Recently on a US talk show Salman Rushdie was asked if the current administration had had a negative impact on his day-to-day life. He replied, “I feel now about my writing a little differently, because you have got so much fiction, so much fantasy, so much distortion and untruth propagated every day that I think, ‘Maybe not magic realism.’ Maybe it becomes the writer’s job, paradoxically, the fiction writer’s job, to try to re-establish the sense of the truth.”1
Like Rushdie, Anthony Dunne and Fiona Raby’s design practice exists within their own kind of magical realism. Rather than being positioned in historical fiction as Rushdie is, theirs is in a supernatural, future fiction. Crafting imaginary, aesthetically seductive, one-off consumer electronic, product and spatial design propositions, they provoke and question the…
