Indholdsfortegnelse for January/February 2021 i Art Guide Australia

TIMMAH BALL is a writer of Ballardong Noongar heritage who is influenced by studying and working in the field of urban planning. Her writing has appeared in a range of anthologies and literary journals. SOPHIA CAI is a Melbourne-based curator, arts writer, public programmer and greyhound enthusiast. She is particularly interested in Asian art history, the intersection between contemporary art and craft, as well as feminist methodologies and community-based practices. TRACEY CLEMENT is an artist, freelance writer and editor at Art Guide Australia. She has a PhD in contemporary art, as well as a diploma in jewellery design, an undergraduate degree in art history-theory and a master’s degree in sculpture. In 2020 she will have a solo show at the Casula Powerhouse Arts Centre as part of winning the 2018…

A line, a curve, a river, a song Sonja Porcaro Sauerbier House Culture Exchange 12 December 2020—30 January Sauerbier House in Adelaide sits on a wedge of land between the ocean and Ngangkiparinga, the saltwater Women’s River (known as Onkaparinga). On such a prime site of natural abundance it is no surprise to find a settler-colonial residence, and Sauerbier House itself is the heritage-listed former homestead of sheep grazier Charles Sauerbier, now transformed into an arts space. Here, artist-in-residence Sonja Porcaro has been working to expose the divergent histories of Sauerbier House and the stunning river that holds great significance for the Kaurna people. Porcaro’s exhibition A line, a curve, a river, a song was developed during her October–December residency. It features objects which allude to local settler history alongside…

Decision Fatigue Amber Boardman Chalk Horse 28 January—27 February A few years ago, Amber Boardman came across a New York Times article that described an emerging phenomenon many of us are now familiar with: decision fatigue. For Boardman, it acutely described “how all the decisions we make sap our willpower and we can only make a certain number of decisions in a day.” Contemporary, digital life bombards us with decisions, to the point where the insignificant seems overwhelming. Over the last 12 months Boardman has been creating large-scale paintings that look at how both decision fatigue and the internet are shaping our lives and interactions. “I’ve been interested in the internet in my practice for many years,” she explains. “I think about virtual crowds and physical crowds, and the differences…

Make the World Again Australian Tapestry Workshop 1 December 2020—26 February Weaving is synonymous with world-making. In numerous cultures, the loom is a metaphor for creation; a person’s life often represented by a spun thread. And for imagery of connection we need go no further than the ‘web’ or ‘net’ that still binds us all together. Appropriately, then, Make the World Again turns to textiles to reweave a fractured globe. Myth and legend aside, the exhibition’s title also inverts the brash slogan of the Trump campaign (‘Make America Great Again’), responding to what exhibition curator and craft writer Kevin Murray describes as “the call across populist movements to restore some sort of past glory—which itself had led to fragmentation and increasing distance between countries.” With the added layer of the…

There is a quiet grace imbued within the oeuvre of Adelaide-based artist, Angela Valamanesh. For over 30 years, she has worked across drawing, installation and ceramics, producing exquisitely delicate forms recalling the cellular organisms found within nature and the human body. Circular, smooth or honeycombed, and often small enough to fit neatly in your palm, Valamanesh’s forms are both familiar and unfamiliar, appearing as though they balance on the cusp of reality and the imagined world. There is a sense of wonder there too—at the complex beauty of microcosms and the interconnectedness of all living things. First presented as JamFactory’s 2019 Icon exhibition (a series celebrating South Australian artists working in craft-based media), About being here is a retrospective survey tracing Valamanesh’s practice from the late 1990s onwards. Brought together…

16albermarle www.16albermarle.com 16 Albermarle Street, Newtown, NSW 2042 [Map 7] 02 9550 1517 or 0433 020 237 Thu to Sat 11am–5pm, by appointment only. See our website for latest information. 6 February—13 March Pieces from Berlin Bussaraporn Thongchai In 2015 Thai artist Bussaraporn Thongchai relocated from Bangkok to Berlin. Once settled she began working in a small shelter home that provided services for migrant women from the Middle East and southeast Asia, who had often been the victims of human trafficking and the sex trade. Pieces from Berlin is the outcome of two years in the shelter, specifically designed to document the women’s stories and experiences as they passed through refugee case procedures and in many cases began rebuilding an identity for themselves. It was first presented at ARDEL’s Third…

