Indholdsfortegnelse for No. 404 i Photography Week

Welcome to the world’s No.1 weekly digital photography magazine. If you’re already a reader, thanks for your continued support and involvement; if you’re new to Photography Week, you’ve come to the right place! In addition to expert advice, brilliant tips and step-by-step tutorials, every issue features interactive galleries of the best new photos, how-to videos on essential shooting and editing techniques, and in-depth reviews of the latest camera kit. But that’s not the whole story. Photography Week is more than a magazine – it’s a community of like-minded people who are passionate about photography. To get involved, just follow any of the links below and share your shots and comments – your photo might even appear on our cover! JOIN THE PHOTOGRAPHY WEEK COMMUNITY AND START SHARING! FACEBOOK http://bit.ly/39py9lg TWITTER…

HOT SHOT #1 DARREN SAYS As we were outdoors, using natural light without any flash, I shot using burst mode to capture a series of images. We had to work hard to get our handsome subject Stanley’s attention, as there were lots of sights and smells to distract him! EXPERT INSIGHT SPEED UP YOUR RAW WORKFLOW It can be a time-consuming chore to import all your raw files into Lightroom, wait ages for them to render, and then have to zoom in and reject all the ones that aren’t quite in focus (which, when shooting dogs, will be an issue). You can drastically speed up your workflow with FastRawViewer, which handles raw files much more quickly – and it has this great, focus peaking-like tool that uses colour to show…

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30 MINS If you tend to forego heading out with your camera on days with grey skies and muted lighting, you may be missing out. Drab weather is ideal for shooting minimalist seascapes like this one, and it’s also the perfect opportunity to brush up your long-exposure technique. We braved wind, cold weather and the occasional shower to photograph this coastal beacon. The lone subject, surrounded by sea and sky, provided us with a fine composition – minimalist photography tends to feature clean compositions. We used a 10-stop ND filter to achieve a six-second exposure, which enabled us to smooth out the sea and soften the clouds. Arguably the hardest thing to grasp when using an ND filter is the formula for calculating the shutter speed. Luckily, it’s 2020, and…

Potensic has taken the wraps of a serious-looking camera drone that will cost just $299 (about £235). The Potensic Dreamer has a 1/3-inch Sony sensor which can shoot 8.3MP stills, although while it’s billed as a 4K drone, in reality it shoots video at 2.7K at frame rate of 30fps – even so, that matches the resolution of the highly popular DJI Mavic Mini. Unlike the Mavic Mini, however, the Dreamer doesn’t have foldable arms – and it’s significantly heavier, with a takeoff weight of around 760g, which means that under current drone regulations you’ll need to register it before you can fly it in the UK or USA. The drone comes with a remote control unit that gives you dual-joystick control using your smartphone and the Potensic app. The…

1 THIS ONE GOES ALL THE WAY UP TO 11 Keep the aperture at around f/11 when you’re using lights. Shooting at f/8 is okay for people, but people don’t tend to have the long noses that dogs do, and you’ll need that depth of field if they’re looking straight at you. 2 NOT SO NIFTY A 50mm lens is good for wider shots, but it’s no good for shooting tighter compositions. Some photographers will use this focal length if they’re able to get in really close, but a lot of dogs won’t like strangers getting too close to them. 3 KEEP YOUR DISTANCE Use an 85mm prime or 100mm on your zoom lens to get those close-up shots. This enables you to shoot at a comfortable distance, where the…

1 SUBJECTS MATTER Find a suitable minimalist subject. Minimalist photos tend to feature negative space and clean compositions, with very little to detract from the subject. We photographed the Philip Lucette Beacon at Shaldon in Devon, UK. At high tide the sea surrounds the structure, making it an ideal subject. 2 FRAME BY FRAME Set up your camera and lens (with filter holder) on a tripod. We activated Live View on our Nikon D800, and also displayed the virtual horizon overlay so that we could keep the horizon level. Don’t be afraid to try both portrait and landscape compositions. 3 LENS AND VR Minimalist photos can be taken with almost any lens. We used a 24-70mm f/2.8 lens at 70mm to capture the beacon from our distant position. Switch off…

