There is an atmosphere of intense concentration in Princetown Press’s studio. Jon Palmer – JP – is typesetting the text for a new art piece and, silently, studiously, selects tiny metal letters from compartments of a wooden tray, then slots them one by one onto a composing stick. As the text grows, with letters back to front and words in reverse, the task demands his full focus. When each line is finished, he carefully transfers it to a special metal frame, which, once complete, he loads onto a press to be inked and printed. Two hours after JP began this design, his 50-word creation is deposited with a gentle clunk from the couple’s vintage printing press.
‘It’s not quite as easy as pressing “print” on a computer,’ jokes JP, who,…
