Indholdsfortegnelse for No. 572 i Photography Week

Welcome to the world’s No.1 weekly digital photography magazine. If you’re already a reader, thanks for your continued support and involvement; if you’re new to Photography Week, you’ve come to the right place! In addition to expert advice, brilliant tips and step-by-step tutorials, every issue features interactive galleries of brilliant photos, how-to videos on essential shooting and editing techniques, and in-depth reviews of the latest camera kit. But that’s not the whole story. Photography Week is more than a magazine – it’s a community of like-minded people who are passionate about photography. To get involved, just follow any of the links below and share your shots and comments. JOIN THE PHOTOGRAPHY WEEK COMMUNITY AND START SHARING! FACEBOOK http://bit.ly/39py9lg TWITTER http://bit.ly/2vGadLP FLICKR http://bit.ly/2VIgsJO We’re more than just a magazine – read…

Travelling light is key, even when it comes to your camera gear. However, you don’t have to compromise on functionality. There are various ways to achieve your objectives with minimal yet versatile gear. Most important is to know how to make the most of what you have, using your gear to its fullest potential. Make sure you pack the essentials, including your camera, lens, extra batteries and an SD card. If you’re looking for a camera that’s perfect for travel photography, the Sigma fp L weighs just 427g (0.94lbs) and is perfect for framing on-the-go moments without weighing you down. When travelling, it’s always a good idea to pack more than one memory card. Not only does this provide insurance against data loss due to any damage, it also allows…

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30 MINS It’s often said that eyes are the most important feature in a portrait. When you’re shooting portraits you should always be looking for ways to draw attention to them, and one way we can do this is by making sure they have catchlights. These are the tiny reflected highlights we see in a person’s eyes, and while they may be small, these little sparks draw the viewer in and bring the subject to life, which is why you’ll see catchlights in most good portraits. Catchlights are, of course, created by the surrounding lights. This could be anything that emits or reflects strong light, such as a lamp, a window, flash, or reflections from sunlight. If you want to learn about portrait lighting, catchlights can tell you a lot.…

N-PHOTO N-Photo is a monthly magazine for Nikon photographers, and is packed with technique and Photoshop video lessons every month. http://bit.ly/3atHLfO https://apple.co/2TNE26T PHOTOPLUS PhotoPlus is a monthly magazine for Canon photographers that features expert advice, tips and video tutorials on all things Canon. http://bit.ly/30FoOlQ https://apple.co/2vaIdzw DIGITAL CAMERA WORLD A monthly magazine that aims to improve your photography with an inspirational mix of amazing images and how-to articles. http://bit.ly/2RER7g6 https://apple.co/2RBrZqG DIGITAL PHOTOGRAPHER The monthly kitbag essential for enthusiast and pro photographers, packed with tutorials, exclusive interviews and the latest reviews. https://bit.ly/3lH4ucX https://apple.co/2SJf6ff…

Sony has unveiled two new full-frame additions to its Alpha mirrorless camera line: the A7C II, and the A7C R, which is essentially a higher-resolution version of the same camera. There’s also a new FE 16-35mm F2.8 GM II lens, a wide-angle zoom that completes the second generation of Sonys trinity of lenses. Succeeding the A7C, the A7C II sports much of Sony’s latest tech that’s also found in the A7 IV, in a more travel-friendly body. Sony has gone with a 33MP BSI Exmor R sensor for the A7C II, which is a bump from the 24MP sensor in the A7C. This is teamed with its now tried-and-tested Bionz XR and AI processor combo, with Sony says will make the A7C II up to eight times faster at processing…

Online search engines such as Google are great tools for allowing us to explore famous landmarks and architecture around the world from the comfort of our sofas. However, these images can influence our perception of well-known subjects, and the danger is that we arrive at a location and create an identical photograph to everyone else. Try to focus on new perspectives, approaching familiar subjects with a fresh eye. Give yourself enough time at a particular location to explore the area and experiment with different angles. To achieve captivating perspectives, disengage from the usual eye level. One effective technique is to photograph from a high vantage point. Often, you’ll find art galleries with tall windows or cafes with outdoor terraces – these are perfect for elevating your photographic point of view.…

“WORK ON COLOUR TEMPERATURE TO REFLECT THE LOCATION’S CHARACTERISTICS” After your trip, you’re likely to have many hundreds of images to sort through. Geotagging will help you to keep track of them, but it’s best to take a moment during your trip to delete any failed shots and keep the number of images under control. To avoid having to spend hours editing your images, it’s best to create presets for different lighting situations. This way, basic adjustments of brightness and contrast can be quickly optimised. When fine-tuning, consider working on the colour temperature of images to reflect the characteristics of the location. When travelling to different regions, the sun has a different effect on the environment due to its position. This example is evident in most movies, which have a…