Bett Gallery www.bettgallery.com.au Level 1, 65 Murray Street, Hobart, 7000, TAS 03 6231 6511 Mon to Fri 10am–5.30pm, Sat 10am–4pm. See our website for latest information. 15 January—6 February Parallel lines: Drawings from my archive David Keeling 12 February—6 March Group exhibition Colville Gallery www.colvillegallery.com.au 91 Salamanca Place, Hobart TAS 7000 [Map 17] 03 6224 4088 Daily 10am–5pm. See our website for latest information. 29 December 2020—18 January Birds Returning; New Images from North Tasmania Richard Dunlop 26 January—16 February Coast Robert Brown Contemporary Art Tasmania www.contemporaryarttasmania.org 27 Tasma Street, North Hobart TAS 7000 [Map 17] 03 6231 0445 Wed to Sun noon–5pm. See our website for latest information. 23 January—28 February To companion a companion Fernando do Campo Devonport Regional Gallery www.paranapleartscentre.com.au paranaple arts centre, 145 Rooke Street, Devonport,…

Museum and Art Gallery of the Northern Territory www.magnt.net.au 19 Conacher Street, The Gardens, Darwin, NT 0820 08 8999 8264 Open daily 10am–4pm. 8 August 2020—31 January Telstra National Aboriginal & Torres Strait Islander Art Awards (NATSIAA) Showcasing the very best Australian Indigenous art from around the country, from emerging and established artists. The Telstra National Aboriginal & Torres Strait Islander Art Awards (NATSIAA) exhibition captures the attention of the nation, with an inspiring breadth of work from emerging and established artists. Telstra NATSIAA is Australia’s longest running and most prestigious art awards for Aboriginal and Torres Strait Islander artists. Each year Telstra NATSIAA sees an increasing variety of art forms and media, collectively demonstrating the richness and diversity of current contemporary Indigenous artistic practice, and the pre-eminence of Aboriginal…

1 Alcaston Gallery 2 Australian Galleries 3 Australian Print Workshop 4 Artbank 5 Art Echo 6 Brunswick Street Gallery 7 BSIDE Gallery 8 BUS Projects 9 Centre for Contemporary Photography 10 Daine Singer 11 Fox Galleries 12 James Makin Gallery 13 Lamington Drive 14 Little Woods Gallery 15 LON Gallery 16 Modern Times 17 Melbourne Museum 18 Nicholas Thompson Gallery 19 PG Printmaker Gallery 20 Port Jackson Press Australia 21 Seventh Gallery 22 Slow Clay Centre 23 Sutton Gallery 24 This Is No Fantasy + Dianne Tanzer Gallery 25 West Space 26 Yarra Sculpture Gallery…

1 16albermarle 2 Adelaide Perry Gallery 3 Annandale Galleries 4 Annette Larkin Fine Art 5 Australian National Maritime Museum 6 Art Atrium 7 Artereal Gallery 8 Articulate project space 9 Artsite Gallery 10 Art Space on the Concourse 11 Art T Gallery 12 Boomalli Aboriginal Artists Co-operative 13 Brenda Colahan Fine Art 14 Cockatoo Island 15 Cooee Art Gallery 16 Defiance Gallery 17 Frances Keevil Gallery 18 Gallery 76 19 Gallery Lane Cove 20 Grace Cossington Smith Gallery 21 Granville Centre Art Gallery 22 Harvey Galleries Seaforth 23 Harvey Galleries Mosman 24 Incinerator Art Space 25 Interlude Gallery 26 Kate Owen Gallery 27 Kerrie Lowe Gallery 28 Lara Scolari Gallery 29 Lavender Bay Gallery 30 Macquarie University Art Gallery 31 Manly Art Gallery & Museum 32 Mosman Art Gallery 33…

