Indholdsfortegnelse for 231 i Pro Photo

Marvelling at the imaging performance of the Sony A7S III at very high sensitivity settings – it still looks good at ISO 51,200 – it was a reminder of how far we’ve come in fairly recent times. I started my career shooting Kodachrome 64 – that’s ISO 64 – and then switched to Fujichrome Velvia 50 when the Kodak product started to become harder to get processed. Velvia 50 was rated at ISO 50, but if you wanted more details in the shadows you shot it at ISO 32. Anything above ISO 400 was pretty terrible in colour transparency films and the limit with colour negative was really ISO 800 if you didn’t want loads of grain. I rarely, if ever, shot with anything faster than ISO 100, even with…

Due to the social distancing requirements demanded by the ongoing Covid-19 pandemic, galleries, several exhibition spaces and museums are only allowing limited admission or are open for shorter times, depending on the local situation. However, many are still staging online events or virtual tours. Check with the individual venues for which exhibitions are open for physical visits and any changes to the normal opening hours. Current to 25 April: Exhibition. Photos 1440, press photography from the last decade by the photographers of The Sydney Morning Herald newspaper. At the Exhibition Galleries, State Library of NSW, Macquarie Street, Sydney, NSW 2000. Exhibition hours are 10.00am to 5.00pm daily (but 10.00am to 8.00pm on Wednesday and Thursday until 21 March). Entry is free of charge. For more information call (02) 9273 1414…

SONY HAS GONE FOR SOLID SPECS and functionality with the A7S III rather than lots of bling, essentially with the objective of making it as good as is possible for 4K UHD and Full HD capture, which is still the real world for the vast majority of videographers. So, at the top of a long list of frame rates and codec options is 4K UHD internal recording at 100/120p with stereo audio and 10-bit 4:2:2 colour, giving a bit rate of 280 Mbps… and still retaining full autofocusing capabilities. Plus, the clip length limit is 20 minutes, which is longer than what most people need. There’s a small crop of 1.1x at 120fps for slow-mo effects anyway but, at 50/60p, full pixel read-out is in play (i.e. no binning) with…

WITH FIRST THE X-H1 AND THEN the X-T3, Fujifilm made its X-mount mirrorless camera system much more appealing to video-makers and this was backed up by the introduction of Fujinon cinema lenses. The X-T4 carries on the good work as it inherits the X-T3’s video goodies unchanged – but with a few upgrades – and all the operational benefits of in-body image stabilisation, a fully-articulating display (with its increased resolution), and a higher-capacity battery. None of the X-T4’s new video features are major items, but all add to overall versatility and operational convenience. Chief among these is the retention of separate and dedicated video and stills setups, with easy switching between the two via a selector beneath the shutter speed dial, which includes a dedicated Quick Menu display. There’s up…

Panel Type: 80cm (31.5 inches) IPS with white LED backlighting. Display Area: 697.31x392.23 mm (full scan). 16:9 aspect ratio. Native Resolution: 3840x2160 pixels (140ppi). Viewing Angles: 178 degrees horizontal and vertical. Brightness: 250 cd/m² (typical). Contrast: 1000:1 (typical). Display Colours: 1.07 billion. Colour Range: 100% sRGB, 100% Rec.709, 95% DCI-P3, 80% Adobe RGB. Internal Processing: 10-bits per colour. Height Adjustment Range: 15cm. Mount Adjustments:-5.0-20 degrees tilt, 30 degrees left/right swivel, 90 degrees pivot (for portrait format). Connections: Display Port 1.2, Mini Display Port 1.2, two HDMI 2.0, USB 3.1 hub (4 downstream and 1 upstream), USB mini B, two USB Type-C with Thunderbolt 3 connectivity, 3.5mm stereo headphone output. Features: 13 colour modes (sRGB, Adobe RGB, Rec 709, Display P3, HDR, CAD/CAM, Animation, Standard, Low Blue Light, Darkroom, M-Book, DICOM,…

OM Digital Solutions Corporation is the new name of the operation set up by Japan Industrial Partners Inc. to continue the manufacture, marketing and sales of Olympus camera products. The transfer of the camera business from Olympus Corporation to JIP was completed at the start of 2021, and it will be business as usual for OM Digital Solutions, which will continue to make Olympus-branded OM-D and Pen mirrorless Micro Four Thirds cameras, the full range of M.Zuiko Digital lenses, camera accessories, Tough series ruggedised compact cameras, and binoculars. The new company has also taken over the production and distribution of Olympus’s compact digital audio recorders. Manufacturing will remain at the factory in the Dong Nai province of Vietnam, which Olympus established in 2008. Australian operations have been taken over by…

