Indholdsfortegnelse for April - May 2016 i Beadwork

Are you familiar with “The More You Know” public service campaigns that feature celebrities (and even the President!) encouraging people to stay in school, read, make healthy choices, etc.? While looking at all the projects and articles in this jam-packed issue, I just can’t get “The More You Know,” with its catchy jingle and shooting star icon, out of my head. Here are four of the many things you’ll know after reading this issue: 1. A new stitch! Expand your beading repertoire with the newest technique in beadweaving, diamond weave. See Stitch Pro on page 16. 2. Sherry Serafini’s beginning in beads. Read Sherry’s heartwarming story on how she discovered bead embroidery and her exciting connections with celebrities. See our interview with her on page 22 and her must-make pendant…

Have you ever inspired someone close to you to start beading? My mom is one person in my life who has taken a while to get hooked on beading. But recently, I taught her to do a beadwoven project by Jill Wiseman. She saw that my sevenyear-old daughter was able to make the project and thought, “If she can do it, so can I!” She has made several versions of that project and even started making other projects. I’m so proud of my mom and my daughter! —Lindsay Burke I taught my friend Alexandra how to bead a few years ago, and she has been beading ever since. Her first project was a bead crochet rope. We experienced a funny coincidence one year when we exchanged holiday gifts and realized…

Do you love working on a loom or are you simply eager to make fun and easy jewelry? In Juliana C. Avelar’s Jewel Loom Inspirations book, you’ll learn the basics of beading on a Jewel Loom. Push the boundaries of traditional loomwork by incorporating silk ribbon, fringe, leather, cording, and a variety of beads into your projects. Juliana shares fifteen of her favorite bracelet, necklace, and earring project tutorials as well as a diverse inspiration gallery. Available as a digital download at www.bit.ly/jewel-loom-inspirations-ebook or in print at www.bit.ly/jewel-loom-inspirations-print; $19.99. Take your exploration of the Jewel Loom to the next level with video download project workshops with Juliana C. Avelar. Bead alongside Juliana as she teaches you to make four beautiful projects using the Jewel Loom. Video downloads are available separately;…

Sherry Serafini is nothing less than a bead-embroidery goddess! Her designs have been worn by Melissa Etheridge, Steven Tyler (Aerosmith), Lenny Kravitz, and Fergie (The Black Eyed Peas)—and Cleopatra herself would have proudly worn one of Sherry’s elaborate beaded neckpieces. In her latest video series, Sherry explores how to incorporate found objects into your bead-embroidery projects, use shibori ribbon, connect components, and add edgings and fringe. We recently sat down with Sherry to talk about her new videos. Q:What was the inspiration for your recent videos? A: I simply wanted to share with other beaders who are interested in bead embroidery and are looking for a different approach. Beadwork is the most rewarding art form for me, and I love being able to express myself through it. Q: How did…

KITS ARE NOW AVAILABLE FOR THIS PROJECT AT www.bit.ly/paradox-bracelet-kit TECHNIQUE tubular netting variation PROJECT LEVEL MATERIALS 2 g nickel size 15° Japanese seed beads (A) 196 halo ethereal shadows 6mm flat 2-hole front-drilled triangles (B) 200 steel blue 3mm glass pearl rounds (C) 1 silver 5×18mm magnetic cylinder clasp Gray nylon beading thread TOOLS Scissors Size 12 beading needle FINISHED SIZE 9" 1) ROPE. Use a variation of tubular netting to form a dimensional rope: Round 1: Lay 4B on your work surface with the holes nearest you and the top point of each B facing away. Use 8' of thread to string the right hole of 1B, 1A, 1C, and 1A; repeat three times, leaving a 6" tail. Use the working and tail threads to tie a knot, forming…

