Indholdsfortegnelse for Autumn/Winter 2025 i AnOther Magazine

“Memory takes a lot of poetic licence. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart.” Tennessee Williams's stage directions, The Glass Menagerie, 1944 – in the writer's own words, “a memory play”. Each issue of AnOther Magazine is built upon a thematic. It is necessarily universal, allowing for imaginative reach, and is given to contributors to do with what they will – or not. It is not overt, more like a fit rouge to facilitate narrative, to underpin the structure of a title that draws upon a broad range of talent. They are the people who make it their own, transforming it into something specific, as it applies to their disparate thought processes…

“I find paper so beautiful. I don't really shop for clothes, I buy myself notebooks. My parents had a photocopy shop, so I grew up playing with paper. The big rolls came in cardboard tubes that seemed huge and I remember building things out of them. Years later, during my studies, I encountered a project by Shigeru Ban, one of the first Japanese architects to use cardboard tubes as a structural element in his buildings. Seeing this ordinary material used on such a scale was so exciting – it was so visually poetic. I almost felt like my love for paper was approved by his work and it's still my favourite material to this day. Something that really resonates is the Japanese approach to what is considered valuable. Even toilet…

One of the first photographs I ever took was The Guvnors, a picture of a gang of boys I went to school with. It was off-the-cuff, a Sunday in 1958. They said, ‘Listen, why don't you go and get that camera, take a picture of us?’ I belted up to the house, brought the camera down – but I didn't have a great deal of enthusiasm. They all had suits on, it was sunny. I took one frame and that negative is still great today. When they went on to become implicated in the murder of a policeman, The Observer asked to publish the image and suddenly I was a photographer – that picture was the first page of my working life, though I've always felt photography chose me. Not…

“I met John Tottenham in LA because we have the same publisher, Semiotext(e). I was intrigued to read his first novel, Service, because I'm interested in first novels written by middle-aged people. In sport, it's good to be young, but not always in literature. You have to go through some kind of trouble before you can write a book. Service is about a character called Sean – a double of Tottenham – who is in his late forties and working in a bookstore in LA while trying to write a book. It's a great book about literature and what it is to be a writer. Being a writer is an impossible quest – it's not easy and it's certainly not fun. It's a quest for something vague but absolutely meaningful.…

The ever resourceful and wildly resilient designers who call London home are finding new ways to do things amid a looming global financial crisis. At London Fashion Week Autumn/Winter 2025, which took place across a wind-swept long weekend back in February, a number of them decided to sit out the conventional show format, save the extensive budget it takes to send a collection down the runway and instead invite the international press into their studios and showrooms. Among them was Feben, who, like her label, simply goes by that mononym. The rising designer took over an enclave of her PR agency's central London office, where editors had the opportunity to get up close and personal with the clothes, running the fabrics through their fingers and dissecting the construction methods. It…

1Lyrics from Ballad of a Teenage Queen, written by Jack Clement in 1957 and recorded by Johnny Cash and The Tennessee Two a year later. The song, which reached No 1 in the US country chart, tells the story of a pretty girl with golden hair and blue eyes who becomes a Hollywood star but gives it all up to return to her small hometown and teenage sweetheart. Manolo Blahnik grew up with Marie Antoinette. Not literally, of course – she died in France in 1793, and Blahnik was born on La Palma in the Canary Islands 149 years later. But he has been obsessed with the ill-fated queen since childhood – a memory that has lingered and shaped the way he has designed women's shoes for some 55 years.…

1Lyrics from Purple Rain by Prince and the Revolution. Originally intended as a country collaboration with Stevie Nicks, it was instead released (at nearly nine minutes long) as the title track of the 1984 rock-pop album of the same name. The song was part of the final encore that Prince performed at his last concert in April 2016. Hair: Pawel Solis at Artlist. Makeup: Eny Whitehead using CHANEL BEAUTY. Casting: Simone Schofer at Artistry. Model: Apolline Rocco Fohrer at Premium Models. Photographic assistant: Tokio Okada. Styling assistant: Nataliia Shkurkina. Casting assistant: Isabel Peláez. Production: TheLink Mgmt. Producer: Marissa Leitman. On-set producer: Gwen Michau…

