Indholdsfortegnelse for No. 364 i Photography Week

Welcome to the world’s No.1 weekly digital photography magazine. If you’re already a reader, thanks for your continued support and involvement; if you’re new to Photography Week, you’ve come to the right place! In addition to expert advice, brilliant tips and step-by-step tutorials, every issue features interactive galleries of the best new photos, how-to videos on essential shooting and editing techniques, and in-depth reviews of the latest camera kit. But that’s not the whole story. Photography Week is more than a magazine – it’s a community of like-minded people who are passionate about photography. To get involved, just follow any of the links below and share your shots and comments – your photo might even appear on our cover! JOIN THE PHOTOGRAPHY WEEK COMMUNITY AND START SHARING! FACEBOOK http://tiny.cc/7s2zgy TWITTER…

Jordan says… I try to get everything as right as possible in-camera, but my shots still need processing to get the very best out of them. Using Adobe Lightroom means that I can easily process shots together for a consistent look between them, while shooting in raw means that I can fine-tune the exposure to carefully balance the lighter and darker areas of the scene. I’ll use radial selections to emphasise areas I want to direct the viewer’s attention to; straightening to ensure that verticals and horizons are absolutely bang-on; and a little subtle cloning – I have no qualms about removing distractions that would otherwise spoil a perfectly sellable shot!…

To find out how you can get Photography Week delivered straight to your device every week for just a few pennies, simply search for Photography Week on any of the platforms below AVAILABLE ON YOUR DEVICE NOW! http://tiny.cc/7bodfy http://tiny.cc/edodfy http://tiny.cc/heodfy *Available for a limited time only. Standard subscription offer varies across platforms/devices – please refer to specific store for the most up-to-date offer…

1 HOUR We joined Nikon School UK for low-light portraiture masterclass. The first thing we learned was about light, and specifically its four key attributes: quality, quantity, direction and colour. The workshop kicked off in Nikon School’s studio in the Centre of Excellence, where there were several different light sources in the room to contend with – overhead spotlights, fluorescent lights and daylight coming through the windows – giving a mix of colour temperatures. The most flattering light for our portrait subject is soft light, and that means we need to diffuse the light to allow a wider spread. We used the Lastolite Ezybox Pro Strip softbox for this, which has a pair of white baffles inside to soften the light. How much flash light we need depends on our…

Sony has announced two new models in its APS-C mirrorless Alpha line, the A6600 and A6100. As their names suggest, the two appear to sit on either side of the A6400 that was announced at the start of the year, with the A6600 taking the honor of the flagship model in the line. Both new models have much in common with the A6400, including a 24.2MP APS-C sensor and A9-level BIONZ X processing. They also both have a top burst shooting speed of 11fps, with autofocus and auto-exposure working throughout. The pair also match the A6400 in sporting a 3-inch tilting LCD touchscreen. This also supports touch tracking AF in movies, whereby the subject can be keyed with the finger before the camera takes control and stays with it. Both…

Jordan says… Live view is really useful for cityscape photography. While it can be difficult to see the display in bright daylight, in the darker conditions that cities are typically shot in, it’s easy to read. The level display confirms that your horizons are straight, and the touch focus control enables you to select exactly where you want your focus to be. Best of all, pressing the OK button toggles the exposure preview on and off, which simulates the effect of the exposure settings you’ve chosen before you take the shot.…

1 SPIRIT LEVEL Jordan says… I can’t abide off-kilter horizons, and while you can straighten this in post, you lose pixels. I don’t bother with the spirit levels on the tripod itself; I use a bubble level that slots into my camera’s hotshoe, and this ensures that my horizons are perfectly straight at a glance. It’s an old-school way of doing things, but it hasn’t failed me since the film days. 2 ND FILTERS & GRADS Jordan says… I use ND and ND grad filters for pretty much every shot I take. My preferred ND is the six-stop Lee Little Stopper, which I find is enough to calm moving water and clouds without overdoing the effect and making exposures ridiculously long. I also have Lee one-, two- and three-stop ND…

PRO JORDAN BANKS Jordan’s career as a photographer began around 20 years ago when he took a gap year to go travelling. Armed with his dad’s old Nikon FE and a 50mm lens, he entered the Travel Photographer of the Year competition – and won a Highly Commended award! He now runs travel photography tours and workshops in the UK and across the world. APPRENTICE STEVEN MCGRADY Steven started off with Nikon F3 and F5 film cameras back in the day, but his interest was rekindled with the advent of digital when he bought a D70S. A D300 followed, then a D800, he’s since ‘downgraded’ to a D750, which he finds more portable. He works in the City of London, and was keen for tips on shooting the capital’s skyline…

FUSHIMI INARI TAISHA I had been at Kyoto’s Fushimi Inari Shrine since before first light. Shortly after sunrise I spotted this woman in the most stunning attire. She didn’t speak any English but understood me enough and kindly agreed to pose for a few shots. Shot on a Nikon D850 with 24-70mm f/2.8 lens. LAKE PEHOE This morning at Lake Pehoe in Torres Del Paine National Park, in Chilean Patagonia, quite literally had it all. The scenery here is pretty spectacular on any given day, but add in the stormy clouds and a rainbow and you really get something special. Shot on Nikon D800 with 16-35mm f/4 lens. DELICATE ARCH Utah’s Arches National Park is a busy spot. I was there in early winter, but I still had to be…

An enchanting image of a pelican appearing to dance on a frozen lake has won the photographer who captured it the coveted title of Bird Photographer of the Year 2019. Caron Steele shot the image of a dalmatian pelican, entitled Dancing on Ice (above, top-left) on Lake Kerkini in Greece. The birds had left the lake when it froze for the first time in 16 years, but Steele was able to get her shot when the lake began to thaw and the birds started to return, slipping on the ice as they tried to take off and land. “It was a truly unique experience, both magical and comical at the same time,” she says. In addition to showcasing the best in bird photography, BPOTY also supports bird conservation projects. Click…

www.sigma-imaging-uk.com £449/$469 This new full-frame 70mm Art lens is the first of Sigma’s ‘Global Vision’ lineup to deliver full 1.0x macro magnification. The build quality and finish are first rate: premium materials include Sigma’s TSC (Thermally Stable Composite) plastic and a brass mounting plate that features a weather seal ring. Apart from the Sony-fit version, the lens is compatible with Sigma’s optional USB Dock for applying fine-tuning and firmware updates, and the Canon-fit edition is also compatible with in camera corrections. Autofocus is driven by a coreless DC autofocus motor. It’s not overly quick, but it is whisper-quiet and incredibly precise. Full-time manual override is available and, often more importantly for macro shooting, the electronically coupled fly-by-wire focus ring enables extremely fine adjustments. The optical design incorporates two top-grade FLD…