Indholdsfortegnelse for No. 480 i Photography Week

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APERTURE CONTROL “The ever-changing weather can make shooting tricky, with brightness levels varying,” says Ben. “I use Aperture Priority to control depth of field on these days, when it’s cloudy with sunny outbreaks, but I also use Manual a lot for portraits of more sedentary wildlife. On a day like today, I’ll start at f/5.6 and adjust up or down as required.” PUMP UP THE ISO “I adjust the ISO according to the weather and light levels,” says Ben. “For big cats you want a shutter speed of around 1/1000 sec, so when shooting at f/4 to f/8 I needed to increase my ISO accordingly to get a fast enough shutter speed. On my 1D X Mark II, I was shooting between ISO2000 and 3200 all day, as it was…

SIMON’S COMMENT This was a rare photo of the big cats I shot from our own vehicle – with the windows up, of course! We watched the male lion stalk out of the shadows, towards the females sunning themselves, and managed to get in place as he walked towards us. I loved using the EF 500mm f/4L IS II USM, which is huge compared to my EF 400mm f/5.6L USM. Ben suggested using a little negative exposure compensation (-2/3 stops) to darken the background, as the lion was lit by a brief burst of sunshine. EXPERT INSIGHT AF POINT SELECTIONS Ben suggests changing your AF point selection to suit your subject: “Start off with ‘Expand AF Area’ or the equivalent, which gives you a cross of focus points within which…

BEN’S COMMENT Simon is already an accomplished wildlife photographer, but it was good to be able to offer a few key pointers to improve his techniques. For this shot, the huge tiger was running towards us, because the tractor with horse meat was moving behind us. It was a tough shot to get sharp, as the focusing distance was constantly changing with the tiger running so fast in our direction. I used continuous AF with predictive AF mode, placing a central AF point on the tiger’s head to increase the accuracy. The shutter speed had to be high to ensure a sharp shot, so I increased the ISO to 2000, meaning I could shoot at over 1/1000 sec. The forest background makes it look like the tiger has just run…

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www.sony.co.uk £2,399/$2,499 Traditionally, the Alpha 7 has been the range’s ‘vanilla’ camera, with the ‘R’ models adding resolution and the ’S’ models adding sensitivity. But there’s nothing vanilla about the A7 IV. While it technically supersedes the A7 III, this is an altogether more advanced camera that, we think, targets a higher-level audience. The A7 III will continue in Sony’s lineup for now, with that model and the A7C offering the ‘beginner’ options for the full-frame Sony camera system going forward. We’ve only spent a few hours with the A7 IV so far, but it’s some way from an entry-level camera in its capabilities – and in its complexities. Key features Where do we start? How about the sensor? The A7 IV’s new 33MP sensor is hardly headline news by today’s…

FeiyuTech has launched the Scorp and Scorp Pro 3-axis gimbals for DSLRs and mirrorless cameras. FeiyuTech also makes smartphone gimbals and action camera gimbals, but the Scorp and Scorp Pro are its latest top-of-the-range models, joining FeiyuTech’s existing AK series for DSLRs and mirrorless models. The Scorp design boasts ’Super Anti-Shake’ with a new W9 generation algorithm, Arca Swiss camera plate compatibility, an integrated hanging handle for low-angle shooting and ‘Somatic Remote’. It also features a 1.3-inch touchscreen and Magic Wheel controller for focusing or three-way movements, while regular balancing should be made quicker thanks to 5-way balance adjustment and sliding memory point adjusters. A clever flip-down ‘aileron’ bracket gives the Scorp two extra ‘feet’, so that it can stand on its own without a tripod. Inside is a 2500mAh…

SIMON’S COMMENT We started our VIP photo experience at Longleat in the 4X4 zebra truck. Our guide was able to drive off-road to position us perfectly on either side of the lions, ensuring that we had better backgrounds, instead of the fencing of enclosures. This female came so close that I only needed my 70-200mm lens. I shot at f/4 to make sure her whole head was in sharp focus. We needed to adjust the white balance, as the grass had added a green colour cast to the lion’s fur. PRO TIP OUT-OF-FOCUS FOREGROUNDS By including foreground detail you’re creating the perception of depth. Look for natural foliage that you can place in between you and the subject, and set a wide aperture to blow it out of focus. This…

