Indholdsfortegnelse for May/June 2025 i Art & Antiques

Phillip Troy Linger (Publisher) has been Publisher of Art & Antiques for the past 15 years. He has had a long and successful career in magazines, including as the Founder and Publisher for a dozen years of Brentwood magazine, a Southern California luxury lifestyle publication. Troy started his magazine career in ad sales with former titles that include Angeles Magazine and Neonatal Intensive Care, as well as various trade-show publications before starting Brentwood in 1994. Troy graduated from the Universityof Southern California in 1986, with a degree in Communications, augmented by honors in foreign languages. In 2005, he moved to Wilmington, North Carolina, whereupon he purchased Art & Antiques; he has continued to make it the premier publication of the international art world. Ashley Busby (Feature Writer) holds a Ph.D.…

A REVOLUTIONARY figure in the histories of graphic design and illustration, Alphonse Mucha (1860-1939) was a superstar contributor to the “new art,” or Art Nouveau, at the dawn of the 20 th century, and his work saw renewed interest in the second half of the century, from psychedelic rock posters to comics and Japanese manga. “Timeless Mucha: The Magic of Line” begins a twoyear North American tour at The Phillips Collection earlier this year and remains on view through May 18, 2025. Future tour stops include the New Mexico Museum of Art, the Boca Raton Museum of Art, the Nelson-Atkins Museum of Art, and the Museo Kaluz. Organized by the Mucha Foundation, the show pro-vides a reassessment of Mucha’s career and his continued relevance. In December 1894, Mucha, a native…

THE MENIL Collection presents an examination of pioneering abstractionist Joe Overstreet (1933-2019). Beginning in the late 1960s, Overstreet sought to blend the tendencies of hard-edge painting with ideas surrounding Black identity. “Joe Overstreet: Taking Flight,” on view through July 13, 2025, also documents John and Dominique de Menil’s long support of the artist. Born in Mississippi, Overstreet trained in the Bay Area in the early 1950s, participating in the Beat scene. A 1958 move to New York saw him join forces with other young artists exploring the potential for nonobjective art and activism. In 1974, he helped found Kenkeleba House, an alternative art space dedicated to presenting work from the African diaspora. North Star (1968) represents the artist’s experimentation with shaped canvases. The work’s title refers to the star’s role…

HARTFORD’S Wadsworth Atheneum Museum of Art explores the city’s history through objects of everyday life from the collection. “Made in Hartford: A Capital City Creates,” on view through July 13, 2025, covers some 400 years of history and pays special attention to the impact of immigration, Indigenous traditions, and an evolving economy on the city’s legacy of creative innovation. Amongst the work on view, a stunning sideboard from 1804 by father-son design team Aaron and Laertes Chapin attests to the city’s thriving post-colonial economy. The elder Chapin had studied under his cousin and famed cabinetmaker Eliphalet Chapin. He favored neoclassical forms rendered in lavish finishes. The rich mahogany veneer and delicate inlay work in satinwood, holly, and ebony speak to the refined tastes of his elite, Hartford-area clientele.…

FRIEZE NEW YORK returns to The Shed, May 7-11, 2025. A showcase for premier, global art forms, the fair will see participation from over 65 contemporary galleries representing 25 countries. Alongside presentations from well-known art world stalwarts, the Focus platform will highlight 12 rising galleries all presenting work by emerging artists. Frieze programming is overseen by Christine Messineo, Director of Americas, and Kristell Chadé, Executive Director of Fairs. For over two decades, Frieze New York has seen support from global partner Deutsche Bank. Among this year’s exhibitors, Jenkins Johnson Gallery will feature work by Dr. Esther Mahlangu. Known for her striking geometric abstractions produced using traditional Ndebele painting techniques, Mahlangu serves as a global ambassador for her people and contemporary African art. The large-scale, two-panel Ndebele Abstract (Diptych), painted in 2021,…