1 Leo Kelly Blacktown Arts Centre 2 Blue Mountains City Art Gallery 3 Campbelltown Arts Centre 4 Casula Powerhouse Arts Centre 5 Creative Space 6 Harvey House Gallery and Sculpture Park 7 Hawkesbury Regional Gallery 8 Hazelhurst Regional Gallery & Arts Centre 9 Hurstville Museum & Gallery 10 Parramatta Artists Studios 11 Peacock Gallery and Auburn Arts Studio 12 Penrith Regional Gallery 13 Purple Noon Gallery 14 Rex-Livingston Gallery 15 Steel Reid Studio 16 Sturt Gallery 17 UWS Art Gallery 18 Wallarobba Arts and Cultural Centre 19 Wild Valley Art Park 20 Wollongong Art Gallery 1 Bank Art Museum Moree 2 Bathurst Regional Art Gallery 3 Bega Valley Regional Gallery 4 Broken Hill Regional Art Gallery 5 Coffs Harbour Regional Gallery 6 Cowra Regional Art Gallery 7 Finite Gallery 8…

I want a future that lives up to my past. The words from David McDiarmid’s iconic poster reverberate now, as we ponder the past year and think ahead to the next one. In this issue, we consider how to make the world anew. Some artists use weaving as a metaphor for creation and mending. Others turn to the miniature and the microscopic, constructing condensed universes with colourful plastic or intricate lace; exploring animal cells and granular rock surfaces. Artists produce immersive wonderlands out of fluorescent kitsch, or painstakingly recreate histories in order to better understand our present. Through other artworks, we contemplate possible worlds where all languages are embraced, and complex histories reckoned with. We see how families and communities can be linked through networks of care. Taking hold of…

Before hand: The private life of a portrait National Portrait Gallery 10 October 2020—21 March Alongside collecting finished portraits of Australians, Canberra’s National Portrait Gallery also amasses material related to the back-stories of how subject and artist come together to make a work. Curator Penny Grist has long been fascinated by this material, and has made it rich subject matter for the exhibition Before hand: The private life of the portrait. “Everyone loves a back-story and a glimpse into behind-the-scenes,” she says. The exhibition ranges from working drawings, studies and sketches to interviews and other recordings, presented across themes dealing with storytelling, time, immersion, concept and energy. One galvanising item was Peter Brew-Bevan’s sketchbook, developed during a commissioned portrait he made of dancer and ballet director David McAllister. “I would…

The Blade: Australia’s love affair with lawn Canberra Museum and Art Gallery 20 November 2020—20 February In Georgian England, everyone coveted lawn. It was cool, calming, tidy, and ensured a pleasant and private space for ladies in Empire-waist dresses to take a turn together. Because it required constant maintenance, lawn was also a status symbol: “At that time, all you could cut grass with was a scythe—or you could graze sheep,” laughs Richard Heathcote, curator of The Blade, an exhibition tracking the story of lawn in Australia. The thing that “democratised lawn,” he says, was the 1850 invention of the rotary mower. While this love of English lawn travelled to Australia with colonisation, Indigenous peoples were already expert in care and maintenance of native grasslands. “Fire-sticks were an important tool…

New for Old Metro Arts 12 December 2020—23 January We live in a society wrestling with the desire to reduce excessive consumption while also grappling with the reality of planned obsolescence. In the group exhibition New for Old, curator Kyle Weise has assembled a group of screen-based artworks by Australian and international artists in order to reflect on these issues using the symbolic potential of obsolete cathode-ray tube (CRT) televisions. Weise explains that both nostalgia for the old tellies of his childhood, and watching new TVs quickly become obsolete, were part of what first gave him the idea for New for Old. He describes walking through the city over the years and finding footpaths littered with CRT televisions, then LCD flatscreens. “There was something so melancholy about these objects,” recalls…