N-PHOTO N-Photo is a monthly magazine for Nikon photographers, and is packed with technique and Photoshop video lessons every month. http://bit.ly/3atHLfO https://apple.co/2TNE26T DIGITAL CAMERA WORLD A monthly magazine that aims to improve your photography with an inspirational mix of amazing images and how-to articles. http://bit.ly/2RER7g6 https://apple.co/2RBrZqG PHOTOPLUS PhotoPlus is a monthly magazine for Canon photographers that features expert advice, tips and video tutorials on all things Canon. http://bit.ly/30FoOlQ https://apple.co/2vaIdzw PRACTICAL PHOTOSHOP Improve your Photoshop skills with the monthly guide to creating stunning images. Each issue comes with expert video lessons. http://bit.ly/2NJASNx https://apple.co/2tGYBam…

THE APPRENTICES DARREN KIDBY Darren first picked up a camera 30 years ago, his interest was sparked again when he discovered the Canon EOS M5 mirrorless system. Darren was keen to learn how to photograph his prize-winning pooch. JEAN WHITESIDE Jean started out in photography with her Canon 400D. She wanted to learn how to take better photos of her friend’s pet and working dogs after struggling to get sharp, exciting results. STEVEN HAVERS Steven is a dog behaviourist from Leicestershire and has spent 25 years working with canines. With a passion for photography, Steven wants to combine the two to expand his business. THE PROS PHIL HAWLEY Phil has been a professional photographer across multiple genres, but he says he found his true calling in dog portraiture. He runs…

1 FULL-FRAME PRO CAMERA Pro Phil Hawley says: “I’m lucky to have two Canon EOS-1D X bodies, with my two go-to lenses attached for dog photography. It’s such a fast and responsive camera, and makes capturing action shots a joy. By carrying two bodies I don’t have to worry about switching lenses on location and risk getting dust, dirt or rainwater on the sensor”. 2 TOP-TO-TAIL TELEPHOTO ZOOM For shots of dogs running around a field, you need a lens with great coverage. A lens with a fast constant aperture, such as a 70-200mm f/2.8, also helps you achieve fast shutter speeds, so you can shoot excitable pups no matter how fast they’re moving. For studio shots, 50mm f/1.4 and 85mm f/1.8 primes deliver the necessary sharpness. 3 BALLS AND…

Remembering Cheetahs is the latest in the Remembering Wildlife series of charity books founded by wildlife photographer Margot Raggett. The first book in the series, Remembering Elephants, and its successors, Remembering Rhinos, Remembering Great Apes, and Remembering Lions, have between them raised more than £622,000 for some 40 conservation projects across 23 countries. Remembering Cheetahs will feature images from leading wildlife photographers, plus 10 winning competition images by readers of Digital Camera Magazine – and with over 2,350 images submitted, more than £11,000 has already been raised for cheetah conservation through entry fees. Click the link to order the book, and other titles in the series, and to learn more about the Remembering Wildlife project. ORDER THE BOOK https://bit.ly/37fv5Ih…

The Filter Gallery is a creative hub for an abundance of effects in Photoshop. If you’re looking for a different look or a fun treatment, you’ll find plenty of vibrant options here. Broadly speaking, these are Photoshop’s creative effects filters, rather than the more pragmatic filters found in the Blur Gallery, or the Liquify Filter. They can be used, for example, to give your image a pencil sketch look, a painterly finish or a pattern-like texture. All the filters in the Filter Gallery work by altering pixels using universal algorithms, so the effects aren’t tailored towards the content of the image, but rather the makeup of the pixel values, and as such, effects can sometimes seem tacky or generic. One way you can combat this is by combining several filters…