SYNONYMOUS WITH Impressionism, the name Monet is associated with Claude. Largely unknown in the United States, Blanche Hoschedé-Monet (1865-1947), Claude’s stepdaughter, was a remarkable artist. The Sidney and Lois Eskenazi Museum of Art at Indiana University presents the first monographic retrospective of the artist’s work in the U.S., recognizing her lush plein air canvases and her artistic ambitions. “Blanche Hoschedé-Monet in the Light” runs through June 15, 2025; an accompanying catalog provides an account of her life and art. The daughter of Ernest Horschedé, a patron to the Impressionists, Blanche grew up surrounded by art. Her family settled in Giverny in 1883. After Ernest’s death in 1891, Blanche’s mother, Alice, married Claude Monet, the noted Impressionsist. Blanche began painting at 11, and by 17 served as Claude’s studio assistant. In…

“ENVISIONING THE Hindu Divine: Expanding Darshan and Manjari Sharma” offers visitors an opportunity to connect with the Hindu pantheon. Darshan, the Sanskrit word for “glimpse” or “viewing,” refers to the experience of seeing and being seen by the divine. Alongside 40 historical works from South and Southeast Asia, on loan from the Birmingham Museum of Art, the show features stunning photographs by contemporary artist Manjari Sharma and remains on view at the San Antonio Museum of Art through July 6, 2025. Born in Mumbai, India, and now based in California, Sharma notes that her move to the U.S. created a kind of “cultural paralysis” that left her yearning for ways to connect with her identity. In the Darshan series, the camera serves as a means to deconstruct Hindu mythologies. Vibrant,…

A COLLABORATION between the Bowdoin College Museum of Art (BCMA) and the Monhegan Museum of Art & History, “Art, Ecology, and the Resilience of a Maine Island: The Monhegan Wildlands” focuses on work by artists who have captured the area’s unique and dynamic ecology. The exhibition remains on view at BCMA through June 1, 2025, before a summer debut at The Monhegan Museum July 1-September 30. Located 10 miles off Midcoast Maine, the long, narrow island derived its name from the Maliseet or Mi’kamq term for “out-to-sea island.” Aside from a small village, Monhegan is almost three quarters Wildlands, protected by Monhegan Islands, Inc., a land trust first founded in 1954 by Ted Edison (son of Thomas) and other island landowners. Today approximately 60 people inhabit the island year-round, but…

SAN FRANCISCO survived its 1906 earthquake, another one in 1989, and the Covid pandemic of only a few years ago. Despite such catastrophic downturns, it continues to be one of the great American destinations, with the CK Contemporary gallery at the literal and metaphorical heart of the city in Union Square. Lauren Ellis, gallery director and partner, speaks with Art & Antiques about the ongoing role her gallery plays in the life of San Francisco. What motivated you to start the gallery in 2013? And what does the name “CK” refer to? I moved to San Francisco in 2004, directly out of college, and began working for one of the city’s best galleries specializing in original master prints. After seven years there, the owner, Chris Kelley, approached me about developing…

In 1750, just months before her death, a book of poems celebrated the life and accomplishments of flower painter Rachel Ruysch, heaping praise on one of the era’s most prominent still-life painters. Dutch poet and playwright Lucretia Wilhelmina van Merken, a contemporary of Ruysch’s, wrote: Oh gentle brush, so thoroughly experienced!You do not bemoan your nearly eighty years of life;Your winter seems your spring.Oh RUISCH! Your divine artistic powers,Rightly devoted to Immortality,Shine eternally in the eyes of Posterity A biography penned by Jan van Gool in 1750 further solidified Ruysch’s position in the art world. And yet, her continued memory falls far short of her remarkable career. Despite a well-documented life, only one book since her death, published in 1956, has examined her work. “Rachel Ruysch: Nature into Art,” a…

THE AMERICAN Art Fair returns for its 18 th edition this May in New York. On exhibit at Manhattan’s Bohemian National Hall May 10-13, 2025, the event will feature presentations by 17 specialist vendors. Among new exhibitors, Robert Simon Fine Art will bring an 18 th-century Peruvian Virgin of Loreto. The title refers to the Virgin’s Holy House believed to have been magically transported from Nazareth to a site in Loreto, Italy. The shrine, which is depicted in the painting just behind the Virgin and Christ child, and imagery of Our Lady of Loreto were popular during the era. The Jesuits, who were named protectors of the Italian shrine, dedicated churches to her in both Lima and Cuzco. Landscapes feature prominently in this year’s offerings, from rural scenes and gardens…

