“In the presence of the violent reality of war,” wrote Wallace Stevens in 1942, “consciousness takes the place of the imagination.” What the poet meant is that in wartime, “everything moves in the direction of reality, that is to say, in the direction of fact,” so that “we leave fact and come back to it, come back to what we wanted fact to be, not to what it was, not to what it has too often remained.” But this pressure toward fact and the desire to change, to remake the facts, become “overwhelming.”
It was difficult to look at “Here and Elsewhere,” the capacious exhibition of “contemporary art from and about the Arab world” (to quote from the press release), without sensing this overwhelming pressure toward fact. In part, this…