Indholdsfortegnelse for No. 389 i Photography Week

Welcome to the world’s No.1 weekly digital photography magazine. If you’re already a reader, thanks for your continued support and involvement; if you’re new to Photography Week, you’ve come to the right place! In addition to expert advice, brilliant tips and step-by-step tutorials, every issue features interactive galleries of the best new photos, how-to videos on essential shooting and editing techniques, and in-depth reviews of the latest camera kit. But that’s not the whole story. Photography Week is more than a magazine – it’s a community of like-minded people who are passionate about photography. To get involved, just follow any of the links below and share your shots and comments – your photo might even appear on our cover! JOIN THE PHOTOGRAPHY WEEK COMMUNITY AND START SHARING! FACEBOOK http://tiny.cc/7s2zgy TWITTER…

Jeremy Flint is an award-winning image-maker and writer from Oxfordshire, UK, who specialises in travel, landscape and location photography. His work stems from a curiosity about the people, places and cultures he visits, and an appreciation of the colourful and intimate moments that capture the essence of a place. Jeremy’s work has been featured in wide range of guides and publications, including National Geographic Traveller, Lonely Planet and The Sunday Times Travel Magazine. jeremyflintphotography.com Nothing sounds as exotic as the idea of travel photography. The term conjures up images of far-flung places, adventures and new experiences. That being said, thousands of photographers – even professionals in other genres – take photos while travelling and are disappointed with the results. Some will take a shot without much consideration about what they’re…

If you want to take your travel photography to a more professional level, there are both creative choices and tried-and-tested techniques that you can employ. One approach is to do with aspect ratios, namely switching from the familiar landscape or portrait orientation and shooting a panorama of a scene. This letterbox format can be used to capture a larger vista – wide plains, mountain ranges and sprawling cityscapes – and can help you to incorporate a more immersive perspective. For a stitched panoramic shot, use a standard prime lens such as a 35mm or 50mm lens, shoot around five or six overlapping images, and then stitch them together using Photoshop. This approach always has more impact than simply shooting a scene with a wide-angle lens and cropping the image to…

After making your location and subject choices, composition is another element that, when done correctly, can elevate your travel shots from run-of-the-mill to pro status. To start with the basics, try shooting from a different angle to your normal field of view. For example, point the camera upwards and shoot the scene above you, such as skyscrapers or a forest canopy. Next, look to add foreground interest, such as a glistening rock in front of a river or some native flowers in front of a mountain – both of which will also help to add scale. Another way to add some impact to your images is through creative blur. Experiment with slow shutter speeds to capture expressive ethereal steam or blurred foliage, or capture even longer exposures to capture the…

The winning images in this year’s International Garden Photographer of The Year competition have been announced, with the top prize going to Italian photographer Albert Ceolan for his powerful photo showing a pine forest in the foothills of the Dolomite mountains after it was devastated by a storm. Storm Vaia struck the region in October 2018, felling more than 14 million trees and claiming 17 lives. Ceolan’s image was a fitting winner as it also took first place in new category, Plants & Planet, introduced to highlight the impact of changing weather on plant life and ecosystems. You can see Ceolan’s image above, along with some of our other favourites from the competition; click the link to see all the winning and commended images at the IGPOTY website. The IGPOTY…

www.tamron.eu £929/$899 Compared with the large array of Sigma f/1.4 Art prime lenses in a wealth of focal lengths, as well as own-brand f/1.4 lenses from Canon and Nikon, Tamron has looked a step, or at least two-thirds of an f-stop, behind. Instead, the company launched slower f/1.8 35mm, 45mm and 85mm primes that were typically smaller and lighter, with the useful addition of Tamron’s proprietary Vibration Correction optical stabilisation. In contrast, the new Tamron SP 35mm f/1.4 Di USD lens goes large on both aperture rating and all-round performance. This new release for full-frame Canon and Nikon DSLRs commemorates the 40th anniversary of the SP (Super Performance) lineup. It has a robust pro-grade barrel and mount, complete with weather seals, and contains a whole host of exotic glassware. The…

