Six studios run by women, with the sole exception of one man, Lucien Dumas, of the group Materra-Matang. They are Ophélie Dozat with Lou-Poko Savadogo, Elisa Uberti, Gala Espel, Julie Richoz, Chloe Bensahel and Sophie Dries, bearing witness to a gentle revolution that in recent years is reformulating creativity in the world of design. Young people in their thirties, liberated talents in their forties, graduates of the finest schools in their native lands, like the École Camondo of Paris and the School of Architecture of Versailles, or ENSA Paris-Malaquais, after which they finished their studies abroad, at Aalto University in Helsinki, Parsons in New York and ECAL in Lausanne. A collective survey of their work conveys a plural, contaminated landscape, in which the influences are both industrial – developed in…
