Forces of revolution and oppression collide and entangle in Shaka King’s blistering “Judas and the Black Messiah,” a potent and vividly acted drama about the FBI’s subversion and assassination of Chicago Black Panther leader Fred Hampton.
King’s film, which he wrote with Will Berson, plunges into the dark chapter in American history when J. Edgar Hoover’s FBI used surveillance, infiltration and worse to check the ascent of Black movements both peaceful (as in the case of Martin Luther King Jr., chronicled recently in Sam Pollard’s “MLK/FBI” documentary) and more militant.
Hampton, played by Daniel Kaluuya, was just 21 when he was shot and killed in an FBI raid in 1969.
The raid was carried out, in part, due to information from Hampton’s own security chief, William O’Neal (LaKeith Stanfield), a…