Brian Eno, the music producer who worked on landmark albums with global stars, including David Bowie and U2, believes that two things help artists to produce exceptional work: imposing limits and taking them out of their comfort zones.
The explosion of music technology in recent decades – from all-in-one, affordable recording apps to elaborate instrument modeling and effects software – has created near-infinite opportunities to experiment. Yet, paradoxically, this surfeit of options has increased the risks of artists producing nothing of great value or getting lost trying.
Fifty years ago, studio options were limited to a handful of tools, meaning it was possible to test most of the possibilities very quickly. “Now, there’s about 600,000,” says Eno. “If you want to take that approach and say, ‘Let’s try everything and…
