The restoration of the 1894 yacht Bel’Rose is pretty far to one end of the authenticity continuum; the Swedish boatbuilders in charge of her restoration, Mathias and Martin Ravanis seem to start their restorations (their last one won the CB award in 2018) by searching through forests for the correctly shaped grown timbers. These are sometimes used, during authentic restorations, in moderate radii for knees inside the hull, but these guys don’t stop until they find really extreme bends, for things like the aft end of a cockpit coaming even. On the modern end of the spectrum, although still in wood, is a re-work of Ernest Hemingway’s famous Pilar, a new boat intended for series production. Just like the old one but probably, in honesty, better in every way, and…