A miniature porter walks ahead of a miniature priest. Overhead looms a vivid plastic construction, all colour and form, giving the tiny people their own tiny and architecturally delightful world. The porter and priest are a brilliant pair—it almost sounds like a bar joke—and there are other finely matched characters: the backpacker and the performance artist, the dandy and the daredevil, the bride and the groom. The sculptural backdrop changes for each pairing, and despite being new artworks these plastic assemblages are immediately recognisable: it’s Louise Paramor. With a practice defined by collapsible paper sculptures and found plastics in bright colours, Paramor places seemingly-useless objects together in forms that feel wondrous and novel, albeit with an underlying complexity. Often referencing a persona, scene or architecture—the title is the clue—Paramor’s work…

“Sometimes it’s like I have a big spinning sort of feeling in my body: hard to soft, angles and sharpness, then really beautiful and cuddly and soft.”– ROSIE DEACON Rosie Deacon started winning awards while she was still at art school. Since graduating in 2010 she has become known both nationally and internationally for her immersive, often interactive, installations. Or as Deacon herself puts it, “I feel like I’ve totally lucked out since I finished uni; I can just make all these big wild things.” Big and wild may be accurate, but it’s also something of an understatement. Deacon creates wonderfully excessive and playfully exuberant environments populated by kitschy-cool creatures spawned from both a fascination with Australiana and a deep love of Australian fauna. Tracey Clement met the artist at…

MEGAN EVANS: Isabella Kelly was my great-grandmother. She was born in 1860 in Melbourne and this image is from one of her lockets. She married Patrick John Kelly. Her father came to Australia with his father, my great-great-grandfather, from Scotland. Isabella and Patrick were my first [ancestors] who were born here. They occupied land and I think if you were there at that time, you were complicit in what happened This was part of the first body of work I did for the Keloid project. I was dealing with extreme feelings of shame. I always distinguish between shame and guilt—I think guilt is negative. It works to suppress people who have already been oppressed. Isabella is peering out into the present but also hiding. The eucalyptus leaves are stuck onto…

Andrew Baker Art Dealer www.andrew-baker.com 26 Brookes Street, Bowen Hills, QLD 4006 [Map 15] 07 3252 2292 0412 990 356 Wed to Sat 10am–5pm. See our website for latest information. Artspace Mackay www.artspacemackay.com.au Civic Precinct, corner Gordon and Macalister Streets, Mackay, QLD 4740 [Map 14] 07 4961 9722 Tue to Fri 10am–5pm, Sat to Sun 10am–3pm. Free entry. See our website for latest information. 23 October 2020—17 January Jabu Birriny Edna Ambryn, Michelle Yeatman, Ruben Ambryn, Valmai Pollard, Philomena Yeatman, Elverina Johnson, Eric Orcher 5 December 2020—14 Febuary Light on Landscape Lyn Laver-Ahmat 11 December 2020—14 February Systematic Bill Hart, Ian Burns, Jacob Leary, Laura Woodward, Nadege Philippe-Janon, Patrick Pound, Tega Brain, and Tricky Walsh. 2 February—16 May Tony Druery 19 February—16 May A Changing Ecology Danie Mellor 15 February—12…

ACE Open www.aceopen.art Lion Arts Centre, North Terrace (West End) Kaurna Yarta, Adelaide, SA 5000 [Map 18] 08 8211 7505 Tue to Fri 11am–4pm, Sat 10am–5pm. As South Australia’s flagship contemporary art gallery, ACE Open presents a year-round program of free exhibitions by practicing South Australian, Australian and international artists. Its exhibitions, talks and events are held at its Lion Arts Centre home in the west end of the city. In name and nature, ACE Open forges the future with an approach that is flexible and constantly evolving, placing values of ambition, integrity, openness and criticality at its core. ACE’s programs extend the edges of contemporary visual art practice, embrace diversity and provide a space for artists and audiences to take risks. ACE Open publishes periodic artist monographs and hosts…

