Tennessee Williams Mad Pilgrimage of the Flesh. By John Lahr. Norton. 765 pp. $39.95.
Tennessee Williams’s late plays, chronicling and at times exemplifying his deterioration, were commercial failures and targets of critical vituperation. In his exhaustive, frustrating and essential new biography, John Lahr, former senior drama critic at The New Yorker, seeks to rescue this work from obscurity and disdain, not least because he sees all of Williams’s writing as a palimpsest revealing the artist’s disordered personality. Lahr, for instance, calls In the Bar of a Tokyo Hotel “a fascinating dissection of the perversity of [the playwright’s] psyche” that, despite “obvious structural limitations,” had “more intellectual sinew, moral complexity, and psychological nuance than the critics acknowledged.”
Far more telling and delicious, however, is Lahr’s anecdotal recounting of the “most annihilating”…