Drones such as the DJI Mavic Air 2 are valuable tools for travel photographers, offering wider views of dramatic landscapes and enabling photographers like Luke to capture shots that would otherwise be impossible to frame. They’re also a game-changer in terms of allowing you to scout areas to find the best location and angles for photography. However, before taking off, it’s important to practice in an open and secure area far away from mountains and water. Check the regulations in the area where you plan to use the drone, as there are legal restrictions on flying drones in some places.…

COMMON TERN WITH CATCH IAN SILVESTER “A parent tern returning to their chicks with a freshly-caught fish. Taken at the Blashford Lakes nature reserve in Hampshire, UK.” https://bit.ly/3StOQTI ALHAMBRA REFLECTION PHILIP WOOD “Waiting for a few minutes for tour groups to pass by allowed me to shoot this great reflection photo without disturbance at one of Spain’s most visited tourist sites. Luckily the water channel was turned off, so I got a perfect reflection.” https://bit.ly/3Ov32dU EMBRACE RICHARD HARVEY “Shot with my Canon EF 100mm f/2.8L Macro IS USM lens. Backlight with reflector to side, three images manually focused and merged, exposure adjustments in Affinity Photo.” https://bit.ly/3DiGCWx NON SMOKING CAR LACHLAN KAY “Taken at the Glenreagh Mountain Railway rolling stock yards in New South Wales, Australia. Five-shot HDR, processed using Photomatix.”…

Before colour film, hand-tinting photographs was a specialist job. Painters would painstakingly add splashes of colour to prints – or, in the case of moving images – directly onto the roll of film using tiny brushes. These days, we can add colour to our old photos by using a simple Photoshop technique, and the Colorize filter can do much of the work for us. As one of Photoshop’s powerful Neural Filters, it uses artificial intelligence to recognize people and objects in a photo, and colour them accordingly. Like other automated tools in Photoshop, the command works brilliantly on some photos, and less so on others. But even if the results aren’t perfect, the filter gives you a solid starting point for further manual edits, as you’ll disover in this issue’s…

When embarking on a new adventure, your camera is the ideal companion for capturing memories and experiences that will last a lifetime. Travel photography is a thrilling but difficult genre that demands mastery of various styles, including landscape, architecture, portrait and street photography. All of these elements are essential in achieving the main objective of travel photography: to tell the story of your trip, and capture the essence of the places you visit. To accomplish this, your images should aim to reflect the distinctive aspects of a location, showcasing its unique beauty, while also portraying the mood and feeling of the culture and people. Together, these aspects evoke a sense of the place that differentiates travel photography from documentary photography, which aims to capture a society more objectively and highlight…

In order to draw attention to particular elements in the photograph, it’s advisable to isolate the subject with a shallow depth of field. To blur the background as much as possible, open up the aperture to the maximum (smallest f/number). This also causes more light to fall on the sensor, so it’s important to work with low ISO values to balance the exposure. This technique is particularly recommended if the background is either cluttered or dominant, making it easier for the viewer to focus on the subject.…

1 CAMERA RAW EDITOR To work on your image in a more intuitive way, while still having control over the adjustments, open the image in Adobe Camera Raw, or your preferred raw editor. 2 CURVES Select the Curve option and play around with the basic settings, including brightness, shadows, and highlights. Adjust the red and blue channels to enhance the warmth or coolness of the photo. 3 WHITE BALANCE Open the Basic settings tab, and change the White balance to custom. From here, you can increase the Temperature slider to enhance the warm tones or decrease it for a cooler effect. 4 COLOR GRADING WHEEL The Color Grading wheel offers four different options to work on: Shadows, Midtones, Highlights and Global. Take some time to experiment to find the perfect…

If you needed any convincing that black-and-white photography can convey drama and atmosphere in a way that just isn’t possible with colour, the winning image in this year’s Black and White Photo Awards should do the trick. The captivating, somewhat menacing-looking portrait of a gelada, a species of Ethiopian primate, was captured by Patrice Quillard. “For a fleeting moment, he turned towards me, locking me in his intense gaze, and I comprehended the sheer dominance he held over his troop,” Quillard recalls. “It was an unforgettable instant – a snapshot of the essence I sought to capture.” Some 1,700 photographers from 92 countries entered around 3,000 images in this year’s contest across five categories: Architecture, Street, Portrait, Fauna and Flora, and Landscape. Click the link to see all the winning…

www.sony.co.uk £1,749/$1,698 The Sony FE 70-200mm F4 Macro G OSS II has a tough act to follow. The original had good glass, fast autofocus, decent optical image stabilisation and upmarket handling, though we were underwhelmed by the lens’s edge/corner sharpness at both ends of the zoom range. This Mark II version sets out to take everything up a notch or two. Key features The Mark II shaves 15% off the length and 46g off the weight of the original. It features 19 elements in 13 groups, including three ED (Extra-low Dispersion) elements and a Super ED element, with the overall aim of boosting sharpness, contrast and colour quality while minimising chromatic aberrations. Another upgrade is an autofocus system that Sony claims is 20% faster than the original lens’s, along with…