1 Ararat Gallery TAMA 2 Art Gallery of Ballarat 3 Arts Space Wodonga 4 The Art Vault 5 Benalla Art Gallery 6 Bendigo Art Gallery 7 Boom Gallery 8 Castlemaine Art Gallery 9 Central Goldfields Art Gallery 10 East Gippsland Art Gallery 11 Everywhen Artspace 12 Geelong Gallery 13 Gippsland Art Gallery 14 Hamilton Art Gallery 15 Horsham Regional Gallery 16 Latrobe Regional Gallery 17 La Trobe Art Institute 18 The Lost Ones Gallery 19 Maffra Exhibition Space 20 Mildura Arts Centre 21 National Wool Museum 22 QDOS Art Gallery 23 Queenscliff Gallery 24 Post Off ice Gallery Art Academy 25 Red Tree Gallery 26 Rutherglen Art Gallery 27 Shepparton Art Museum 28 Stockroom Gallery 29 Swan Hill Regional Gallery 30 Switchback Gallery 31 Town & Country Gallery 32 Wangaratta…

1 ACAE Gallery 2 Art at Linden Gate 3 ArtSpace Realm 4 Black Cat Gallery 5 Bundoora Homestead 6 Bunjil Place 7 Burrinja Cultural Centre 8 Colour Factory 9 Deakin University Art Gallery 10 Frankston Arts Centre 11 Footscray Community Arts Centre 12 Gallery Alpha 13 Bayside Gallery 14 Gallery Elysium 15 Glen Eira City Council Gallery 16 Heide Museum of Modern Art 17 Hearth Galleries 18 Incinerator Gallery 19 Ivanhoe Library and Cultural Hub 20 Kingston Arts Centre 21 MARCH SPACE 22 Maroondah Federation Estate 23 Manningham Art Gallery 24 McClelland Sculpture Park & Gallery 25 Monash Gallery of Art 26 Monash University Museum of Art 27 Mornington Peninsula Regional Gallery 28 TarraWarra Museum of Art 29 The Substation 30 Town Hall Gallery 31 Walker Street Gallery 32 Whitehorse…

1 Australian Design Centre 2 Alaska Projects 3 Art Gallery of New South Wales 4 The Art of Dr. Seuss presented by Harvey Galleries 5 Artspace 6 The Cross Art Projects 7 Fine Arts, Sydney 8 Firstdraft 9 Gaff a Gallery 10 Harvey Galleries 11 The Ken Done Gallery 12 Museum of Contemporary Art Australia (MCA) 13 Museum of Sydney 14 The Sculptors Society 15 S. H. Ervin Gallery 16 SOHO Galleries Sydney 17 The SPACE Gallery 18 Stacks Projects 19 Stanley Street Gallery 20 State Library of New South Wales 21 Sydney Opera House 22 Wentworth Gallery 23 Wentworth Gallery, Martin Place…

1 19 Karen Contemporary Artspace 2 Caboolture Regional Gallery 3 Caloundra Regional Gallery 4 Cooroy Butter Factory Arts Centre 5 Dust Temple 6 Gallery at HOTA 7 Hervey Bay Regional Gallery 8 Honey Ant Gallery 9 Ipswich Regional Gallery 10 Logan Art Gallery 11 Mavrick Art Space 12 Montville Art Gallery 13 Noosa Regional Gallery 14 Pine Rivers Regional Gallery 15 Redcliffe Regional Gallery 16 Redland Art Gallery 17 Stanthorpe Regional Art Gallery 18 Toowoomba Regional Gallery 1 Artspace Mackay 2 Cairns Regional Gallery 3 Gala Gallery 4 Gallery 48 5 Gladstone Regional Gallery 6 Northsite Contemporary Arts 7 Outback Regional Gallery 8 Perc Tucker Regional Gallery 9 Pinnacles Gallery 10 Rockhampton Art Gallery 11 Umbrella Studio…

