The story of Ishbel Myerscough’s self-portrait, Ishbel, 2024, begins with an impulsive Instagram purchase: a dress. “I still can’t resist beautiful, sumptuous clothes,” the acclaimed British artist admits. But this was no ordinary outfit. “I put it on for an opening I wasn’t even sure I’d attend,” she recounts, describing how she paired the vibrant dress with unkempt hair and a tote bag covered in eyes. “To my amazement, it was like wearing an invisibility cloak, with the added strangeness of being the most visible person in the room.”
The paradox struck her. People admired the dress, even photographed it. Yet, her face, hair, and figure remained invisible. “No one saw me,” she reflected. This moment encapsulated the riddle of ageing: the shifting societal gaze and the delicate balance between…