TECHNIQUES right-angle weave circular peyote stitch PROJECT LEVEL MATERIALS 3 g transparent amber rose size 15° Japanese seed beads (A) 6 g bronze size 11° Japanese seed beads (B) 26 turquoise 6×9mm glass cat’s-eye beads (C) 29 bright gold 4mm crystal pearl rounds (D) 25 bright gold 5mm crystal pearl rounds (E) 1 antiqued copper 20×12mm decorative S-hook clasp 2 copper 6mm soldered jump rings Smoke 8 lb FireLine braided beading thread TOOLS Scissors Size 11 beading needle FINISHED SIZE 17" 1) CHAIN. Use right-angle weave circular peyote stitch to form the units of the chain: Clasp End 1: Add a stop bead to 10' thread, leaving a 4" tail. String 7B, 1D, 1 jump ring, 1D, and 1B. Pass through all the beads again, forming a circle. Pass through…

KITS ARE NOW AVAILABLE FOR THIS PROJECT AT www.bit.ly/crystal-pendulum-necklace-kit TECHNIQUES backstitch bead embroidery brick-stitch edging PROJECT LEVEL MATERIALS 1 g gold-lined crystal AB size 15° Japanese seed beads (A) 1 g gold-lined crystal AB size 11° Japanese seed beads (B) 1 g matte raku brown/purple size 11° Japanese seed beads (C) 12 metallic carnival 2×3mm magatama drops (D) 1 foil-back golden shadow 12mm crystal chessboard-faceted square cabochon 1 golden shadow 14×30mm crystal navette pendant 28 cream 2.5mm crystal pearl rounds (E) 1 brass 12×24mm hook clasp 10 brass 20-gauge 5.25mm jump rings 2 brass 18-gauge 7.25mm jump rings 3 brass 15-gauge 10mm jump rings 4 brass 14-gauge 14mm jump rings 2 × 2" of black beading foundation 2 × 2" of black leather or Ultrasuede 24 ½ " of brass…

TECHNIQUES circular and flat peyote stitch variations PROJECT LEVEL MATERIALS 0.5 g gold size 15° Japanese seed beads (A) 3 g gold size 8° Japanese seed beads (B) 4 g turquoise 5×2.5mm 2-hole SuperDuos (C) 3 g purple 5×2.5mm 2-hole SuperDuos (D) 3 g yellow 5×2.5mm 2-hole SuperDuos (E) 5 yellow 4mm pressed-glass rounds (F) 4 matte metallic green 4mm pressed-glass rounds (G) 4 matte metallic purple 4mm pressed-glass rounds (H) 1 gold 6×8mm magnetic clasp Crystal 6 lb FireLine braided beading thread TOOLS Scissors Size 11 beading needle FINISHED SIZE 73⁄8" 1) BAND. Use a variation of circular peyote stitch to form the units of the band: Unit 1: Use 4' of thread to string 1C, 1F, and 1C; pass back through the F just strung. Use the working…

Like many beaders, Noreen Morton was inspired by someone close to her—her mother. In the 1950s, Noreen’s mother, Tootsie, made some miniature beaded furniture from size 11° seed beads threaded on wire. Noreen admired the little sofa, chairs, and ottoman for many years, until she unexpectedly came across them in her mother’s kitchen trash can in the mid-1990s. Her mother was downsizing, but of course Noreen couldn’t bear to see the cute miniature furniture go out with the trash. She retrieved the pieces and straightened the wire, and she has continued to admire her mom’s handiwork for the past twenty years. Recently, Noreen started making beaded bracelets and necklaces, which gave her the idea to try replicating her mother’s beaded furniture. However, she had no written instructions. Noreen sat down…

EBOOK & VIDEO Get a sneak peek at Melinda Barta’s new eBook The Peyote Stitch Companion and her Peyote Stitch Companion: Basics video workshop. See page 57 and www.bit.ly/peyote-companion KIT Make this striking Crystal Pendulum Necklace by Melissa Grakowsky Shippee with chain, crystals, and a beadembroidered pendant. Page 54 and www.bit.ly/crystal-pendulum-necklace-kit KIT Use seed beads, glass pearls, and two-hole triangles to create this slinky Paradox Bracelet by Nichole Starman. Page 32 and www.bit.ly/paradox-bracelet-kit PLUS! Alternate Colorways Bonus. Do you love our project variations and want to know more about the colors and materials? For information on select alternate colorways featured in this issue, visit beadingdaily.com/AprilMay2016Colorways.…

