Indholdsfortegnelse for 238 i Pro Photo

If you’re a Canon EOS R system user, there’s a lot to like about the recently released RF 135mm f/1.8L IS USM short telephoto prime. It combines the classic 135mm focal length with a fast maximum aperture of f/1.8 and built-in optical stabilisation offering up to 5.5 stops of correction for camera shake. This extends to eight stops with the EOS R series camera bodies that have in-body image stabilisation. The optical construction comprises 17 elements in 12 groups with three special types that have ultra-low dispersion (UD) characteristics to correct for chromatic aberrations. Both Canon’s Air Sphere Coating (ASC) and Super Spectra Coasting (SSC) multi-coatings are used to minimise the internal reflections which otherwise cause ghosting and flare. The autofocusing drive employs Canon’s Nano USM motor for fast and quiet…

Current to 29 January 2023: Exhibition. Requiem To New York – Photographs By Ashley Gilbertson. Images documenting the impact of the COVID-19 pandemic on the people of New York where the Australian-born Gilbertson has lived for 20 years. At Level 2, The Ian Potter Centre, NGV Australia, Federation Square, Melbourne, Victoria 3000. Exhibition hours are 10am to 5pm daily. Entry is free. For more information visit www.ngv.vic.gov.au. Current to 30 April 2023: Exhibition. Viewfinder – Photography From The 1970s To Now. 125 Australian documentary photographs from the last five decades drawn from the National Library Of Australia’s collection reveal a changing Australia. At the Exhibition Gallery, the National Library Of Australia, Parkes Place, Canberra, ACT 2600. Exhibition hours are 9am to 5pm daily (closed Christmas Day and Good Friday). Free…

Sigma’s DG DN lenses for full frame mirrorless cameras are specifically designed to exploit the optical and mechanical design advantages of the configuration’s short flange back distance. All these lenses are currently available in the Sony FE mount and the L mount (for the Leica SL series, the Panasonic Lumix S series, and the Sigma fp and fp L mirrorless camera bodies). Sigma I Series Lenses Combine High Performance And Compact Designs Sigma’s compact I series premium primes lenses are designed to complement the more compact and lightweight full frame mirrorless camera bodies. As with all Sigma optical products, the I series lenses are designed and manufactured in Japan. There are now seven I series models, starting with a 20mm f/2.0 ultra-wide prime. The rest of the line-up comprises a…

“I’m into all simple things that I know how they work. They don’t possess any technology. My favourite area in Australia is the inland rivers… the Murray and Darling rivers. I was 24 when I emigrated to Sydney in 1969. Sydney was where I could work. I had been doing freelance editorial work in London. I came out with a portfolio of black-and-white reportage from The Times. I went to advertising agencies and they said, ‘Gee this is great work! Can you photography this Sunbeam iron for me?’ It was crazy still-life stuff, that I didn’t have a clue about, so I had to learn fast. I did this for about eight years, but I always still did as much black-and-white reportage for magazines such as POL and Vogue Living…

Not so very long ago, buying a photo monitor represented a significant investment and the choice of models was quite limited. Now you’re spoiled for choice mainly due to the efforts of BenQ, LG and Samsung. BenQ has been particularly targeting photographers with its earlier QHD models and now various 4K resolution offerings in the mostused screen sizes of 27 and 32 inches. The PD3205U delivers 4K and a 32-inch screen at a very affordable price, achieved by paring down the feature set compared to the PD3220U, although it still has quite a lot in common with this model. What’s gone isn’t likely to overly worry photographers – or even videomakers – so the PD3205U is arguably the more tailored model for these applications… you don’t need to pay for…