Type: Professional or enthusiast-level interchangeable lens mirrorless digital camera with Sony E bayonet lens mount (FE mount). Focusing: Automatic via hybrid contrast-detection and phase-difference detection systems. 759 points with phase-difference detection, 425 points with contrast-detection. Focus points may be selected manually or automatically by the camera with Wide, Zone, Centre Fix, Spot (set to Small, Medium or Large) and Expand Spot areas modes plus Tracking (Wide, Zone, Centre Fix, Spot S/M/L and Expand Spot). Focus frame can be in red or white. Focus area circulation and customisation. Real-Time Eye AF with Real Time Tracking – Face/Eye priority, right/left eye select, subject priority (Human or Animal) and face recognition. Switchable horizontal/vertical AF area. Focus area registration and recall. Single-shot and continuous modes with auto or manual switching, Direct Manual Focus override,…

Type: Professional digital mirrorless camera with Fujifilm X bayonet lens mount. Focusing: TTL automatic hybrid system using phase-difference detection and contrast-detection measurements. 425 measuring points (in 25x17 or 13x9 patterns). Single-point (six sizes), zone (7x7, 5x5 or 3x3 point clusters selected from 91 points) and wide/tracking modes. Five AF-C Custom settings for optimising tracking plus a user-definable setting for Tracking Sensitivity, Speed Tracking Sensitivity and Zone Area Switching. Face/eye detection with left/right priority. Focus frame adjustable to five sizes. Range is 10 cm to infinity (Auto Macro mode). Focus range limiter. Face/eye detection with left/right priority. Manual switching between one-shot and continuous AF modes. AF+MF mode. Low-light assist via built-in illuminator. Manual focus assist via magnified image, Digital Split Image display (colour or B&W), Digital Microprism display, or focus peaking…

The fourth digital medium format mirrorless camera from Fujifilm, the GFX 100S combines the 102 megapixels sensor from the GFX 100 with a more compact and lighter body similar to that of the GFX 50S. In fact, the GFX 100S weighs in at a modest 900g (500g lighter than the GFX 100) and measures a very manageable 150x104x87 mm (WxHxD) – yet it still incorporates in-body stabilisation, a 3-inch rear screen with three-way tilt adjustments, and full weather protection including for shooting in subzero temperatures down to-10ºC. Notably too, the GFX 100S brings in 100MP resolution at under $10,000… nearly $500 under and, consequently, it’s cheaper than Sony’s new full-frame Alpha 1. The all-new IBIS module has five-axis movements and gives correction for camera shake of up to six stops.…

In a vote of confidence in photo retailing, CameraPro has opened a new store in Sydney which, it says, is a direct result of a Covid-related expansion of its business. The store is located in the inner-Sydney suburb of Surry Hills, right on the light-rail stop at the corner of Crown and Devonshire Streets. Founded in 2007 in Queensland, CameraPro is a leading independent photographic retailer and caters to both professionals and enthusiasts, selling a range of photography and video products both in-store and online. Over the years, Camera-Pro has become known as the ‘go to’ destination in Queensland for photographers and creatives. “For a number of years our business in NSW via the web has continued to grow and now makes up for a sizeable share of our total…

The traditional big and beefy DSLR has been the staple of photographers who need both speed and ruggedness for applications such as sports, wildlife, and press photography. It’s still the camera of choice for many, with the latest – and perhaps last-generation models like Canon’s EOS-1D X Mark III – doing everything better than ever before. But the size and weight can be an issue, especially when shooting for long periods of time. This is where the so-called ‘crop’ sensors are starting to attract attention. Sports shooters, in particular, also like the idea that the smaller sensor sizes make for more compact telephoto lenses thanks to focal length magnification factors. Consequently, both Olympus OM-D and Fujifilm X mount are making inroads into the sports/action sector. Fujifilm’s X-mount flagship, the X-T4,…

WITH THE PROFESSIONAL photography market having been severely hit – in just about every sector – by the pandemic-related restrictions of the last year or so, it’s not surprising that many are either putting off making new gear purchases or looking more closely at what might be available in terms of more affordable options. If you were considering stepping up to a 4K resolution monitor or, indeed, thinking of upgrading to a bigger display, then BenQ’s SW321C – which we road-tested in Issue 228 in 2020 – would certainly be on the short list. BenQ is building a reputation for affordable high-performance photo monitors, but the SW321C is priced at a little over $3,100 and that may be too expensive for many right now. If you’ve already put a 32-inch…