1 Aarwun Gallery 2 ANU Drill Hall Gallery 3 ANU School of Art Gallery 4 Australian National Capital Artists (ANCA) Gallery 5 Australian War Memorial 6 Beaver Galleries 7 Belconnen Arts Centre 8 Canberra Glassworks 9 Canberra Museum and Gallery 10 Craft ACT 11 Hadfield Gallery 12 Humble House Gallery 13 Kyeema Gallery at Capital Wines 14 M16 Artspace 15 Megalo Print Studio 16 Museum of Democracy 17 Nancy Sever Gallery 18 National Archives of Australia 19 National Gallery of Australia 20 National Library of Australia 21 National Museum of Australia 22 National Portrait Gallery 23 Nishi Gallery 24 PhotoAccess 25 Tugg eranong Arts Centre 26 Watson Arts Centre…

1 Bett Gallery 2 Colville Gallery 3 Contemporary Art Tasmania 4 Despard Gallery 5 Handmark Gallery 6 Inka Gallery 7 Penny Contemporary 8 Plimsoll Gallery 9 Salamanca Arts Centre 10 Tasmanian Museum and Art Gallery 1 ACE Open 2 Adelaide Central Gallery 3 Art Gallery of South Australia 4 Bearded Dragon Gallery 5 BMGArt 6 Collective Haunt 7 Flinders University Art Museum 8 Gallery M 9 Greenaway Art Gallery 10 Hahndorf Academy 11 Hill Smith Gallery 12 Hugo Michell Gallery 13 JamFactory 14 Nexus Arts 15 Newmarch Gallery 16 Praxis Artspace 17 Royal SA Society of Arts 18 Samstag Museum of Art 19 SA School of Art Gallery 20 Sauerbier House Cultural Exchange 21 South Australia Museum 22 Tandanya National Aboriginal Cultural Institute 23 Urban Cow…

Looking Glass Yhonnie Scarce and Judy Watson TarraWarra Museum of Art 28 November 2020—8 March Looking Glass resurfaces what colonisation attempts to disguise. Featuring Aboriginal artists Judy Watson and Yhonnie Scarce, the exhibition uses the colossal forces of earth, water, fire and air, to illuminate the devastation of Country both historical and present. Ranging from installation and video to works on canvas, the exhibition centres the frontier wars, climate disaster and other truths in clear view. These themes resonate in a year marked by brutal fires and a global pandemic. But while the apocalyptic events are unsettling, both artists approach the insidious impact of colonisation with a subtle beauty, unveiling important messages without abrasive methods. Scarce’s intricate hand-blown glass sculptures, hung from the ceiling in the installation Death Zephyr, 2017,…

‘I want a future that lives up to my past’: David McDiarmid and local queer stories David McDiarmid Art Gallery of Western Australia 14 November 2020—26 April The art of David McDiarmid casts a special spell. His posters speak to the viewer with an alarming directness: ‘HONEY, HAVE YOU GOT IT?’, blares a Rainbow Aphorism from 1994, the year before the artist died of an AIDSrelated condition. McDiarmid’s distinctive voice in these works is both confident and vulnerable and can be heard so clearly it is like the artist is standing before you. The Art Gallery of Western Australia (AGWA) is celebrating McDiarmid’s late poster works in the exhibition ‘I want a future that lives up to my past’: David McDiarmid and local queer stories, alongside significant artwork and community…

Skin Garry Greenwood Queen Victoria Museum and Art Gallery 5 December 2020—11 July Working with leather as a sculptural material, the late Garry Greenwood (1943–2005) left behind a striking creative legacy. Known for creating fantastically detailed masks, puppets and costumes, Greenwood also used the supple tactility of leather to craft fully-functional musical instruments. Greenwood’s wide-ranging practice is the subject of Skin, an exhibition of work drawn directly from the permanent collection of Tasmania’s Queen Victoria Museum and Art Gallery (QVMAG). Possessing an unmistakable style steeped in folklore and medieval design, Greenwood began experimenting with leather in the late 1970s. His first musical instrument was a leather violin and from there he crafted leather ocarinas, harps and drums. Greenwood’s instruments are still regularly played by The Chordwainers and the Tasmanian Leather…

