During my long career in music, I never met Robert Craft, who died last November at age 92—yet he played no small role in shaping my musical consciousness. As a conductor, Craft recorded the craggiest works of the 20th century, including almost the entire oeuvres of Igor Stravinsky, Arnold Schoenberg, Anton Webern, and Edgard Varèse. As a writer and public intellectual, he weighed in trenchantly not just on musical issues, but on literature, film, and painting as well.
To this résumé must be added the vocation of alter ego, because from 1948 to 1971, Craft was inseparable from the music and household of Igor Stravinsky. The exact workings of their partnership, however, remain a matter of controversy. Not exactly an amanuensis, Craft was a constant companion, artistic consultant, coauthor, coconductor,…