Indholdsfortegnelse for Issue 22 i Creative Artist

Who would have imagined a backpacking trip around Australia and New Zealand would ignite such a passion and addiction for photography from a man who is now a world-renowned photographer? I would love to say that my interest in photography started in my childhood when I inherited my Grandfather’s old camera, but that would be a lie. There was no touching story to begin my love of photography; I was actually a late starter. My photographic journey began in the late 1990s when I spent a period of time backpacking around Australia and New Zealand. I was 25 at the time and had only rarely photographed anything before the trip. While touring through some of the amazing landscapes down under something changed, a passion was ignited inside me. It began…

Mark Kimber: Side Show Valley “The photograph has always lied outrageously, but it is such a beautifully eloquent lie. Though caught in the twilight of peripheral vision this is a world as real as any dream, as concrete as any memory, and as fluid as any certainty”. Mark Kimber. Mark Kimber never fails to intrigue and delight with his fantastical dioramas. After The Pale Mirror (Stills Gallery, 2012) he returns with Side Show Valley, another richly referential series about the haunting power of photography. We look at these images with a sense that we have seen them before yet their familiarity is slippery. Kimber is an academic when it comes to the history of photography. This is not surprising in a long-term educator. Kimber has been Head of Photography SA…

Lens Range The range of a lens is measured in millimetres and the range refers to the distance from the lens element to the sensor or film plane. This is often referred to as the focal length. The higher the focal length number the larger the lens and the closer it will bring the subject to you. The lower the number, the smaller the lens and the wider the viewpoint. When thinking about what lens to buy or use, you need to consider what style of image you are after. Are you looking to display an overall scene or are you wanting to isolate a subject from the background? Perhaps you have a specific requirement like having to shoot in low light without flash or shooting over a very long…

It is in this atmosphere of change that Florence Lynch and Bee Tham, sharing the same passion in conceptual art, launched LYNCH THAM, a contemporary art gallery located on the Lower East Side of Manhattan, in New York City. The duo collaborated on a few projects before deciding to launch the gallery in March 2013. Between Lynch, a longtime New York gallerist, and Tham, a private art dealer once based in Asia, the pair double teams the primary and secondary art markets successfully, rapidly gaining traction in the art world. The gallery boosts a strong roster of artists who have aggressively explored the potential of art as a conduit for complex and diverse ideas. Among these artists, with exhibition history and increasing interest in the Asia Pacific market are Tiong…

Over the course of a few months of travel in the UK, Europe and America I took thousands of photos while travelling. For the most part these were standard travel photos of landmarks, monuments and streetscapes but I was drawn to the textures that existed in the cities. On every city block there were an infinite amount of these amazing little abstracted compositions. I did get a few strange looks when shooting a close up image of a plain wall but hey, nothing out of the ordinary for photographers. To shoot this type of thing you do not need a specific type of camera, for these images I shot mainly with an iPhone 4s as it was always on me and it had geotagging (GPS location). When looking at such…

With a humble gratitude for his early life, this artist generously shares with us his philosophy of art and life. If I am one, being an artist is nothing like what I imagined - I have never been starving, I have never set up an easel in a picturesque garden, and I don’t believe that what I paint speaks for itself. On the contrary, I have family who have relentlessly supported me through all of my endeavours, allowing me to spend my days comfortably amidst my other passion: medicine. Now in my third year of Medicine at the University of Sydney, this is my 9th year in University, so it seems as though studying has been my lifelong career. To get a good idea of how I got started on…

Frank Miles was born in Salisbury, Rhodesia (now Harare, Zimbabwe) in 1946; raised on a farm on the outskirts of Bulawayo and now resides in Alstonville, New South Wales. Frank’s family was involved in dairy and crop farming, so he grew up with an inherent relationship and connection to all types of domestic animals - and also developed a deep love and admiration for wildlife. When he returned home from boarding school for the holidays, Frank would be out all day on his own, exploring the bushveld and witnessing the many nuances of nature. The Rhodesia of his time was teeming with wild animals which inspired many of his early bronze sculptures such as Rhino, Elephant, Giraffe, Zebra, all types of buck and not forgetting the incredible variety of birds,…

Using her Mum’s advice, “if you are going to do something, do your best or don’t do anything at all”, has ensured this talented artist always goes the extra mile. Mum and Dad, Joanna and John Ulijn, moved to Australia in 1953 from a town called Oss in the Netherlands with my sister Mieke. I was born in Goomalling, a little town in the wheat belt of Western Australia, but most of my childhood was in Maida Vale. I’m one of five and I guess one of my inspirations in my life has been my family. I have always like to draw. My oldest brother Harry is great at drawing too, but he wood burns his work. In my teens I discovered a medium called Hoddytex – it’s paint in…

We all have our heroes in life, yours could be an actor, author, maybe a musician, or just someone you admire for their achievements in life, me I’m not much of a movie buff or avid reader, true I do have quite a mixed collection of music l play when I’m my studio, and one or two favorite artists, but many of my personal heroes in life are fine artists, and in this studio article I’m visiting one in friend and outstanding Western Australian artist Mike Vandeleur at his studio in Safety Bay just south of Perth. Every picture tells a story so they say and I’ve started this studio visit article with the photo below as a lead in, because its typical of Mike’s reaction as you open his…

Materials • Stretched canvas • Oil and/or acrylic paints • Mongoose hair brushes – Filbert and Round (ranging in size from 00 to 12) • HB pencil • Gum eraser With just a few materials, this artist created a fabulous portrait. Step One I photocopied the photo used as inspiration and the copy was photocopied again and so forth until a stark, high contrast was achieved. Following this, I used the picture as a guide and freehand sketched an outline onto the primed canvas with pencil. Step Two Using black acrylic paint I started to fill in the canvas using the sketch as a guide. To avoid smudging the graphite I do not place my hand on the canvas for stability. Step Three I continued to paint the detail portion…

Materials • Acid free Bainbridge board • Black waterproof ink • Tracing paper • Rotring pens: No. 0.25, 0.35, 0.4 • Pencils • Drop of watercolour Step One Research your subject; take field sketches from real life, backed up with your own photographic references. Step Two Draw up and sketch your layout and arrange your plant rough sketch to fit, making notes on detail and colour. Step Three Once you draw up your full layout, take a tracing and transfer your sketch down on your board surface, giving a faint clean guide line, and start penning in your illustration. Step Four Continue to build with pen line and stipple. Step Five Pen stippling is exact work, don’t rush and keep your pen upright. If you get tails on your dots…

Next issue highlights: • Inspiring artists’ workshops and profiles • Australian and international artworks • Incredible photography • Clever ideas and tips of the trade Look for it in your newsstand soon – or become a subscriber to ensure that you never miss an issue! We would love to hear your views on almost anything to do with art. Please don’t hesitate to write to us at Creative Artist. Send your letters to: The Editor, Creative Artist magazine, PO Box 8755, Glenmore Park NSW 2745.…