FOLLOWING A presentation at last year’s Venice Biennale, “Shahzia Sikander: Collective Behavior” remains on view at the Cleveland Museum of Art (CMA) through June 8, 2025. Across three decades, Sikander (b. 1969, Pakistan) has responded to South Asian visual heritage, considering especially the relationship between the West and the global South. The presentation at the CMA includes 40 works by the artist exhibited alongside historical South Asian work from the collection. Empire Follows Art: States of Agitation 11 (2020) features pools of rich, mottled color. Multiple heads at the top of the composition refer to Vishvarupa, an incarnation of the Hindu deity Vishnu, while the large figure shown in profile resembles Buraq, a human-animal hybrid from Islamic myth. This intermixing of religious references mirrors the complexities of South Asian identity, while…

THE HISPANIC Societ y Museum & Library presents “Adriana Varejão: Don’t Forget, We Come From the Tropics,” the Brazilian artist’s first solo exhibition in New York and just her third in the United States. The show runs through June 22, 2025. On view are works from Varejão’s Plates series, large oil on fiberglass and resin paintings that draw inspiration from historical work by 16 th-century French potter Bernard Palissy and 19 th-century Portuguese ceramicist Bordalo Pinheiro. The front of each plate speaks to Brazilian ecological vitality, with bold, and often surreal, images of Amazonian flora and fauna. She counters these natural forms on the reverse with patterns that simulate global ceramic traditions, juxtaposing organic and man-made, untamed and civilized. Varejão’s illustrations also draw inspiration from 17th-century scientific drawings of Amazonian…

MONET’S LATE-CAREER water lilies, with their indistinct forms and splashes of color, have been explained as a symptom of the artist’s failing eyesight. “Out of focus, another vision of art from 1945 to the present day,” at Paris’s Musée de l’Orangerie, Paris through August 18, 2025, argues for an alternative viewpoint. Curators see Monet’s blur as an aesthetic choice, a reflection not on how he saw but rather how he and others understood the changing world. After establishing a greater fin-de-siècle preoccupation with focus, curators highlight 20 th- and 21 st-century artists who focus on abstraction and perception, those who utilize a lack of ocular focus as a signifier for historical and political uncertainty, and others who explore the blur as a space for reinvention. In work such as N…

HERITAGE AUCTIONS hosts their Fine Silver and Objects of Vertu Signature Auction May 9, 2025. A full slate of silver decorative objects, jewelry, and fine collectibles will charm collectors and connoisseurs alike. Interested parties can explore the online catalog and register to bid at their website. Several lots on offer come from the collection of David Rosen, including excellent examples of Baltimore repoussé silver, distinguished by labor-intensive, “pushed-back” relief on the reverse side of the metal surface. An S. Kirk & Son Co. Silver Landscape Center Bowl from 1896-1924 (est. $30,000-50,000) includes an idyllic landscape along the vessel’s body as well as bold florals around the foot. The vessel’s maker, Samuel Kirk, first introduced the repoussé technique to U.S. manufacturers. The sale also includes an impressive array of silver jewelry…

IN 1925, GUSTAV F. Hartlaub, director of the Kunsthalle Mannheim, presented “Neue Sachlichkeit,” an exhibition of German art “since expressionism.” Included artists sought to reflect a German nation in transformation, aiming an often-critical eye at the Weimar Republic and the nation’s attempt to weather political and social upheaval. The Neue Galerie stages “Neue Sachlichkeit/New Objectivity” to celebrate the centenary of Hartlaub’s exhibition and to reexamine this significant movement of the interwar period; the show remains on view through May 26, 2025. Hartlaub identified two camps in his assessment of the movement: critical Verists, who aimed a satirical eye at German society and politics, and Classicists, who depicted a new modern beauty. Rather than view these two strands as antithetical, organizers see them as a coherent chapter deeply rooted in the…

