Indholdsfortegnelse for 113 i Love Patchwork & Quilting

For the whole of 2022 I’ve set myself a challenge: rather than rush to my local quilt store every time I start a new project, instead I’ll shop my stash. After 12 years of hoarded fat quarters, held-on-to scraps and hopeful remnants, this means a lot of prints! We’ve made it our mission this issue to make print mixing a breeze, starting simple with Wendy Chow’s beginner-friendly cover quilt. Meanwhile, Xanthe Grundy’s been transforming pre-loved vintage sheets into a stunning heirloom, Angee Turner’s getting creative with vibrant Ankara fat quarters and Paula Steel has created the ultimate guide to sewing with charm packs. Sadia Nowshin’s also been chatting with nine inspiring designers to find out how they work with colour… maybe you’ll learn something new! LovePatchworkandQuilting LoveQuiltingmag LoveQuiltingmag www.gathered.how/lovequiltingmag…

BEAR PAW WEAVE FOR MORE FAT QUARTER FRIENDLY PROJECTS, HEAD TOWWW.GATHERED.HOW/LOVEQUILTINGMAG YOU WILL NEED Quilt ■ Fabric A (purple): 3¾yds ■ Fabric B (navy): ¾yd ■ Fabric C (yellow): ¾yd ■ Fabric D (light blue): ¾yd ■ Fabric E (orange): ¾yd ■ Fabric F (pink): ¾yd ■ Binding fabric: ½yd ■ Backing fabric: 37/8yds ■ Batting: 68in square FINISHED SIZE ■ 60in square NOTES ■ Seam allowances are ¼in throughout, unless otherwise noted. ■ Press seams open throughout, unless otherwise instructed. ■ RST = right sides together. ■ HST = Half-square Triangles. ■ WOF = width of fabric. ■ Quilted by Laura Money of The Gathering Quilt (@thegatheringquilt on Instagram). ■ Fabric supplied by FIGO Fabrics (figofabrics.com). FABRICS USED All fabrics are from the Arcadia collection by Pippa Shaw for…

VINTAGE FLORALS YOU WILL NEED Quilt ■ Print fabrics: at least twelve (12) fat quarters, or equivalent scraps ■ Background fabric: one (1) bedsheet or thirteen (13) fat quarters ■ Lightweight fusible interfacing (20in wide): ½yd ■ Backing fabric: 58in x 74in ■ Batting: 58in x 74in ■ Coloured thread for the pom pom ties (optional) ■ One (1) copy each of the Flower Scallop, Flower Petal, Flower Centre and Circle Wedge templates FINISHED SIZE ■ 50in x 66in REPURPOSE AN OLD BEDSHEET AND USE IT FOR THIS QUILT'S BLOOMING BACKING FABRIC! NOTES ■ Seam allowances are ¼in throughout, unless otherwise noted. ■ RST = right sides together. ■ The Flower Scallop & Flower Centre templates are for needle turn appliqué and do not include a seam allowance. Add a…

“When I was a kid my mother was preparing a meal and I asked her to put the salad in the green bowl. She replied in a very surprised tone that we did not have a green bowl and asked me to show it to her. Well… the bowl was orange”. This was the first time that quilt pattern designer Augusto García realised that he was colour blind – a challenge that he’s not let get in the way of being able to work as a designer all his life. Augusto has developed many tips to distinguish shades (particularly pale ones) over the years, from checking CMYK composition of shades when working digitally, to referring to fabric names for confirmation and labelling all pieces that might be unclear. A fan…

LEARN MORE ABOUT AFRICAN FABRICS AT WWW.GATHERED.HOW/LOVEQUILTINGMAG YOU WILL NEED ■ Print fabrics: twenty (20) fat quarters ■ Background fabric: 2¾yds ■ Batting: 75in x 85in ■ Backing fabric: 4¾yds ■ Binding: 5/8yd FINISHED SIZE ■ 67in x 77in NOTES ■ Seam allowances are ¼in, unless otherwise noted. ■ Press seams open throughout, unless otherwise instructed. ■ RST = right sides together. ■ WOF = width of fabric. ■ HST = Half-square Triangle. ■ Fabric supplied by Cultured Expressions (culturedexpressions.com). FABRICS USED ■ Prints are from a pack of twenty Ankara fabrics from Cultured Expressions. ■ Solid fabric is a Kona Cotton Solid in White by Robert Kaufman. USING A HANDY STACK OF FAT QUARTERS WILL MAKE YOUR FABRIC PULL A BREEZE! PREPARATION 1 For each pieced block, you…