1Lyrics from I'll Remember You, released in 1985 as part of Bob Dylan's 23rd studio album, Empire Burlesque. It's thought that Dylan performed the reflective ballad on stage 226 times between 1985 and 2005. Hair: Laurence Walker. Make-up: Satoko Watanabe at Artlist using MAC. Manicure: Ama Cauvas at Artlist. Casting: Monika Domarke. Models: Ploy Chobsawang at Supreme Model Management, Nyaluak Gatluak and Dimana Sarmenova at City Models, Qiuyue Li at Elite Model Management and Josefa Santos at IMG Models. Photographic assistant: Kostiantyn Gaiduk. Styling assistants: Maszia Oettgen and Luca Migliaro. Hair assistant: Yuri Kato. Make-up assistant: Flavie Terracol. Production: NILM. Producer: Mona Perron. Production manager: Miléna Seror. Production assistants: Famory Dembele, Djibril Melyon and Robin Jeant…

1From Paul Verhoeven's popular 1990 sci-fi film, Total Recall, set in the year 2084. Spoken by Douglas Quaid (played by Arnold Schwarzenegger) to Dr Edgemar (Roy Brocksmith), who is trying to convince Douglas that he is not on Mars as he thinks he is but at the Rekall clinic experiencing a hallucination as a result of a failed memory implant. Hair: Laurence Walker. Make-up: Siobhan Furlong at LGA Management using DR BARBARA STURM. Manicure: Simone Cummings at Arch the Agency using MANUCURIST. Set design: Jack Appleyard at The Magnet Agency. Casting: Leila Ananna and Barbara Nicoli at MA+Talent. Models: Dru Campbell at Elite Model Management, Larissa Moraes at IMG Models and Sophie Scott at Storm Model Management. Photographic assistants: Emma Ercolani and Ed Phillips. Styling assistants: Maszia Oettgen and Ruby…

June is dying and it's hot in New York City: Greenwich Village sounds like coughing saxophones and bleating car horns, laughter drifting oft fire escapes, basketballs kissing pavement, a window yawning wide and a mother calling down to her son on his bicycle. Which is to say, it sounds a bit like a Blood Orange song – balmy, layered with voices, thick with the poetry of urban life. Or it's a bit like how a Blood Orange song used to sound. These days the music feels more pastoral somehow. More open and orchestral. Gloomier too, and occasionally ecstatic. “Age appropriate,” says Devonté Hynes, who turns 40 in December. And perhaps not so much like New York City, his muse and lover of nearly 20 years. Since 2011, Hynes has been…

To start proceedings at the Fendi celebratory centenary show in Milan in February, we saw a couple of ghosts haul open a recreation of the doors of Fendi's 1960s atelier-cum-boutique, situated on Rome's Via Borgognona. They were ghosts of Silvia Venturini Fendi's past, two actually – diminutive doppelgängers dressed in new versions of an outfit she wore back in 1967, when she was six – a fluffy little jacket, jodhpurs, boots and a fuzzy peaked cap. It was designed by Karl Lagerfeld, Fendi's creative director then of only two years, who commandeered her to walk in the show alongside ‘mother’ and ‘father’ figures in identical looks. The 2025 versions were worn by her daughter Delfina Delettrez Fendi's twin sons, Tazio and Dardo – double doubles of Silvia. “I always see…

# 4element 4element.co.uk 7 For All Mankind 7forallmankind.co.uk 20 Age Archive instagram.com/20age_archive A Agent Provocateur agentprovocateur.com Alaïa maison-alaia.com Andreas Kronthaler for Vivienne Westwood viviennewestwood.com Ann Demeulemeester anndemeulemeester.com Antonio Marras antoniomarras.com Araks araks.com Ashley Williams ashleywilliamslondon.com Atsuko Kudo atsukokudo.com B Balenciaga balenciaga.com Balenciaga x Scholl balenciaga.com Baserange baserange.com Bedhead by TIGI bedhead.com Bleach London bleachlondon.com Bottega Veneta harrods.com Boucheron boucheron.com Bumble and Bumble bumbleandbumble.co.uk Burberry burberry.com C Cartier cartier.com Cassie Mercantile cassiemercantile.com Celine celine.com Chanel chanel.com Chanel Beauty chanel.com Chanel Fine Jewellery chanel.com Charlotte Tilbury charlottetilbury.com Charvet charvet.com Chloé chloe.com Chopova Lowena chopovalowena.com Christian Louboutin christianlouboutin.com Commando wearcommando.com Comme des Garçons doverstreetmarket.com Courrèges courreges.com D D'heygere dheygere.com Davines davines.com De Pino depino.fr Dear Frances dearfrances.com Dents dentsgloves.com Dior dior.com Dior Beauty dior.com Dolce Vita Hub dolcevitahub.com Dolce & Gabbana dolcegabbana.com Dr…

