It takes a special kind of polymath to successfully fuse jazz and opera in 2021. A deep knowledge of jazz performance and composition is paramount, of course, as are world-class orchestral skills. The ideal candidate would have a background of study with great teachers, work with strong directors, and a mature style that shows a solid grasp of both jazz and operatic history. In a perfect world, they’d prioritize storytelling. Most important, the consummate jazz/opera composer would be especially attuned to this extraordinary moment in time.
It’s no surprise, then, that Terence Blanchard’s Fire Shut Up in My Bones, written to a libretto by filmmaker Kasi Lemmons, has achieved such widespread acclaim. The opera, adapted from the 2014 memoir of New York Times opinion columnist Charles Blow, tackles intense themes…