Diamond weave, named after the shape of the technique’s building blocks, was developed by Gerlinde Lenz. While challenging herself to join pearls in rows and columns and form smooth edges without allowing thread to show, Gerlinde discovered this intriguing technique that uses whole diamonds of beads as building blocks and rows of stitches to stabilize the diamonds. Gerlinde considers diamond weave a “sophisticated sister” to herringbone stitch, yet it superficially also resembles a tilted swatch of right-angle weave. To share this exciting new technique with the beading community, she partnered with designer, photographer, illustrator, and writer Cath Thomas to produce their new self-published book, Diamond Weave. Cath and Gerlinde have graciously shared this technique with Beadwork. Note: This adaptation from Diamond Weave has been edited for space and Beadwork style.…

THIS PROJECT APPEARS IN SHERRY’S eBOOK, AVAILABLE AT www.bit.ly/serafini-doy-ebook TECHNIQUES backstitch bead embroidery tubular peyote stitch bead embroidery fringe brick-stitch edging PROJECT LEVEL MATERIALS Note: Select your preference of colors for these materials to enhance the creativity of your project. 2 g color #1 size 15° seed beads (A) 0.5 g color #2 size 15° seed beads (B) 0.5 g color #3 size 15° seed beads (C) 0.5 g color #4 size 15° seed beads (D) 2 g size 11° cylinder beads (E) 30 crystal 3mm bicones (F) 1 crystal 4mm bicone (G) 16 crystal 5mm lochrosen rhinestones (H) 7 fire-polished 4mm rounds (J) 8 glass 3mm pearl rounds (K) 1 glass 10mm round cabochon 1 stone 14×10mm oval cabochon 1 stone 18mm round cabochon Size 6 nylon or 4…

TECHNIQUES right-angle weave circular peyote stitch netting square stitch PROJECT LEVEL MATERIALS 3 g metallic light bronze size 15° Japanese seed beads (A) 7 g starlight permanent finish galvanized size 11° Japanese seed beads (B) 8 g matte mocha size 11° Japanese seed beads (C) 4 g opaque lavender size 11° Japanese seed beads (D) 5 g bronze 9mm (size 3) bugle beads (E) 76 green 4mm pearl rounds (F) 20 green 8mm pearl rounds (G) 1 gold-plated 35×10mm 6-strand magnetic tube clasp Crystal 6 lb FireLine braided beading thread TOOLS Scissors Size 11 beading needle FINISHED SIZE 7 ½ " 1) BASE. Use right-angle weave to create the base of the cuff: Row 1, Unit 1: Use 8' of thread to string {1E and 1B} four times, leaving a…

TECHNIQUES circular peyote stitch circular netting picot two-needle right-angle weave PROJECT LEVEL MATERIALS 2 g matte metallic dark olive size 15º Japanese seed beads (A) 2 g matte metallic dark olive iris size 11º Japanese seed beads (B) 8 g brown iris 5×2.5mm 2-hole SuperDuos (C) 104 crystal metallic light gold 2×3mm crystal bicones (D) 21 Indian sapphire 2XAB 4mm Swarovski crystal bicones (E) 1 bronze 5×11mm round magnetic clasp Smoke 4 or 6 lb FireLine braided beading thread TOOLS Scissors Size 12 beading needles FINISHED SIZE 7" artist’s tips If your clasp’s metal connection loop is large enough to accommodate beads, string an extra 2A to sit inside of the clasp loop in Step 3. The added beads will protect the thread from abrasion. Weave the tail threads toward…

