IN 1990, AMERICAN TV viewers were introduced to the bucolic town of Twin Peaks, Washington—and to creator David Lynch’s creepy-campy propensity for distorting the mundane. In its short two-season run, the neonoir series netted a pile of awards, earned a cult following, and reset expectations for what a TV show could be, from the cinematography and music to the pervasive sense of dread. (The Killing, Top of the Lake, and Bates Motel all float on an undercurrent of Lynch ian sordidness.) On May 21—a quarter century after it went off the air—Twin Peaks returns, on Showtime, with Lynch directing and Kyle MacLachlan reprising his role as coffee-slurping, pie-noshing FBI special agent Dale Cooper. Though the auteur remains tight-lipped about the plot of the 18-part series, he dished about casting, cars,…
