Indholdsfortegnelse for No. 375 i Photography Week

Welcome to the world’s No.1 weekly digital photography magazine. If you’re already a reader, thanks for your continued support and involvement; if you’re new to Photography Week, you’ve come to the right place! In addition to expert advice, brilliant tips and step-by-step tutorials, every issue features interactive galleries of the best new photos, how-to videos on essential shooting and editing techniques, and in-depth reviews of the latest camera kit. But that’s not the whole story. Photography Week is more than a magazine – it’s a community of like-minded people who are passionate about photography. To get involved, just follow any of the links below and share your shots and comments – your photo might even appear on our cover! JOIN THE PHOTOGRAPHY WEEK COMMUNITY AND START SHARING! FACEBOOK http://tiny.cc/7s2zgy TWITTER…

“Wide apertures such as f/2.8 can throw everything but the subject out of focus for a striking look” Macro isn’t a niche genre, but it M is a specialist one, and the kit required in order to capture successful images certainly reflects that. In terms of cameras, the image quality and large viewfinder offered by DSLRs means they’re still the go-to choice for taking close-ups. The sensor size differs between cameras, however, affecting how magnified or ‘cropped’ your final images will appear (see the next page for more on this). As macro is such a precise pursuit, it’s best to take your camera out of Auto mode and instead control the settings in Manual, or with the semi-auto modes of Aperture or Shutter Priority. While nature is the preferred subject…

Some macro subjects are best S captured, or can only be captured, in the great outdoors – think fungi, insects, amphibians and plants – especially if you want them displayed against a stunning natural environment. While shooting outside is enjoyable, it’s very different to being in a home studio setup, and you’ll have much less control over the environment and lighting conditions. Any outdoor photography means being at the mercy of the weather, so check the forecast for several days leading up to a shoot. Strong winds are a no-go where butterfly and dragonfly hunting is concerned, and you’ll also find it harder to freeze plant life without relying on faster shutter speeds. Working with macro wildlife is a fascinating yet frustrating endeavour that can require a lot of patience.…

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1 HOUR One of the big advantages of DSLRs and mirrorless cameras is that they use interchangable lens systems, so you can attach a lens to suit the demands of the subject you’re shooting: a wide-angle optic for landscapes, macro for extreme close-ups, or a super-telephoto lens to turn distant wildlife into frame-filling shots. There is one drawback though: every time you swap a lens there’s a chance that dust might find its way onto your camera’s sensor. This can then show up in your images as dark spots, also called ‘sensor spots’, and it’s a sign that your camera and optics need a clean. By default your DSLR or mirrorless camera will be set to use vibrations to shake dust off the sensor every time you turn the camera…

Olympus has confirmed that its new entry-level mirrorless camera, the PEN E-PL10, is now available to buy in the UK and Europe. The E-PL10 is a beginner-friendly Micro Four Thirds camera with the same core features as the PEN E-PL9, which means it has a 16MP sensor, 8.6fps burst shooting and the ability to shoot 4K video at 30fps; in fact the new camera is only a modest upgrade over its predecessor. As before, the camera offers 3.5 stops of in-body image stabilisation, which is helpful for both shooting video and preserving image quality in lower light. Fine-tuning for filters So what’s new? Not much, apart from a new Fine Tune option for Olympus’ popular Art Filters, which lets you adjust the levels of those filters if they’re either too…

A macro lens really is essential A for getting the most out of this genre, as it will enable you to focus on subjects far closer to the camera than would be possible with any conventional optic. A true macro lens is capable of a reproduction ratio of 1:1 (at its closest focusing distance), where subjects are recorded on the image sensor at life size. There are specialist lenses that get even closer than this, such as the Canon MP-E 65mm f/2.8, which can capture subjects at up to 5x life size. Every lens varies in weight, reach, size and focusing distance, and many boast features such as stabilisation modes. The majority of macro lenses are prime, or fixed focal length optics, ranging from 35mm to 200mm, but the most…