TECHNIQUES circular peyote stitch variation right-angle weave variation PROJECT LEVEL MATERIALS 1 g opaque golden olive luster size 15° Japanese seed beads (A) 1 g magenta Duracoat size 11° Japanese seed beads (B) 7 g magic apple 3.8×1mm O beads (C) 5 g pastel burgundy 5×2.5mm 2-hole SuperDuos (D) 4 g pastel lime 5×2.5mm 2-hole SuperDuos (E) 38 olive 2.5×1.5mm crystal rondelles (F) 54 metallic amethyst 3mm fire-polished rounds (G) 1 gunmetal 16×10mm 2-strand tube clasp Smoke 6 lb FireLine braided beading thread TOOLS Scissors Size 12 beading needle FINISHED SIZE 7 ¾ " 1) COMPONENTS. Use a variation of circular peyote stitch to form the individual components: Rounds 1 and 2: Use 3' of thread to string {1D and 1C} six times, leaving a 6" tail. Use the working…

FAST AND FASHIONABLE MUST-MAKE DESIGNS EDITORS’ TIP MOST LARGE (15X30MM) OVAL CHAIN LINKS, SUCH AS THE STYLE USED HERE, WILL BE AROUND 18-GAUGE. TO GIVE YOUR NECKLACE THE APPEARANCE OF PRE-ASSEMBLED CHAIN, CHOOSE 8MM UNSOLDERED JUMP RINGS WITH THE SAME GAUGE. artist’s tips Depending on the size of your oval chain links, you may need to adjust the number and length of rows in your peyote-stitch strips. You can make strips using different sizes of seed beads within the same project. Try using cylinder beads instead of seed beads. TECHNIQUE peyote stitch PROJECT LEVEL MATERIALS 2 g metallic purple size 11° Czech seed beads (A) 2 g metallic light green size 11° Czech seed beads (B) 3 g metallic teal size 11° Czech seed beads (C) 2 g metallic gold…

WE WANT TO HEAR FROM YOU! If you’ve been inspired by projects in our magazine or want to share your original work, email us at beadwork@interweave.com. MELLA LEIBRAND of Westminster, California, adapted Pamela Lacasse’s Vineyard Trellis Bracelet (Beadwork, August/September 2014) to make a charming version of her own. BARB SWITZER of Redcrest, California, was impressed by Reem Iversen’s Mashrabiya Alley Bracelet (Beadwork, February/March 2016), and she made a slight structural change with big impact. SANDRA HUNTER of Queensland, Australia, transformed the design of Shae Wilhite’s Desert Diamonds Bracelet (Beadwork, October/November 2014) into a necklace. ALEXANDRIA STREET of Richmond, Virginia, made lovely alterations to Jennifer and Susan Schwartzenberger’s Palmetto Bracelet (Quick + Easy Beadwork, 2016). Check our website, beadworkmagazine.com, for corrections and announcements.…

TECHNIQUES right-angle weave variation netting PROJECT LEVEL MATERIALS 6 g matte chalk amber 3.8×1mm O beads (A) 9 g pastel light cream 3×5×5mm 2-hole Es-o beads (B) 20 matte metallic olivine 8mm 2-hole Tipp beads (C) 38 gold 6mm pearl rounds (D) 1 matte gold 10×18mm acrylic round magnetic clasp Gold nylon beading thread TOOLS Scissors Size 11 beading needle FINISHED SIZE 7 ½ " 1) BAND. Use a variation of right-angle weave to form the bracelet band: Top, Unit 1: Note: String each C so the point is faceup. Use 6' of thread to string 1B, 1C (top hole), and 1B, leaving a 6" tail. Pass through the second (outside) hole of the last B strung (Fig. 1, blue thread). String 2A, 1B, and 2A; pass through the first B…