YOU WILL NEED Cherry Tree block ■ Brown fabric: one (1) fat eighth ■ Pink fabric: ½yd ■ White fabric: 5/8yd ■ One (1) copy each of Cherry Tree FPP Templates A–C, Cherry Tree Half Circle template and Background Quarter Circle template FINISHED SIZE ■ Block: 15in square (15½in unfinished) ■ Quilt: 59in x 70in "TRICKY" TECHNIQUES SUCH AS SEWING CURVES ARE MADE EASY WITH THIS STEP-BY-STEP NOTES ■ FPP = Foundation Paper Piecing. ■ For FPP templates, seam allowances are only included around the outer edge. Other templates include seam allowances where necessary. ■ Shorten stitch length to 1.5 for FPP. ■ Fabrics supplied by Windham Fabrics. FABRIC USED All fabrics used throughout the BOM are from the Ruby and Bee Solids collection by Heather Ross and Annabel Wrigley…

Xanthe Grundy Pattern designer Xanthe loves to create colourful sewing and quilting projects for nostalgic modern makers. Check out her upcycled sheets quilt on p34! Angee Turner Angee specialises in modern, abstract piecing and loves to make quilts using vibrant colours and Ankara print fabrics, such as her unique quilt found on p65! Sadia Nowshin Head to p50, where lifestyle writer Sadia spoke to nine creatives about their methods, inspirations and helpful advice when it comes to quilting with colour Quilting is for everyone At Love Patchwork & Quilting, we want inclusivity to be at the heart of what we do. We’re committed to creating content that reflectsc and celebrates the diversity of the quilting community. Quilting is for everyone, regardless of ethnicity, age, size, ability, sexual orientation or gender…

FOR MORE BAG PATTERNS, HEAD TO WWW.GATHERED.HOW/LOVEQUILTINGMAG YOU WILL NEED ■ Dark prints: at least three (3) fat quarters ■ Light prints: at least four (4) fat eighths ■ Yellow print: ½yd ■ Lining fabric: 5/8yd ■ Lightweight fusible interfacing (20in wide): 1yd ■ Batting: 16in x 32in ■ One (1) pair of 12in bag handles FINISHED SIZE ■ 14in x 14in x 3in approx NOTES ■ Seam allowances are 3/8in, unless otherwise noted. ■ Press seams to one side. ■ RST = right sides together. ■ QST = Quarter-square Triangle. ■ For the bag handles, Anna used dome shaped light brown bag handles from Pelenna Patchworks (pelennapatchworks.co.uk). YOU CAN USE UP FAT QUARTERS AND FAT EIGHTHS FROM YOUR STASH FOR THIS CUTE BAG! FABRICS USED All print fabrics are…

FLY AWAY WITH ME YOU WILL NEED ■ Fabric A: 11/8yds ■ Fabric B: ¾yd ■ Fabric C: 5/8yd ■ Fabric D: 5/8yd ■ Fabric E: 5/8yd ■ Fabric F: 1yd ■ Fabric G: 7/8yd ■ Fabric H: ¼yd ■ Fabric I: 1/8yd ■ Fabric J: 21/8yds ■ Fabric K: 11/8yds ■ Fabric L: 11/8yds ■ Fabric M (includes binding): 13/8yds ■ Backing fabric: 7yds ■ Batting: 94in x 106in FINISHED SIZE ■ 87in x 99in NOTES ■ Seam allowances are ¼in throughout, unless otherwise noted. ■ Press seams open throughout, unless otherwise instructed. ■ Press fabrics well before cutting. ■ Press well after sewing each seam. ■ WOF = width of fabric. ■ This pattern assumes that the WOF is at least 42in. ■ Read pattern in full before…

SUZY WILLIAMS “I love connecting interior design with quilting. I ask myself, “Where will this quilt live and how can it work in a room?” suzyquilts suzyquilts.com KAREN LEWIS “I have several saved Collections for colour on Instagram that I like to refer to. It’s helpful to see how colours look made up.” karenlewistextiles karenlewistextiles.com ANNIE CHEN “I created a photo album on my phone. Whenever I see anything, like flowers, book designs etc, I take photos and save them there.” lemonni lemonni.com WENDY CHOW “I gain inspiration from flipping through catalogues and window shopping at furniture stores like West Elm and CB2.” the.weekendquilter the-weekendquilter.com LYSA FLOWER “I look at Pinterest and love Pantone mood boards. When you follow your inner voice, though, the work is always stronger!” lysaflower lysaflower.com…

FANCIFUL FOREST FOR MORE TRIANGLE PATTERNS HEAD TO WWW.GATHERED.HOW/LOVEQUILTINGMAG YOU WILL NEED ■ Print fabrics: one (1) pack of charm squares (5in), or 3/8yd total ■ Backing fabric: one (1) fat quarter ■ Batting: 18in x 22in ■ Binding fabric: 1/8yd FINISHED SIZE ■ Approx 13½in x 18in NOTES ■ Seam allowances are ¼in, unless otherwise noted. ■ Press seams open throughout, unless otherwise instructed. ■ WOF = width of fabric. ■ Sarah used 5in charm squares from two packs, to ensure plenty of variety across her quilt. You can also choose to use a mix of pre-cut jelly roll strips, or 2½in strips from your stash if you prefer. ■ Fabric supplied by LoveCrafts (lovecrafts.com). FABRICS USED Print fabrics are from Fanciful Forest by MoMo for Moda Fabrics and…

