Indholdsfortegnelse for No. 350 i Photography Week

Welcome to the world’s No.1 weekly digital photography magazine. If you’re already a reader, thanks for your continued support and involvement; if you’re new to Photography Week, you’ve come to the right place! In addition to expert advice, brilliant tips and step-by-step tutorials, every issue features interactive galleries of the best new photos, how-to videos on essential shooting and editing techniques, and in-depth reviews of the latest camera kit. But that’s not the whole story. Photography Week is more than a magazine – it’s a community of like-minded people who are passionate about photography. To get involved, just follow any of the links below and share your shots and comments – your photo might even appear on our cover! JOIN THE PHOTOGRAPHY WEEK COMMUNITY AND START SHARING! FACEBOOK http://tiny.cc/7s2zgy TWITTER…

So you’ve decided that you want to start shooting weddings, but how do you even start? Well, the first step would be to simply get the word out there. These days social media is massive, so utilising this can really pay dividends – and what’s more, it’s completely free. Start by posting regularly about your company on social media, and informing your friends and family members that you are now shooting weddings. The more people who know you’re working as a wedding photographer, the better your chances are of generating interest. If you have the budget for it, then another option would be to exhibit at a local wedding fair. This will put your offering directly in front of brides and grooms to-be who are actively seeking suppliers for their…

In essence there are three core styles of wedding photography. First, there’s photojournalism – this is about capturing things as they happen, with very little interference or posing. On the other end of the spectrum is fashion-style photography. This involves intricate posing, and often multiple off-camera flashes for dramatic effects. Finally, there’s the traditional method, which requires people to look and smile at the camera, while a flashgun may be used to ensure that everything is uniformly lit and sharp. Remember, though, that these genres are not strict disciplines, and it’s possible to blur the lines between each to find a happy medium.…

When the lights go down and the music starts blaring, you know the party has begun, which is a perfect opportunity for you to capture some fantastic action shots of people pulling their best shapes on the dance floor. Even with the DJ’s disco lights projecting shapes and colours around the room, however, there won’t be very much light available for your camera, so unless you want to risk blurry or noisy shots, a flashgun is your best bet for capturing the action. Blasting direct flash at people is certainly one way of capturing the action, but the drawback is that the lighting is fairly one-dimensional. The people in your photos will appear motionless, frozen in time – and given that you’re photographing a dancefloor full of movers and shakers,…

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www.sony.co.uk £949/$899 Sony continues to push the performance boundaries of processing and autofocus, debuting new technologies in its flagship professional cameras before filtering these down to its consumer models. The Alpha 6400 has inherited the autofocus DNA of the full-frame A9, A7R III and A7 III models, boasting 425 phase-detection and 425 contrast AF points, plus what Sony claims to be the world’s fastest AF acquisition time of 0.02 sec. This autofocus system covers approximately 84% of the image area, and is sensitive down to -2EV. It boasts Sony’s acclaimed Eye AF system in single-shot and continuous shooting modes; Eye AF support for animals is due shortly. You also get real-time tracking for objects, thanks to object recognition that processes colour, subject distance and pattern as ‘spatial’ information. Sony is…

Chinese lens and adapter manufacturer Kipon has unveiled a new super-wide-angle optic designed for APS-C format bodies, the Ibegon 12mm f/2.8. So far the lens is only confirmed to be available for Fujifilm’s X mount, with the lens offering an effective focal length of 18mm when used with compatible Fujifilm bodies like the Fujifilm X-T30 and X-T3, and its wide maximum aperture should give it enough appeal for handheld applications, such as street and documentary photography. The lens has been designed with 12 elements spread across nine groups, and has seven blades on the inside to form the diaphragm. It can have its aperture stopped down to f/22 for those who need maximum depth of field, although the minimum focusing distance is unclear, as the product page states that it…