Fujifilm has finally announced the hotly-anticipated X-T4, and its specs and features appears to confirm the leaks that suggested it might just be the best all-round mirrorless camera you can buy. The main reason the X-T4 is shaping up to be a challenger to the Sony A6600 and Panasonic GH5 is because it brings two major upgrades, in the form of in-body image stabilisation (IBIS) and a fully articulating touchscreen. Together, these significantly boost the camera’s appeal, particularly for video shooters. The five-axis IBIS system is claimed to provide 6.5 stops of stabilisation when you use the X-T4 with 18 of Fujifilm’s 29 XF/XC lenses. In the real world, that means the ability to shoot run-and-gun videos without necessarily needing a gimbal, and also the freedom to take handheld stills…

The excitement of travel photography starts long before the trip itself, when you book a trip, decide where to visit and what to photograph. Every photographer is different in their approach to planning travel shoots. While some pros have specific projects in mind, like filling image gaps in a book, others want to take a trip that allows them to just explore an area, take in the culture and see what they find. Whether you’re planning a once-in-a-lifetime trip abroad or a visit to a location closer to home, go somewhere that fuels and inspires your photographic interests. For me, the Lake District and the Scottish Highlands in the UK are ideal for landscapes; Africa is great for wildlife; Cornwall and the Jurassic Coast in the UK are good for…

Travel is a wonderful way to take a break from work and to recharge the batteries. Some of the main joys of travel are the sense of freedom it brings, and the feelings of excitement and anticipation associated with exploring somewhere new or returning to somewhere familiar. However, for the photographer, travel comes with challenges – especially deciding what kit to take, and how to travel easily with it. A sturdy camera bag is an essential item to protect your camera and lenses. It’s best to take a prime, a telephoto and a zoom lens to cover several bases. Consider taking a tripod for extra stability when taking photos, plus accessories such as a lens hood to prevent flare, and spare batteries if you’re going to be away from power…

Creating a narrative in travel photography is about more than just taking pictures of pretty landscapes. To capture the essence and flavour of a place, you need to incorporate a variety of visual components that tell the viewer more. This could mean shooting the wider scene to give context: using a wide-angle lens to provide more information about your location and include an overview of the landscape, revealing the lie of the land. On the other hand, using a prime lens and a longer focal length to capture local people and streets will also add narrative to a place. Photographing specific details of a location – famous statues, road signs or close-ups of architectural features – adds interest, but avoid clichéd postcard shots. A narrative can also be created around…

To find out how you can get Photography Week delivered straight to your device every week for just a few pennies, simply search for Photography Week on any of the platforms below AVAILABLE ON YOUR DEVICE NOW! https://apple.co/2RjoI0a http://bit.ly/2txbB2B http://bit.ly/36kQ7TC *Available for a limited time only. Standard subscription offer varies across platforms/devices – please refer to specific store for the most up-to-date offer…

30 MINS There’s nothing polarising about this kit bag staple; it’s arguably the most widely used filter of all. Circular polarising filters are used to help prevent glare, cut through reflections and bolster the intensity of blue skies. They’re particularly handy when shooting landscapes and architecture, but their ability to reduce glare – even the shine of a person’s skin – means they have a broad appeal. You could write a very dense and scientific book on polarised light, but to put it simply, polarised light creates glare, which is something you can’t remove in post-production. A polarising filter blocks polarised light from a specific direction, and that’s why it reduces glare, increases contrast and boosts colour. Circular polarisers are one type of polarising filter, and they’re available as both…

N-PHOTO N-Photo is a monthly magazine for Nikon photographers, and is packed with technique and Photoshop video lessons every month. http://bit.ly/3atHLfO https://apple.co/2TNE26T DIGITAL CAMERA WORLD A monthly magazine that aims to improve your photography with an inspirational mix of amazing images and how-to articles. http://bit.ly/2RER7g6 https://apple.co/2RBrZqG PHOTOPLUS PhotoPlus is a monthly magazine for Canon photographers that features expert advice, tips and video tutorials on all things Canon. http://bit.ly/30FoOlQ https://apple.co/2vaIdzw PRACTICAL PHOTOSHOP Improve your Photoshop skills with the monthly guide to creating stunning images. Each issue comes with expert video lessons. http://bit.ly/2NJASNx https://apple.co/2tGYBam…