1 KIT SUPPLY TOTE BY ANEELA HOEY There isn't a better way to store your crafty notions than Aneela's boxy bag. Find nifty pockets of every size – swoon! payhip.com/comfortstitching 2 ROLIPOLI CROSSBODY BAG BY MINKI KIM We love the combo of simple patchwork and the stylish shape of Minki Kim's design. It's the perfect way to use up your treasured scrap fabrics! sewingillustration.com 3 DUFFLE SHUFFLE BY FELIE HEMPFLING Find Felie's duffle bag (with bold Tula Pink prints!) in LP&Q issue 111, available on Zinio, Readly, Apple News, Google Play or the LP&Q App. 4 FIREFLY TOTE BY NOODLEHEAD For a sophisticated sew, may we point you in the direction of Anna's clever drawstring design? It's available in two sizes! noodle-head.com 5 CHRISTINE SLING BY LOVE YOU SEW Cristy's…

TRIANGLE TEMPLATES LovePatchworkandQuilting LoveQuiltingMag LoveQuiltingMag www.gathered.how/lovequiltingmag DOWNLOAD AND PRINT FULL-SIZE TEMPLATES www.gathered.how/lovequiltiNgmag 1 Both triangle templates have been designed to work with Jelly Roll strips. However, you can also use the templates with any 2½in strips cut from your own stash. The dashed line marks the seam allowance, for easy fussy cutting. The arrow shows the direction the strip of fabric should run when you’re placing your template. CUTTING TRIANGLES 2 Choose one of your triangle templates and place it on your strip, aligning the flat edges with the length of the strip. Cut along both sides. Turn the template 180-degrees and align with the angled edge of the strip. Cut along the right edge to cut the next triangle (Figs 1–2). Continue cutting in this fashion until you have…

How did you first get into quilting? I wouldn’t say I got into quilting properly until after the birth of my second son. I had pretty bad depression and was trying to hold onto anything that brought me joy, even in the smallest way. I remembered enjoying sewing so I hopped onto Pinterest, trying to find a project to make. After that first quilt (a free pattern from Nicole Daksiewicz of Modern Handcraft) I felt like I was coming back to myself a little bit. So then I made another quilt, and another, and another. And, well, the rest is history. What advice would you give to a beginner quilter? Quilt for the joy of it and let go of perfection! Even the most seasoned quilter has to use the…

IN THE KNOW Working with non-traditional fabrics, or upcycling, is not only an important aspect of the sustainable quilting movement, but it is also a lot of fun. Through upcycling we can take objects that may no longer be used or wanted and transform them into new, valued pieces of art. Here are some things to consider (and a few tips) for quilting with fabrics other than quilting cottons. WHAT TO USE While there are the occasional linens, linen blends, woven and shot cottons found in quilting, quilts are for the most part made with quilting cotton. As a result, anything else counts as non-traditional. This is where it gets fun, because nothing is off limits when it comes to the non-traditional route and upcycling! Think: men’s shirts, cotton dresses,…

COLOUR CRUSH YOU WILL NEED Quilt ■ Fabric A (red): one (1) fat eighth ■ Fabric B (dark yellow): 3/8yd ■ Fabric C (dark orange): ¼yd ■ Fabric D (light yellow): ½yd ■ Fabric E (pink): ½yd ■ Fabric F (light coral): ½yd ■ Fabric G (light orange): 3/8yd ■ Fabric H (dark coral): 3/8yd ■ Fabric I (white): 4yds (includes binding) ■ Batting: 79in square ■ Backing fabric: 4½yds FINISHED SIZE ■ 72in square NOTES ■ Seam allowances are ¼in throughout, unless otherwise noted. ■ Press seams open throughout, unless otherwise instructed. ■ RST = right sides together. ■ WOF = width of fabric. ■ Fabric supplied by Robert Kaufman (robertkaufman.com). FABRICS USED ■ Solid fabrics are Kona Cotton Solids by Robert Kaufman in Lipstick, Mac and Cheese, Tangerine,…

Each month, our expert Paula Steel will show you how to make a project using a new and exciting technique! Gain confidence in mixing prints so you can feel at ease when you’re piecing a project with various fabrics from your stash. You may be mixing prints from different collections, different designers or you may have prints in various different colours. The main aim is always to achieve some contrast within the pattern; we also want the colours to complement each other. Paula has made simple sixteen square patches with a checkerboard look to illustrate how the two different methods offer that contrast. HOW TO MIX PRINTS COLOUR GROUPING 1 Colour can be divided in many ways. You can have complementary colours – for example, colours like red and…