As expected, the 40.2MP X-Trans CMOS 5 HR sensor from the fl agship Fujifi lm X-H2 has arrived in a more compact X-T series body. The X-T5 also has the next-gen X Processor 5 engine, the seven-stop IBIS and the three-way tilting monitor screen (which bypassed the X-T4 and so was last seen on the X-T3). On the video side, the X-T5 can record at up to 6.2K internally at 30fps with 10-bit 4:2:2 colour at the 16:9 aspect ratio (but with a 1.23x crop). It has the X-H2’s 4K DCI HQ and 4K UHD HQ modes that oversample at the 6.2K res for enhanced image quality. The X-T5 inherits the classic dial control layout that has been a feature of the X-T series cameras since the original X-T1. The styling…

Canon Australia says it is still selling DSLRs, but the split with mirrorless cameras in the company’s ILC business is now 80/20 with reflex sales continuing to decline. This is as Canon introduces the first upgraded model since the launch of its EOS R full-frame mirrorless system back in October 2018. The EOS R6 Mark II takes over from the R6, which is discontinued despite only being around two-and-a-half years old. Canon obviously thought there was room for improvement because, although the Mark II camera is physically virtually identical to its predecessor, quite a lot has changed on the inside. It starts with the sensor, which is an all-new 24.4MP CMOS made by Canon, but not the same BSI-type stacked imager used in the EOS R3. In comparison, it’s pretty…

The fifth-generation model of Sony’s high-res Alpha mirrorless series keeps many of its predecessor’s features, but has an all-new autofocusing system that further leverages the benefits of AI-based subject recognition. Sony calls it ‘Real-Time Recognition AF’. The new algorithms make it very much more powerful than what’s been seen so far in the previous Alpha bodies. In addition to eye, face, head and body detection for people, the system can recognise specific sections of a body (such as limbs) and also poses or postures. Eye, head and body detection is also provided for animals and birds, along with head and body detection for insects, which is a first. There are now also recognition modes for cars, aircraft and trains. Notably, subject recognition and tracking is now available when shooting video. All…

Of all the Leica 35mm M system range-finder cameras – with the possible exclusion of the original M3 – the M6 remains the most highly sought after, keeping secondhand values very buoyant indeed. Not surprisingly then, Leica has decided to buy back into a bit of this action, relaunching the camera about 40 years after the original first appeared in 1984. It stayed in production until 2002, during which time nearly 175,000 units were built in a number of versions. With the convenience of built-in TTL metering, but still resolutely mechanical, the M6 was considered by many to be the best of the Ms for usability and reliability, which has undoubtedly accounted for its ongoing popularity. The relaunched camera doesn’t mess with this formula, but it does get an updated…

Back in 1948, Victor Hasselblad revolutionised medium format photography with his innovative modular SLR camera design. It combined unmatched portability with high image quality and, after it evolved into the legendary 500 Series, was extensively used by professional photographers for over 60 years. The same pursuit of performance and portability is behind Hasselblad’s medium format mirrorless camera system, as expressed by the new X2D 100C which delivers 100 megapixels imaging performance in a compact and stylish package. The X2D 100C has the same smart-looking, hand-crafted aluminium bodyshell as the 50 megapixel models, but it’s finished a new dark grey tone which makes it even more elegant in appearance. There are, however, a number of upgrades compared to the two 50 MP X series bodies, including a new monitor design and…

Designed to deliver exceptional image quality with Sony’s full-35mm format E-mount mirrorless cameras – including the 43.6 megapixels A7R III – Zeiss’s Batis series lenses now comprises five models from an 18mm f2.8 ultra-wide to a 135mm f2.8 medium telephoto. A recent addition to the range is the 40mm f2.0 CF, an all-purpose lens that offers outstanding imaging quality. These lenses make optimal use of the camera sensors, capturing every last detail with impressive contrast and high resolution. As well as offering fast and reliable autofocusing via linear motors, the Batis lenses also support manual focusing, allowing users to choose the best option for each individual situation. The sleek and modern external styling with smooth surfaces emphasises the superior quality of this lens family and gives each model an unmistakable…