IN 1918, NANCY Elizabeth Prophet (1890–1960) was the first woman of color to graduate from the Rhode Island School of Design. In succeeding decades, Prophet produced a body of work that blended naturalistic portraiture with a distinctly Modernist vision. While she received critical acclaim during her lifetime, she also struggled with poverty and has remained, until now, underrecognized. The retrospective presentation “Nancy Elizabeth Prophet: I Will Not Bend an Inch,” first organized by and exhibited at the RISD Museum, remains on view at the Brooklyn Museum of Art through July 13, 2025. The exhibition’s title references a 1929 diary entry wherein the Afro-Indigenous artist refused to yield to racist and sexist expectations of the era. The show includes 20 works of the artist’s small but impressive output alongside archival materials…

“OSGEMEOS: Endless Story” continues its run at the Hirshhorn Museum and Sculpture Garden through August 3, 2025. The exhibition features approximately 1,000 works, including several site-specific paintings, by identical twins and Brazilian-based street art duo Gustavo and Otavio Pandolfo, known globally as OSGE-MEOS—Portuguese for “the twins.” The brothers first took up graffiti on the streets of São Paulo as teenagers in the late 1980s. In subsequent decades they have continued to explore large-scale street installations but also translate such modes into their studio practice. Many works explore Tritrez, a fantastic, alternative reality that is populated with diverse, often yellow-skinned characters and draws broadly from sources including science fiction, American hip-hop, and their mother’s embroidery. 1980 (2020) depicts an imagined scene on a New York City subway train, one of the…

AT THE DAWN of the 20 th century, woodblock printmakers in Japan ushered in a new movement that looked to revive earlier styles while also embracing a rapidly changing, new industrialized Japan. Shin Hanga, or “new prints,” drew upon the legacy of Edo period ukiyoe masters. What began as a sort of wistful nostalgia for the premodern period quickly evolved to embrace the contemporary moment. Artists drew inspiration from foreign art movements, drove innovations in the medium, and inspired a renewed global interest in Japanese printmaking. On view through June 29, 2025, the Worcester Art Museum (WAM) presents “Reflections of a Changing Japan: The Evolution of Shin Hanga,” which features 35 prints from the era. Early Shin Hanga artists often focused on traditional ukiyo-e subjects, including kabuki, landscapes, and women.…

NEW YORK STREET photographer Arlene Gottfried (1950-2017) loved to roam, capturing the city’s diverse residents and neighborhoods. As the artist once recalled, “My mother used to say ‘Arlene—just don’t wander!’ Then I started wandering, but I got a camera because it gave it a little more meaning… a life of wandering is really what it all is.” Drawn from The New York Historical’s recent acquisition of over 300 works by the artist, “Picture Stories: Photographs by Arlene Gottfried” remains on view through May 25, 2025, and provides a glimpse into the artist’s purposeful rambling. Born in a Jewish immigrant family in Brooklyn, Arlene was the older sister of comedian Gilbert Gottfried. After studying at the Fashion Institute of Technology, she freelanced for publications such as Fortune, Life, The Village Voice,…

CERAMIC ARTIST a nd activist Roberto Lugo (b. 1981) has built a career using an age-old medium—wheel thrown pottery—to address contemporary race and identity. His vessel forms draw from the past, yet he covers them with the iconography of today. “Roberto Lugo/Orange and Black,” on through July 6, 2025 at Princeton University Art Museum’s Art@Bainbridge gallery, sets some of Lugo’s latest work in conversation with Attic Black and Red Figure ceramics and reflects on the ways in which artists then and now have sought to capture human experience from the ordinary to the significant. In Same Boy, Different Breakfast (2024) Lugo borrows from attic vases that depict a narrative in two scenes on either side of the vessel. Here, a young boy is shown sitting in his bedroom on one…

THE LAS VEGAS Antique Jewelry and Watch Show is set to stun with selections from global purveyors of antique, vintage, and estate jewels. The trade-only event will grace the Wynn Las Vegas June 5-8, 2025 and will feature offerings from some 300 esteemed dealers. Attendees can discover fine signed baubles from brands such as Rolex, Cartier, and Van Cleef & Arpels, as well as one-of-a-kind, unsigned period pieces. A Patek Philippe Gold Pocket Watch (1939), in the booth from Collectability, is sure to impress watch lovers. One of the most popular models from the line’s 20 th century designs, the time piece features an 18k yellow gold case and bezel. This particular watch previously belonged to Peruvian politician Carlos Alvarez. Jewelry offerings are also sure to delight. Fred Leighton will…