1 PRO DSLR BODY Ben uses the flagship Canon EOS-1D X Mark II DSLR for all its pro-quality features. Having a camera body that’s robust and weather-sealed is key when you’re out on location, and the EOS-1D X Mark II meets the durability requirements, while also offering top-class performance thanks to its superior 14fps burst speed, intelligent autofocus tracking and excellent high-ISO image quality. 2 SUPER-TELEPHOTO PRIME Ben used his super-long ‘portrait’ lens to capture frame-filling headshots of the lions and tigers. The powerful reach of the Canon EF 500mm f/4L IS USM enabled Ben to shoot from a safe distance inside the truck and still able to get those closely-cropped shots of the big cats. “At 500mm the focal length produces an incredibly shallow DoF to really blur backgrounds,”…

1 HOUR Every season of the year is a treasure trove of potential for landscape photographers, but autumn’s melting pot of orange, red and yellow hues is something truly special. However, if you’re going to capture this dazzling display at its very best, you’ve got your work cut out for you. Peak autumn changes year upon year, and can depend on the trees you’re shooting and even your location. The best conditions don’t last long either, so if you’re not ready to pounce you can miss your chance. We’d recommend keeping a close eye on the foliage in your area between October and November; and, if you have a special location in mind, regular visits will improve your chances of hitting autumn’s golden jackpot. While we wouldn’t recommend relying on…

THE PRO BEN HALL CANON EOS-1D X MK II Wildlife pro Ben Hall is based in Cheshire, UK, and took up photography in his teens. He turned pro in 2003, and he’s since won countless bird and wildlife photography awards. He runs group and 1-2-1 photography workshops throughout the UK, focusing on iconic British wildlife, as well as leading trips to more exotic locations overseas, photographing everything from big cats to bears. To see Ben’s images, and for details of workshops, visit https://bit.ly/3npFhYq THE APPRENTICE SIMON CARDER CAMERA: CANON EOS R5 Simon is a semi-pro wildlife photographer who lives near Bath in the UK. When he’s not working he spends his time shooting everything from insects to birds around Somerset and further afield. Simon is a published and award-winning photographer…

1 KNOW YOUR SUBJECTS Learn as much as you possibly can about the habits of the wildlife subjects that you’re planning to photography. Ben has done hours of research into the behaviour of big cats over the years, but the Longleat guides are invaluable, as they know the animals and their characters intimately, and can tell when they’re likely to sit happily, or are about to attack the truck! 2 WEAR SUITABLE CLOTHING Dress for comfort. Wearing warm and protective clothing is of paramount importance when you’re shooting outdoors. The more comfortable you are, the longer you’ll be prepared to stick it out, and the better your chances of bagging some winning shots. 3 COMPOSITION Work on compositions that will complement your subjects. Use AF points to position subjects off-centre…

German photographer Adrian Rohnfelder’s dream is to travel to another planet, but while he waits for the call from Richard Branson or Jeff Bezos he’s seeking out and photographing what he calls the “extraterrestrial landscapes on our planet” for his project Interstellar. “In the spring I visited the Fagradalsfjall volcano on Iceland as a counterpart to the hellish surface of Venus,” Rohnfelder tells Photography Week. “Shortly afterwards, I set off for the Namib Desert in Namibia. The dunes there, glowing in all shades of red, are the perfect counterpart to the planet Mars.” His focus is on simple, graphic images. “With as few details as possible, and away from an overly realistic image, I tried to emphasise the otherworldly character of these landscapes.” Click the link to see more of…

Super Resolution is a feature in Photoshop’s Camera Raw and Lightroom that doubles the size of your photo. Resolution-boosting tools have been available in Photoshop for a long time, but this one is different. While older tools such as Image Size would increase resolution using standard bicubic upsizing, Super Resolution instead employs machine learning to boost the pixel count. It calls upon a database of millions of pairs of high-resolution and low-resolution sample images, compares the detail in your photo to the similar detail it recognises in these sample photos, then calculates the optimum way to enhance the detail and upsize the photo. It’s a powerful way to boost resolution or fill in lost detail in photos, and whether you want to enhance a high-res raw file or rescue a…