82-100 Lina Scheynius photographs AnOther Thing I Wanted to Tell You … Do you remember the first time you picked up a camera? My dad had an Olympus SLR that he carried around everywhere and I would beg to use it. There are photos in our albums of people's heads at the bottom of a picture with vast skies above that were my first attempts at photography. Do you have a recollection that influences your work today? I was in front of the camera as a model for ten years before I decided I would only be in front of my own camera. It heavily influenced how I look at others and myself and how I treat the people I photograph. Being a blank canvas and essentially erased for someone…

“We get a lot of information now about how fucked we are as a race, and it's great to be reminded that we have the potential for good as well as evil. We can lose sight of that. I see Femke as this shining light, mainly because she gets down and does the work. She doesn't do it for accolades. When I eventually met her at Ellis Park [the animal sanctuary Ellis co-founded with den Haas in Sumatra, Indonesia], it was so rock and roll. It really reminded me of when I hit the road with Dirty Three in the Nineties and we were running on the smell of nothing, just sheer belief in what we were doing. But she was doing a much wilder thing than we'd ever done.…

“In Herve Guibert's book Ghost Image, he writes about preparing to take a portrait of his mother. It's so vivid in its description. Even though the book has no images, I can envision the photograph so clearly. He goes to great lengths to ensure the image is perfect, that his mother looks a certain way. At the end of the essay, we learn that the film was blank – there is no photograph. I love how that relates to what photography is, a moment captured. Technically speaking, he fails to do this, but even though the image doesn't exist, the memory of it does. We can visualise this non-existent photo through his description and each reader perhaps imagines something slightly different, depending on their experiences and memories. I suppose I've…

Dragons were circling in Paolo Carzana's mind while he was designing his Autumn/ Winter 2025 collection. They were also closing in on him more literally. At his studio in London's Smithfield Market, dragons carved in stone appear ready to swoop down from the eaves. Strong, cunning and beautiful, Carzana's imagined mega-lizards are not so much eldritch as unbound by morality, their concerns grander than those of short-lived, shortsighted humans. They are the last of their kind, a literary representation of a dying time – wisdom and freedom made into scales and hot breath. Carzana, 30, is also Welsh, so the emblem links to Y Ddraig Goch, the red dragon of his home country's flag. He was born and raised in Cardiff, before coming to London to study at Westminster University…

1Lyrics from Cloudbusting by Kate Bush, released in 1985 on her fifth studio album, Hounds of Love. The song, written by Bush, explores the close relationship between the early-20th-century psychoanalyst Wilhelm Reich and his son, Peter. The lyrics describe Peter's memories of life on the family farm in Maine, as outlined in his 1973 memoir, A Book of Dreams. Hair: Shiori Takahashi at Streeters. Casting: Rosie Vogel at Jolly Collective. Model: Caitlin Soetendal at Elite Model Management. Photographic assistant: Amy Gwatkin. Styling assistant: Precious Greham. Printing: Artful Dodgers Imaging. Production: We Folk. Producer: Amy Gallagher. On-set production: Loft. On-set producer: Paul Partridge. Post-production: The Hand of God…

1Lyrics from Cotton Candy Land, written by Ruth Batchelor and Bob Roberts and recorded by Elvis Presley in 1962. The song was released in 1963 as part of Presley's soundtrack album for the musical comedy It Happened at the World's Fair, in which he played the lead character, Mike Edwards. Hair: Kiyoko Odo at Bryant Artists using SYOSS. Make-up: Lauren Reynolds at Bryant Artists using MAC. Manicure: Saffron Goddard using Dior manicure collection, Dior Vernis and Le Baume by DIOR BEAUTY. Casting: Holly Cullen at MA+Talent. Model: Alaato Jazyper at Models1. Photographic assistants: Lucy Rooney and Myles Bailey. Styling assistant: Precious Greham. Production: VP Projects. Executive producer: Victoria Pugh. Production assistant: Hedy Irvine. Post-production: Helen Retouch…

