Much childhood—and adult—delight can be attributed to a certain Edward Lear who conjured up, among other beings, an old man with a beard that housed “Two Owls and a Hen, Four Larks and a Wren”, often with accompanying illustrations by the poet himself. As if mirroring his imagination, Lear travelled widely, including to India. It is this latter, less-known story that Anindyo Roy has brought to life in The Viceroy’s Artist.
Invited by Lord Northbrook, the then Viceroy, to paint the Kanchenjunga, Lear came to India in 1873, with Giorgi Kokalis, who was employed to take care of him and with whom he shared a deep bond. As Lear criss-crossed the subcontinent, he maintained a journal, which inspired this book. It was, however, “little more than fragmentary observations” and Roy…