Quilts Jess Johnson and Cynthia Johnson Darren Knight Gallery 30 January—27 February Jess Johnson is known for incredibly detailed drawings filled with precise, almost obsessive, patterning. So it comes as no surprise to learn that the New Zealand-born and New York-based artist is a self-confessed perfectionist. But this hasn’t stopped her from embracing the potential of outsourcing and collaboration. Johnson says that, for her, the biggest challenge and greatest benefit of working with other people is the same thing. “It’s the loss of control. I’m an absolute control freak in most aspects of my life so handing control over to someone else is both repellent and deeply attractive,” she explains. “I keep most things in my life very routine. So this is like a hack that goes against my nature,…

“I’m thinking about all the practitioners who are now basically forgotten.”— MAGGIE HENSEL-BROWN ANNA DUNNILL Who taught you your first textile techniques? MAGGIE HENSEL-BROWN: This kind of kills the romance of it, because it should be this maternal line, but the answer is actually just—myself! I was raised with five brothers and I think I needed something that was very specifically mine. I have a very vivid memory of teaching myself how to knit with skewers and some twine. It’s been a real lifelong obsession—a thread, pardon the pun, that goes through from childhood. AD How did you get into lacemaking? MHB The very first class I did was in Melbourne, in 2015, when I learned a needle-lace technique called reticella. I’ve always been someone who likes to go more…

Aarwun Gallery www.aarwungallery.com 11 Federation Square, Gold Creek, Nicholls, ACT 2913 [Map 16] 02 6230 2055 Daily 10am–5pm and by appointment in the evening. See our website for latest information. Artists Shed www.artistsshed.com.au 1–3/88 Wollongong Street (lower), Fyshwick, ACT 2609 0418 237 766 Open daily 9am–5pm, Sun 10am–4pm. Canberra’s largest private gallery. Exhibiting the fine art of Margaret Hadfield-Zorgdrager on a permanent basis and also a large collection of antique and preloved artworks which have been collected in response to the discarding of our culture. Folk Art, needlework, Marquetry are all appreciated here. This privately run gallery is a celebration of Australian history and culture through art. In the heart of industrial Canberra. Performances every weekend. Australian National Capital Artists (ANCA) Gallery www.anca.net.au 1 Rosevear Place (corner Antill street), Dickson,…

Art Collective WA www.artcollectivewa.com.au 2/565 Hay Street, Cathedral Square, Perth, WA 6000 [Map 19] 08 9325 7237 Wed to Fri 11am–4pm, Sat 12–4pm, or by appointment. See our website for latest information. 6 February—6 March C-Change Trevor Richards Trevor Richards presents a new body of work that showcases the full breadth of his practice, encompassing a singular colour palette and all created within the unusual confines of 2020. Paintings and 3D forms in the gallery are complemented by architectural interventions outside in the Urban Art Gallery of Cathedral Square. 6 February—6 March Catching the Moment Jon Tarry Jon Tarry exhibits a series of photographic works created during a residency in The Netherlands. A crumpled piece of paper, tossed into the air, eventually rests in a moment, folding into a new…

1 Australian Centre for Contemporary Art (ACCA) 2 Arts Centre Melbourne 3 Australian Centre for the Moving Image (ACMI) 4 Anna Schwartz Gallery 5 ARC ONE Gallery 6 Blindside ARI 7 Buxton Contemporary 8 CAVES 9 City Gallery 10 Craft Victoria 11 Deakin Downtown Gallery 12 Flinders Lane Gallery 13 fortyfivedownstairs 14 Gallery @ City Library 15 Harvey Galleries 16 Immigration Museum 17 Kings ARI 18 Koorie Heritage Trust 19 Margaret Lawrence Gallery 20 Missing Persons 21 Museum of Chinese Australian History 22 National Gallery of Victoria – The Ian Potter Centre 23 National Gallery of Victoria – NGV International 24 Neon Parc 25 No Vacancy Gallery 26 The Old Treasury Building 27 ReadingRoom 28 RMIT First Site Gallery 29 RMIT Gallery 30 Sarah Scout Presents 31 Sofitel Melbourne on…