1Lyrics from This Must Be the Place (Naïve Melody) by Talking Heads, released in 1983 as part of the band's fifth studio album, Speaking in Tongues. Described by the Los Angeles Times as “one of the most luminous love songs rock has produced”, it is among the band's most-streamed tracks. Hair: Pawel Solis at Artlist using LESS IS MORE. Make-up: Aurore Gibrien at Bryant Artists using VICTORIA BECKHAM BEAUTY. Manicure: Alex Feller at Artlist using MANUCURIST. Casting: Mischa Notcutt for 11Casting at Drive Represents. Model: Luiza Perote at Premier Model Management. Photographic assistants: Soraya Sanini and Louis Dumetz. Styling assistants: Precious Greham and Isabella Papadimitriou. Production: 360PM. Producer: Jocelyn Rummler. Production co-ordinator: Julia Lellouche. Production assistants: Hadrien Bonnat and Hindi Messaoui…

1From Sally Potter's 1992 film, Orlando. Spoken by the androgynous nobleman Orlando (played by Tilda Swinton) to the earth beneath him. At the start of the story, adapted from Virginia Woolf's 1928 novel of the same name, Orlando is promised a portion of land and a monetary inheritance by Queen Elizabeth I, but only if he follows her unexpected command: “Do not fade. Do not wither. Do not grow old.” Hair: Tom Wright at Streeters. Make-up: Ana Takahashi at Art Partner using MAKE UP FOR EVER. Manicure: Aston McMaster using ESSIE. Casting: Rachel Chandler for Midland at Art Partner. Model: Ivy Stewart at IMG Models. Lighting: Ricardo Munoz Carter. Styling assistant: Olivia Renouf. Hair assistant: Laura Swaine. Production: Drive Represents. Producer: Anna Riazanova. Special thanks to Ivy's mother, Angela, and…

My deep connection with South Korea goes back as far as the Nineties, when Hou Hanru and I visited during our co-curation of Cities on the Move, an exhibition that travelled across the world shedding light on the dynamic art and architecture of East Asian cities. I witnessed the rise of K-pop during the late Nineties and early 2000s, thanks in part to the amazing Miky Lee, whose promotion of the genre through events like the KCon festival made it globally visible. K-pop music and culture seem to connect communities and generations across the world. In 2020, Serpentine collaborated with BTS on the group's global art project Connect, BTS, which worked with art institutions around the world to explore the connections between art, music and technology. BTS and Serpentine worked…

In June this year, Nicolas Ghesquiere was described by the good people of Avignon as the pope of fashion. That was, perhaps, inevitable. He showed his 2026 Louis Vuitton Cruise collection at the Palais des Papes in that city – it was the papal residence during the 14th century, after the Western Schism split the Catholic Church in two – which goes some way towards explaining the moniker. He laughs it off. In the past, during his tenure as creative director of Balenciaga, such was his influence that he was labelled the dauphin. That, with the wisdom of hindsight, was apposite: no one knew back then that he was heir to the Louis Vuitton throne. In terms of scale of business, and quite possibly cultural impact too, it's the biggest…

Out of the fresh little green hearts of their foliage the lilacs raised inquisitively Photography by Viviane Sassen and styling by Katie Shillingford No need to hurry. No need to sparkle. No need to be anybody but oneself Photography by Senta Simond and styling by Emma Wyman The discourse of pleasure reigned supreme Photography by Mark Kean and styling by Robbie Spencer And there I shut her wild sad eyes / So kiss'd to sleep Photography by Willy Vanderperre and styling by Panos Yiapanis…

1From Les Années (The Years) by Annie Ernaux, first published in 2008. In the book, Ernaux reflects on a timeframe that spans from 1941, shortly after she was born, to 2006. Through a fragmentary and often third-person lens, she looks back on both her personal life, based in the Parisian suburb of Cergy, and the social and historical quotidian. Hair: Tom Wright at Streeters. Make-up: Thom Walker at Art + Commerce using MAKE UP FOR EVER. Manicure: Chisato Yamamoto at Caren using Juicy by KURE BAZAAR. Set design: Suzanne Beirne at Bryant Artists. Casting: Julia Lange at Art Partner. Models: Théa Almqvist at Perspective Management, Karyna Maziar at Storm Management and Libby Taverner at Premier Model Management. Digital tech: Alex Dow. Photographic assistants: Shane Ryan and Wynston Shannon. Styling assistants:…