It’s still a very exclusive club, but now Fujifilm and Phase One have been joined by Hasselblad in offering 100 megapixels capture. Phase One does it via its IQ4 series capture backs (and has a 150MP model too), while Fujifilm and now Hasselblad pack 100MP sensors into medium format mirrorless camera bodies. The Hasselblad X2D 100C has essentially the same smart-looking, hand-crafted aluminium bodyshell as the original 50MP model, but it’s finished in a new dark grey tone that makes it even more elegant in appearance. There are, however, quite a few changes compared to the two 50MP X-series bodies, including a new monitor design and top deck info panel with a full colour display, plus the X2D is fractionally bigger and 140 grams heavier, now weighing in at 790…

OM Digital Solutions has unveiled its second OM System M43 format mirrorless camera body. The new OM-5 is the first model to actually be badged ‘OM System’ as the OM-1 retains the old Olympus branding, and the model number indicates it replaces the OM-D series E-M5 Mark III. The styling and control layout are quite similar to the OM-D model. The design emphasis for the OM-5 is on compactness and ruggedness, so the body weighs in at just 366 grams, but it’s weather-sealed to the more exacting IP53 standard and insulated to enable shooting in subzero temperatures… matching the newest OM System lenses. The sensor is the same 20.37MP Live MOS imager as before, but matched with the later generation TruePic IX processor. This means the OM-5 retains the 121-point hybrid…

For many professional photographers there’s a marked differentiation between their commercial work and their personal work. Free from the restrictions of briefs and budgets, the latter is often more creative and hence potentially more collectible over time. For some, though, there is the scope for their commercial work to be highly creative or even innovative, laying the foundations for future collectability. But the world of photography collecting remains a fickle one, with the value still mostly in the works of the most famous photographers of the 20th century, and an emphasis on darkroom prints with provenance. It’s true that digital imaging has muddied the waters and collectors remain wary of digital prints, even ones that are certified as limited editions. Yet the potential is there to expand the market, but…

For anybody pursuing the ultimate in digital image quality, the Phase One IQ150 capture backs are without peer. The total pixel count is 151 million, giving a maximum image size of 14,204x10,652 pixels which, at 300 dpi, represents an output size of 120.26x90.19 centimetres. The IQ4 150 is for colour capture while the IQ4 150 Achromatic is a dedicated B&W capture device. The 150 megapixels IQ4 backs employ a backside-illuminated (BSI) CMOS with an imaging area of 53.7x40.4 mm which Phase One calls a “full frame medium format” sensor to differentiation from the 33x44 mm devices used in the mirrorless medium format camera systems. The Phase One sensors are 1.5x larger and, for the record, represent a 22 percent increase in resolution over the 100 MP models. The sensitivity range…

While professional flash lighting was once traditionally studio based, the emphasis has now switched to more portable, battery-powered systems that can be used anywhere at any time. Swedish flash manufacturer Profoto has been at the forefront of this change, creating products that provide the flexibility and creativity of professional flash lighting in ever more compact and capable portable systems, including on-camera speedlights and even a system for use with smartphones. Back in 2014, Profoto revolutionised flash photography when it launched the world’s first battery-powered flash monobloc with TTL automatic exposure control, providing new levels of convenience and performance. In the intervening years it has gone on to refine the concept and the latest generation of models are the B10X and B10X Plus which feature new designs with easier operation, and…

As is often the case with modern image-makers, Bonnie Cee’s path to becoming a photographer and filmmaker was somewhat winding. Her creative inclinations led her to explore a variety of different avenues, including floristry and textile design, before fate placed a camera in her hands. It was 2008 and she was travelling in Europe with a friend who had a DSLR. “Everything in front of me was just so visually beautiful. My friend lent me his DSLR and as soon as I touched it and tried it, I realised ‘this is it’.” Consumed by her new passion, Bonnie started spending as much time as possible reading photography books and magazines to satiate her thirst for knowledge. “Finally, I asked my mum to help me buy a camera and some lights,…