Silver is a divisive material. Admirerssee utter beauty in its quiet lustre, while others, especially if they’re tasked with polishing it, see instability and even caprice, as oxidation yellows and reddens the material until the surface is tarnished with shades of black. To South Korean ceramic artist Heami Lee, that tricky characteristic is its biggest charm, and a major part of why she chose to work with the craft tradition of silver overlay.
Her pieces, Lee says, ‘enter a collector’s home or a gallery, change colour according to their surroundings, to the atmosphere around them, to the hands that touch them, recording the time that has elapsed.’ It’s also why she chose pottery, she says. ‘It’s a product of accumulation. Your gestures are imprinted on the surface, as shapes.’
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