Babel, Isaac. (1926; 1929) Red Cavalry. Gosudarstvennoe Izdatel'stvo (USSR); Alfred A Knopf (UK and US). Barthes, Roland. (2010) Mourning Diary: October 26, 1977 - September 15, 1979. Hill & Wang. Chartier, Alain. (1974) La Belle Dame sans Mercy (1424), in Laidlaw, JC (ed), The Poetical Works of Alain Chartier. Cambridge University Press. Corral, Eduardo C. (2012) Self-Portrait with Tumbling and Lasso, in Slow Lightning. Yale University Press. Debré, Constance. (2018; 2024) Playboy. Semiotext(e) (France); Tuskar Rock (UK). Debré, Constance. (2020; 2023) Love Me Tender. Semiotext(e) (France); Tuskar Rock (UK). Debré, Constance. (2022; 2025) Name. Semiotext(e) (France); Tuskar Rock (UK). Easton Ellis, Bret. (1991) American Psycho. Vintage. Eich, Matt. (2024) The Invisible Yoke, Volume IV: We, the Free. Sturm & Drang. Ernaux, Annie. (2008; 2017; 2018) Les Années. Gallimard (France); Seven…

“I spent my youth surrounded by water and mythical stories, even if they weren't always told out loud. In Cayman, pirate history lingers quietly along the coastline, in the names of places, in the feeling that something unruly once passed through. And in Jamaica the land feels charged with mysticism, with a spirituality that seeps into everything. When I was 12 I started working in a bookstore – filling the shelves, sweeping and reading. That's where I began to understand the local mythology, to see how stories are shaped and who gets to tell them. The siren kept returning – seductive, dangerous, unknowable, but also powerful – a woman in control. That's the energy I now chase in my work. My garments are propositions – they wait for someone to…

“As a teenager, I was physically close to nature but my life felt very digital. Now I only work digitally because I've done it for so long, but I don't spend time in that space when I'm not working. I try to be in nature with my dog, go to a lake to clear my mind. My favourite is Trehorningen in Hanveden, south of Stockholm. It's inside a nature reserve, tiny and still, with lots of tadpoles. These lakes have often featured in Swedish art. There's a classic image by the famous children's illustrator John Bauer from over a century ago of a girl sitting by a lake. During the Covid-19 pandemic, I took photos inspired by it, self-portraits where Nordic folklore creatures met digital themes. I was thinking about…

The designer Harry Pontefract makes extraordinary things: in his studio in east London they slump on chairs, where they look a bit of a mess, or hang on an expanse of white wall, where they look a bit like works of art. Both impressions are exaggerated by the abstraction of many of his items. A ballgown of tugged-out lumps of sheep's wool mounted on tulle, for instance, looks to Pontefract “like a Richter painting”, but on a chair could be an animal's corpse (it's not, as it's made from fleece – “The amount of times people ask, ‘But is it fur?’ It's not even shearling,” says the designer). Elsewhere, a dress of cascading burgundy plastic grapes, inspired in part by Caravaggio, looks like some kind of mould bubbling out from…

Dream on, dream on teenage queen / See you on the movie screen PHOTOGRAPHY Joaquín Laguinge You're here in my head / Like the sun coming out PHOTOGRAPHY Ben Toms STYLING Rebecca Perlmutar BEAUTY Anne Sophie Costa Remember you vowed / By all the stars above you / Remember? PHOTOGRAPHY Olimpia Taliani de Marchio STYLING Molly Shillingford I only want to see you laughing / In the purple rain PHOTOGRAPHY Ola Rindal STYLING Shotaro Yamaguchi Where every star is a candy bar / And the moon is a marshmallow dream PHOTOGRAPHY Daniella Maiorano STYLING Rebecca Perlmutar I know a girl from a lonely street / Cold as ice cream, but still as sweet PHOTOGRAPHY Danielle Neu STYLING Makram Bitar When the wind blows through the piney wood / It was…

1Lyrics from Sunday Girl by Blondie, released in 1978 as part of the group's third studio album, Parallel Lines. Sung by Debbie Harry and written by the band's guitarist, Chris Stein, the song is thought to have been about Harry's cat, which ran away while they were on tour. Hair: Hikaru at Frank Reps using KERASTASE. Make-up: Homa Safar at Day One using DIOR BEAUTY. Set design: Aaron Bobrow. Casting: Rachel Chandler and Nico Mao for Midland at Art Partner. Model: Liisa Winkler at New York Models. Photographic assistants: Vinnie Maggio and Garey Quinn. Styling assistant: Cole Norton. Film processing and scanning: Photo Impact Imaging. Production: LOLA Production. Producer: Jacob Rannochio. Production co-ordinator: Kylie Govinchuck. Production assistants: Jess Kellner and Martin Garcia. Post-production: Alejandro Rico-Gómez. Special thanks to Atrium mall,…