The first dance is the last big milestone for most couples on their wedding day. It’s the last big moment they will share together before cutting loose and dancing the night away with their family and friends. As most dancefloors are plunged into darkness, you may have to find your own means of generating light, and that typically means using a flashgun. But rather than tethering your flash to the top of your camera all night, why not try taking it one step further and experimenting by firing your flashes off-camera? It’s much easier than you think, and the results can really boost the creativity of your photos. In the walkthrough below we’ll explain how you can do just that, by using an off-camera flash to create a striking semi-silhouetted…

It wouldn’t be a wedding without outpourings of emotion. Whether it’s tears of joy or tears of sorrow for loved ones that are sorely missed, capturing such raw emotion on camera is something truly special. But the way in which you decide to edit these images can also play a huge role in how they translates to the viewer. I can’t think of many things better-suited than an emotional photo and a timeless mono conversion. The absence of colour teamed with the high-contrast greyscale tones is sure to pull at the heartstrings of the married couple every time they look at their photos to relive their special day. Draining the colour from the photo and upping the contrast is a common trick that wedding photographers use to really intensify the…

1 HOUR A camera’s shutter mechanism sits in front of the image sensor and is made up of two ‘curtains’. Before you take a shot, one curtain is closed, blocking the sensor, while the other is open, and raised above the sensor. As you press the shutter release button the first curtain (covering the sensor) opens, exposing the sensor to light, and at the end of the exposure the second curtain closes, blocking the sensor again. So when we talk about the length of an exposure, or shutter speed, we’re referring to the time between the camera’s shutter opening and closing; if we talk about a ‘one-second exposure’, the front curtain opens, and a second later, the rear curtain closes to cover it. The reason two curtains are used is…

Wedding photographers will always be in demand. Where there’s a wedding, there’s a need for a wedding photographer, and it’s this demand that’s causing an increasing number of freelance photographers to adopt the genre as a means of generating income. When approached in the right way, working as a wedding photographer can be incredibly rewarding, both creatively and financially. It’s also really flexible; whether you’re just looking to cover a few weddings a year at the weekend in order to earn yourself a bit of extra pocket money, or you want to make a full-time career out of it, there’s often plenty of work to go around. Shooting weddings is also a fantastic way to hone your skills as a photographer, as it requires you to master a multitude of…

It’s no secret that the wedding industry is one of the most fiercely competitive arenas for suppliers to operate in. With a plethora of wedding photographers to choose from, brides and grooms to-be aren’t short of options. That’s why it’s important to ensure that your work stays relevant, and in touch with the latest trends. Make no mistake, this doesn’t mean that you have to sacrifice your own individual creativity or style and emulate the masses, but you do need to be constantly aware of what styles, compositions and colour grades are increasing in popularity, and use this knowledge to adapt your own work. This will only help when it comes to securing bookings. Social media platforms such as Facebook and Instagram are teeming with wedding photographers who regularly share…

1 GATHER YOUR EQUIPMENT You’ll need a few bits of kit for this technique. First, you’ll need a flashgun, and a means of firing it remotely via a set of wireless triggers. You’ll also need a light stand on which to mount your flash. 2 CAMERA SETTINGS Switch your camera to Manual mode (M on the mode dial), and set the shutter speed to 1/125 sec and the aperture to f/11. Set the ISO to around 400 to keep digital noise low. 3 SET UP YOUR FLASHGUN Switch on your flashgun, and set it to manual to give you full control. Now set the power to around 1/4. If you’re using multiple flashes, duplicate these settings for all of them. 4 WIRELESS TRIGGER Take your wireless trigger, attach the receiver…

Award-winning photographer and film-maker Beno Saradzic was lucky enough to be one of the first photographers to get his hands on Fujifilm’s new GFX100 102MP medium format camera – and he didn’t waste the opportunity, using it to create this breathtaking three-minute high-res timelapse of Dubai at night. Saradzic is a Fujifilm ambassador, and as such he was invited to test one of the first prototypes of the camera. “I was dying to see what a 12K sensor could produce. I was expecting impressive results, but nothing prepared me for the images I was seeing at on my 4K monitor, blown up at 100%,” he writes at his Vimeo page. “The clarity, sharpness, vibrance and the resolution of the photos produced by the GFX100 is absolutely astounding.” Click the link…