome*) Station! Every issue, the TG scours the market for the hottest new gear and brings you transparent reviews that you can trust. From the smallest of accessories that make your life easier, to big investments such as brand new guitars, amps and effects pedals – if it’s worth your attention, you’ll find it here! HOW WE TEST CURATION Our product selection is driven by our love of gear. We select the most exciting products on the market every month to bring you opinions you can trust. FACE-VALUE REVIEWS We’re not gear snobs here at Total Guitar. We judge on it on whether it looks good, sounds good and plays well – not by the name on the headstock. NO SNAKE OIL You won’t…

In the 70s and 80s, many guitarists tossed out their original hardware in favour of heavy brass parts and overwound humbuckers to pull as much output and sustain from their guitars as possible. But what guitarists such as Chris Robertson know is that the greatest guitar tones were achieved with fairly low-output pickups. The ultimate example is the Gibson PAF, a sonic icon regarded by Jimmy Page, Joe Bonamassa, Gary Moore and others as the best thing to ever happen to their eardrums. The pickup’s low output allows the guitar’s natural tone to shine through. So, there’s no reason you shouldn’t enjoy crushing skulls with pickups that produce enough power to shame your average nuclear reactor. Just remember, when it comes to great tone, sometimes less really does mean more.…

“YOU MIGHT BE SURPRISED JUST HOW ‘FULL-SIZE’ IT SOUNDS” 1 BODY  Like Taylor’s Big Baby, the Dreadnought Junior is 15/16ths of the size of a contemporary Martin dread. The scale length is also reduced from Martin’s long scale of 645mm (25.4”) down to 610mm (24”) – it feels quite like a capo’d guitar 2 TOP This swaps the original’s spruce top for Sapele – a hardwood, and close cousin to mahogany. It gives a different sound with slight compression compared to spruce, and it looks cool, too! 3 CONTROLS Like a more upmarket guitar, there’s no side-mounted preamp to deal with here: volume and tone controls are ‘hidden’ inside the soundhole. There’s no extensive EQ or tuner, however AT A GLANCE TOP: Solid sapele BACK & SIDES: Solid sapele NECK:…