PINK EYED PRAYING MANTIS LES WIGGIN “A macro shoot of all things creepy crawly included this pink-eyed praying mantis. Luckily for me it posed nicely, looking directly at my camera for its closeup.” http://tiny.cc/9y87dz AQUAMARINE MARK TUNSTALL “This is probably most typical of my images of late, a simple abstract seascape taken from Porthcothon Beach in North Cornwall, with selected layers of motion blur and a tint.” http://tiny.cc/lvjafz RUDBECKIA DROPLETS HELEN GEORGE “After heavy rainfall guara buds were the host for these Rudbeckia refractions. I shot this image with my Panasonic DMC FZ200 and Raynox macro lens M-250.” http://tiny.cc/ej97dz POSING, SONY EVENT 15 MARIO OTTAVIANI “I shot this portrait during a recent Sony photography event.” http://tiny.cc/b8woty HOLLOW WOODS IVELIN ALEKSANROV “I was looking for ways to create images that are…

ELINCHROM D-LITE RX 4/4 TO GO For plentiful power with easy control, superb quality and F all-round versatility, the Elinchrom D-Lite RX 4/4 To Go Set twin-head kit wins out. Taking its performance, features and quality into account, it’s also great value. The only limiting factor is that it’s not battery-powered, so you can’t use it where there’s no access to an electrical mains outlet, unless you invest in a power inverter. For battery-powered flash, Elinchrom wins out again with its ELB 500 TTL To Go Set. The Profoto B10 Plus is eminently portable and works brilliantly, but it’s comparatively pricey. As a budget buy, the twin-head Interfit Honey Badger Unleashed kit delivers impressive performance at an affordable price. If you’re more interested in lower-power, constant lighting, the Manfrotto offers…

Photography in all its genres can be used to showcase familiar subjects in a new light. Macro reveals intricate and previously unseen details, as tiny worlds that are often too small to be seen with the naked eye get thrown into clear view for us to marvel at. For an image to be called a true macro shot, it must replicate a subject at life size (a 1:1 reproduction ratio) or larger on the camera sensor. Butterflies, insects, bugs, water droplets and still-life objects are all subjects that look both fascinating and beautiful when magnified to larger-than-life proportions, and it’s with this fascination in mind that we’ve put together this comprehensive guide to macro photography. Over the next few pages we’ll cover the kit you might want to try, plus…

Light is the key element of any L photograph, but with macro photography it’s often a limiting factor. This is because the genre often requires a narrow aperture to be used, which helps to obtain a sufficient depth of field and get everything in focus, but limits the amount of light entering the lens. Having a lens very close to a subject can also block out light, and cast shadows across it. When shooting inside you’re likely to need additional light sources, such as macro flash units or continuous lamps. On-camera flash tends to produce poor results because the direction of light can’t be controlled, but a specialist macro flash unit, such as a ring or twin light, can be used to illuminate nearby subjects from all sides. Most models…

A stunning black and white image of leaping rabbits has won top prize in the 2019 Nature Photographer of the Year awards. Hungarian photographer Csaba Daróczi shot the image, which shows two white rabbits from a colony in Kiskunsag, Hungary, fighting over food. The judges chose the image for its “atmosphere, timing, beautiful light, perfect sharpness and composition”. Jury chair Keith Wilson added: “This photo is proof of the fact that you don’t have to get an extremely rare or extraordinary species in front of your camera to be able to create a great nature photo. If you have a vision and a creative mind you can create a great shot close to home.” You can see Daróczi’s winning image above, along with some of our other favourites from the…

For a home studio setup, or if you’re shooting indoors on location, there’s no beating the power and versatility of a conventional mains-powered flash kit. Prime options include the likes of the Elinchrom D-Lite and Interfit Honey Badger twin-head kits, which are easy to carry around, yet quick and easy to set up, and simple to use. The only real problem is if you want the versatility of being able to shoot outdoors, using a flash head to supplement natural daylight. Mains-powered kits won’t be much use if there’s nowhere to plug them in, but there’s a growing range of battery-powered flash heads that are as powerful as most studio heads, and vastly more so than flashguns. When you’re supplementing the sun, or even overpowering it to turn day into…