Sony has announced the FE 20mm f/1.8 G, a compact, lightweight prime lens that pairs well with both full-frame E-Mount cameras such as the A7 III and A7R IV, and APS-C ones like the A6600. While it’s not a G Master lens, which are Sony’s premium, high-end optics, this G lens is very high quality, and promises excellent sharpness throughout its aperture range. This means it should be suitable for all kinds of photography – it’s a great size and focal length for landscape and travel shooting, while portrait, astro and wedding photographers should also appreciate its image quality and features. These include a switch to move between stepless and clicked aperture, making it suitable for both stills and video shooting, and a manual aperture ring with a few handy…

Travel insurance is vital for safeguarding your gear from accidental damage, loss and theft. Insuring it will give you peace of mind if any of these unlikely events occur during your travels. If this is your only trip of the year, opt for a single-trip insurance policy, or if you have a few trips planned, consider an annual policy. Whether you choose a single or annual policy, aim to keep the premium low with sufficient cover for your gear that keeps the excesses to a minimum. Visit www.travelinsuranceexplained.co.uk to help you understand the terms used by insurance companies.…

Packing is an important part of the preparation for any trip. As well as your camera equipment, make a list of travel gear to pack. Consider the weather and where you’re travelling to, and bring appropriate clothing. Take a hat, gloves and thermal layers for colder climates, and waterproof clothing for locations where it’s likely to rain. CAMERA BAG Ideally your bag should blend in, be made of durable material, and enable you to organise your kit easily. The Lowepro Pro Runner BP 450 AW II backpack is a good option. CAMERA AND LENSES Pack your camera body and prioritise a couple of lenses when travelling – ideally those that cover a range of focal lengths so that you don’t have to carry extra weight. TRIPOD AND ACCESSORIES A tripod…

Photographing travel landscapes requires a different approach to standard landscapes. To add meaning, include extra elements in your scene – a hiker walking on a mountain, a canoeist gliding down a river, local people going about their day – as these will all add context. Another approach could be to include an interesting foreground with a striking background, such as a building set against the landscape.…

After your trip, remember to back up your photos to your computer’s hard drive or an external drive to ensure that you have a spare copy. After that, you can process your images using editing software such as Photoshop or Lightroom to bring out the best from your travel shots. A few simple tweaks will make a huge difference, and will elevate your photos from decent shots to pro-level images. 1 ADJUST BRIGHTNESS AND CONTRAST Adjust the contrast in Lightroom, or brightness and contrast in Photoshop, to enhance and alter the variety of tones in your image. 2 ADJUST COLOUR Add some colour using the Vibrance or Saturation sliders. It can be easy to over-process an image, so be careful not to take things too far. 3 REMOVE DUST SPOTS…

JOLEENE ANDREAS SCHMIDT “This was taken on the hottest day last May, and Joleene and I were glad to find a windy spot under a bridge that provided a cooling breeze.” http://bit.ly/2Sf3IZ3 GLENFINNAN, SCOTLAND ROMAN POPELAR “The Glenfinnan Viaduct is a railway viaduct on the West Highland Line in Glenfinnan, located at the top of Loch Shiel in the Scottish Highlands.” http://bit.ly/39PVOew ROSEATE SPOONBILL BARB D’ARPINO “A roseate spoonbill coming in for a landing just after sunrise in Florida, very close to where I was sitting on my low stool.” http://tiny.cc/yml68y SUNSET ABOVE SPAIN PHILIP WOOD “I saw this dramatic sunset as I was flying from Bordeaux to Seville to promote my new photography and poetry book, Phrotose.” http://bit.ly/2V72bGh FACEBOOK http://tiny.cc/qi0oey FLICKR http://tiny.cc/rn0oey PHOTOGRAPHY WEEK WANTS YOUR PHOTOS! Taken a…

One of the main reasons to use Photoshop for image editing over Lightroom is its excellent suite of selection tools. There are a whole host to choose from, from simple freehand tools to clever features that do almost all the work for you, and the Color Range command falls into the latter category. As the name suggests, it works by seeking out ranges of colour within an image. So if you want to zero in on a blue area, for example, you can isolate it in seconds. In this way, Color Range is similar to the Magic Wand, which also works by seeking out similar colors within the frame. But Color Range gives you a finer degree of control: you can include or exclude particular tones, make the selection either…