Hair: Soichi Inagaki at MA+Talent using BUMBLE AND BUMBLE. Make-up: Rebecca Wordingham at MA+Talent using MAKE UP FOR EVER. Manicure: Yuika Yonehara at Haco Management. Model: John Yuyi. Photographic assistant: Wynston Shannon. Styling assistant: Precious Greham. Production: Rosco Production. Producer: Lewis Taylor. Production manager: Lucy Banfield…

Hair: Anthony Turner at Jolly Collective. Make-up: Lynsey Alexander at Jolly Collective using PRADA BEAUTY. Manicure: Delphine Aissi. Casting director: Anita Bitton at Establishment Casting. Casting: Lorenzo Rotondo at Establishment Casting. Models: Charlotte Boggia at Women Paris, Gabriel Bohus at Rock Men, Emmett Fernebro at MIKAs, Nanne Groenewegen at Milk Model Management, Lou Hughes, Fatou Kebbeh and Anna Robinson at Next Model Management Paris, Lauren Huyskens and Bodine Van Galen at RAYM Management, Antonin Holas at Clique Models, Blayse Jennings at IMG Models Paris, Emma Labens and Maria Mavarez at Elite Model Management Paris, Leo Levy and Stiene Verstraete at The Claw Models, Djairo Mulder at Premium Models, Carol Monteiro at Oui Management, Salam Mohammed at New Madison, Andrea Rispoli at Bananas Models, Kai Wijers at Success Models and Wonder…

1From Swann's Way, the opening volume – of seven – of Marcel Proust's Á la recherche du temps perdu (In Search of Lost Time). In the novel Proust writes of memory, love and loss, with each prophetic allegory thought to be modelled on facets of his own life in France and the people he encountered there. Hair: Shiori Takahashi at Streeters. Make-up: Lucy Bridge at Streeters. Manicure: Yuika Yonehara at Haco Management. Set design: Ibby Njoya at New School Represents. Model: Anna Cleveland. Photographic assistants: Matthew Miziolek and Denim McNeil. Styling assistants: Precious Greham and Macy Richards. Seamstress: Victoria Dolman-Nash at Chapman Burrell. Hair assistant: Krisztian Szalay. Make-up assistants: Kyle Dominic and Esme Horn. Set-design assistants: Axel Drury and Aurelie Simon. Production: REPRO. Producer: Rachael Evans. Production manager: Claudine Dignadice.…

1From the 1820 revision ofthe ballad La Belle Dame sans Merci by the English poet John Keats, originally written the year before. It tells the story of a fairy who seduces a medieval knight with her beauty and then abandons him in a cave. The title was inspired by a poem ofthe same name by the 15th-century French poet and political writer Alain Chartier. Hair: Ali Pirzadeh at Streeters. Make-up (Kristen): Lucy Bridge at Streeters. Make-up (Sgàire): Sgàire Teàrlag Wood. Manicure: Trish Lomax. Casting: Piergiorgio del Moro at DM Casting. Models: Kristen McMenamy at The Lions Management and Sgàire Teàrlag Wood. Lighting: Romain Dubus. Digital technician: Henri Coutant. Photographic assistants: Tomo Inenaga and Harry Ecroyd. Postproduction: Stéphane Virlogeux. Fashion archivist: Bella Kavanagh. Styling assistants: Izzi Lewin, Morena Salas Perez and…

“These writers, thinkers and photographers have, in more ways than one, bolstered, enlightened and reaffirmed my faith in my own work through the years. Because, let's face it, creative work does require some form of faith. It is a tumultuous thing to launch an idea into a vast nothingness and hope that it makes a light bright enough to be found by others. Luckily, these luminaries were my light, and I hope they may become yours as well, and – more so – that these snippets lead you to more of their work. They have been my bonfires through the dark across the years.” Images on pages 03-29 courtesy of Tommy Kha and Higher Pictures. Half, Full, Quarter published by Aperture, 2023. aperture.org Passengers by Denis Johnson “Johnson, perhaps known…