TECHNIQUES cubic right-angle weave picot PROJECT LEVEL MATERIALS 2 g gold size 15° Japanese seed beads (A) 1 g matte olive size 15° Japanese seed beads (B) 5 g mustard-lined yellow size 11° Japanese seed beads (C) 2 g matte dark green opaque size 11° Japanese seed beads (D) 1 g gold size 11° Japanese seed beads (E) 30 light Colorado topaz AB 3mm crystal bicones (F) 1 pair of gold 19×12mm ear wires Smoke 6 lb FireLine braided beading thread TOOLS Scissors Size 11 beading needle FINISHED SIZE 2 ½ " 1) PENTAGON. Use cubic right-angle weave to form the bottom of the earring: Pentagon Cube 1, Bottom: Add a needle to the center of 10' of thread and bring the ends together to form a 5' doubled thread.…

TECHNIQUES circular peyote stitch netting PROJECT LEVEL MATERIALS 4 g 24k gold-plated size 15° Japanese charlottes (A) 3 g raspberry-lined crystal size 11° Japanese seed beads (B) 7 opaque turquoise blue Picasso 5×3mm 2-hole Rullas (C) 40 matte iris blue 3×10mm 2-hole crescent beads (D) 40 rose madder halo 6mm flat 2-hole frontdrilled triangles (E) 80 purple iris 2XAB 3mm crystal bicones (F) 40 champagne luster 6mm pressed-glass rounds (G) 40 lilac 2mm glass pearl rounds (H) 1 gold 7×13mm ball-and-socket clasp Crystal 4 lb FireLine braided beading thread TOOLS Scissors Size 12 beading needle FINISHED SIZE 7 ¾ " 1) COMPONENTS. Use circular peyote stitch and netting to create the bracelet sections: Round 1: Lay 5D horizontally on your work surface with each bead’s inside curve facing upward. Use…

Watch Melinda demonstrate all four of these clever techniques, plus everything else you need to know to get started in peyote stitch, in her new video workshop The Peyote Stitch Companion: Basics. Available as an instant download at www.bit.ly/peyote-basics-video or in DVD format at www.bit.ly/peyote-basics-dvd. Take your skills to the next level in Melinda’s workshop on intermediate tubular peyote stitch, where you’ll bezel rivolis and cabochons and create three-dimensional rings, ovals, squares, and triangles. Available as an instant download at www.bit.ly/bezels-and-shapes-video or in DVD format at www.bit.ly/bezels-and-shapes-dvd.…

TECHNIQUES two-needle right-angle weave variation peyote stitch variation PROJECT LEVEL MATERIALS 1 g metallic silver galvanized size 11° Japanese seed beads (A) 3.5 g metallic silver galvanized size 8° Japanese seed beads (B) 2 g crystal amber 3.8×1mm O beads (C) 8 g magic blue 5×2.5mm 2-hole SuperDuos (D) 2 g full amber 5×2.5mm 2-hole SuperDuos (E) 18 argent silver 6mm 2-hole Khéops par Puca triangles (F) 10 jet AB 12mm 2-hole pyramid hex beads (G) 1 silver 14×30mm magnetic rhinestone foldover clasp Smoke 8 lb FireLine braided beading thread TOOLS Scissors Size 12 beading needles FINISHED SIZE 7 ¼ " 1) BAND. Use a variation of two-needle right-angle weave to form the units of the band: Unit 1: Place a needle at each end of 10' of thread. Note:…

PASS THROUGH VS PASS BACK THROUGH Pass through means to move the needle in the same direction that the beads have been strung. Pass back through means to move the needle in the opposite direction. FINISHING AND STARTING NEW THREADS Tie off the old thread when it’s about 4" long by making an overhand knot around previous threads between beads. Weave through a few beads to hide the knot, and trim the thread close to the work. Start the new thread by tying an overhand knot around previous threads between beads. Weave through several beads to hide the knot and to reach the place to resume beading. STOP BEAD A stop bead (or tension bead) holds your work in place. To make one, string a bead larger than those you…