1 Arts Project Australia 2 beinArt Gallery 3 Blak Dot Gallery 4 Burke Gallery 5 c3 Contemporary Art Space 6 Chapman & Bailey 7 Counihan Gallery In Brunswick 8 The Dax Centre 9 The Fox Darkroom & Gallery 10 Gertrude Contemporary 11 Gallerysmith and Gallerysmith Project Space 12 George Paton Gallery 13 Ian Potter Museum of Art 14 Islamic Museum of Australia 15 Johnstone Collection 16 Langford 120 17 Neon Parc Brunswick 18 Old Quad 19 Otomys Contemporary 20 Red Gallery 21 RMIT Project Space / Spare Room 22 Shirazi Art Gallery 23 Tinning Street Presents 24 Victorian Artists Society 25 West End Art Space 1 ACAE Gallery 2 Alliance Francaise de Melbourne 3 Alternating Current Artspace 4 Arts Centre Melbourne 5 Australian Tapestry Workshop 6 Brightspace 7 Charles Nodrum…

1 4A Centre for Contemporary Asian Art 2 Artbank Sydney 3 ArtSHINE Gallery 4 Australian Centre for Photography 5 Brett Whiteley Studio 6 Carriageworks 7 Chalk Horse 8 Chau Chak Wing Museum 9 The Commercial 10 Conny Dietzschold Gallery 11 Darren Knight Gallery 12 Flinders Street Gallery 13 Galerie pompom 14 Gallery 9 15 Home@735 Art Gallery 16 The Japan Foundation 17 King Street Gallery 18 Kudos Gallery 19 Liverpool Street Gallery 20 m2 Gallery 21 Nanda/Hobbs 22 National Art School 23 Powerhouse Museum 24 UTS Gallery 25 Sabbia Gallery 26 Verge Gallery 27 Wellington Gallery 28 White Rabbit Gallery…

1 Andrew Baker Art Dealer 2 Artisan Gallery 3 Art from the Margins 4 Edwina Corlette Gallery 5 Fireworks Gallery 6 Graydon Gallery 7 Griff ith University Art Gallery 8 Institute of Modern Art 9 Jan Manton Art 10 Jan Murphy Gallery 11 Lethbridge Gallery 12 Maud Street Photo Gallery 13 Metro Arts 14 Mitchell Fine Art Gallery 15 Museum of Brisbane 16 Onespace Gallery 17 Philip Bacon Galleries 18 Queensland Art Gallery/Gallery of Modern Art 19 Queensland Museum 20 QUT Art Museum 21 Side Gallery 22 State Library of Queensland 23 Suzanne O’Connell Gallery 24 The Third Quarter Gallery 25 TW Fine Art 26 UQ Art Museum…

1 Art Collective WA 2 Art Gallery of Western Australia 3 FORM Gallery 4 Gallery 152 5 Gallery Central 6 John Curtin Gallery 7 KAMILĖ Gallery 8 Lawrence Wilson Art Gallery 9 Linton & Kay Gallery @ Fridays Studio 10 Linton & Kay Subiaco 11 Moore Contemporary 12 Perth Centre for Photography 13 Perth Institute of Contemporary Arts 14 STALA Contemporary 15 Turner Galleries 1 Artitja Fine Art 2 David Giles Gallery / Studio Eleven 3 Fremantle Arts Centre 4 Gallows Gallery 5 Japingka Gallery 6 Moores Building Contemporary Art 7 PS Art Space “Mum also has a tendency to go rogue for a few days, then she’ll send a picture of some half-completed thing that we haven’t discussed with a prickly question mark.”—JESS JOHNSON, ARTIST, P. 55 “I’m thinking…