Indholdsfortegnelse for No. 486 i Photography Week

Welcome to the world’s No.1 weekly digital photography magazine. If you’re already a reader, thanks for your continued support and involvement; if you’re new to Photography Week, you’ve come to the right place! In addition to expert advice, brilliant tips and step-by-step tutorials, every issue features interactive galleries of the best new photos, how-to videos on essential shooting and editing techniques, and in-depth reviews of the latest camera kit. But that’s not the whole story. Photography Week is more than a magazine – it’s a community of like-minded people who are passionate about photography. To get involved, just follow any of the links below and share your shots and comments – your photo might even appear on our cover! JOIN THE PHOTOGRAPHY WEEK COMMUNITY AND START SHARING! FACEBOOK http://bit.ly/39py9lg TWITTER…

As the saying goes, if it ain’t broke don’t fix it – and that’s certainly the case with the tried-and-tested ‘rule of thirds’ for composing your photos, whatever the genre. This is a compositional trick where you divide your frame into nine equal boxes and place points of interest along those lines, or where the lines intersect, for even more compositional clout. It’s generally agreed that a composition that follows the rule of thirds is more engaging and eyecatching than one that doesn’t: you can find examples of this framing technique in the paintings of JMW Turner and even further back, so the rule has seemingly been around for as long as artists have been creating art. That being said, we’d also like to remind you that rules are made…

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STEP BY STEP GET SHARP SHOTS IN LOW LIGHT 30 MINS There was a time where we had to manually focus our lenses; and before that, in the very earliest days of photography, cameras gave you no control over focusing at all – but today we have it easy thanks to autofocus. Your camera’s autofocus system analyses the scene in front of you and makes adjustments to the focus of the lens until things are nice and sharp. However, while autofocus works brilliantly in good light, systems still struggle when the light drops – if it’s too dark your camera won’t be able to analyse the environment accurately, and so will be unable to focus. That’s where AF-assist illumination comes in. This sends out a beam of light from the…

N-PHOTO N-Photo is a monthly magazine for Nikon photographers, and is packed with technique and Photoshop video lessons every month. http://bit.ly/3atHLfO https://apple.co/2TNE26T DIGITAL CAMERA WORLD A monthly magazine that aims to improve your photography with an inspirational mix of amazing images and how-to articles. http://bit.ly/2RER7g6 https://apple.co/2RBrZqG PHOTOPLUS PhotoPlus is a monthly magazine for Canon photographers that features expert advice, tips and video tutorials on all things Canon. http://bit.ly/30FoOlQ https://apple.co/2vaIdzw DIGITAL PHOTOGRAPHER The monthly kitbag essential for enthusiast and pro photographers, packed with tutorials, exclusive interviews and the latest reviews. https://bit.ly/3lH4ucX https://apple.co/2SJf6ff…

Skydio has announced the Skydio 2+ drone, which brings some relatively minor hardware upgrades over its predecessor, but one big software feature that could be a big deal for less-experienced pilots. One of the toughest things for amateur drone fliers to master is making seamless aerial camera moves around points of interest. But Skydio’s new Keyframe feature promises to make this much easier than current solutions like waypoints or subject-tracking. Videographers use ‘keyframes’ to define start and end points for moving sequences, along with any important frames in between. Waypoints let you do a similar thing with drones, but Skydio’s Keyframe feature promises smoother results when you’re making complex moves around subjects. Rather than marking waypoints on a map, you simply fly your Skydio drone to a ‘keyframe’ moment in…

Photography literally means to ‘draw with light’ – and that’s what we’re going to do in this fun and easy project which you can do at home. By shining a torch in precisely the right position, we can cast a love-heart shadow from our ring placed on a book. You’ll need to experiment with how bright your torch is, whether it’s too far away or too close, and the angle at which the shadow is cast until you get the perfect loveheart shape. The brilliant thing about still-life photography is that you have the luxury of time, so you can lock off your composition and framing by using a sturdy tripod, and then concentrate on perfecting the lighting with the torch until it’s absolutely spot-on. Here’s how to do it……

There are few shots as vibrant as a perfectly ripe red strawberry splashing into a glass of water, with a zingy blue background to set it all off. This shot can be a little tricky to achieve, but as long as you follow the steps below and have patience, it’s just a matter of perfecting your timing. It won’t be long before you bag a winning image! Flash is essential for this technique, as we’re relying on the burst of light to freeze the motion of the strawberry so that it comes out pin-sharp; a softbox helps make the flash less harsh and cuts down on reflections in the glass. We used a tall glass storage jar to hold the water, which was ideal, although you could get even better…

Flowers are fantastic subjects for still-life because they’re readily available – you may even have a wondrous arrangement in your garden! They’re full of colour and look fantastic, too. You can also pick up a brilliant assortment of flowers at your local supermarket cheaply. Get an arrangement with plenty of different colours that you can experiment with, and look for ones that are in good condition: wilted flowers don’t make good photos. Here we’re going to show you some handy camera skills that you can use to elevate your flower still-life images. The best news is that you don’t need an expensive studio setup: it can all be achieved on a strict budget. PRO SHOT FLOWER ARRANGEMENT This image shot with a 100mm macro lens demonstrates how a simple setup…

You can have some great fun raiding your kitchen drawers and taking experimental pictures of various culinary gadgets. In this step-by-step guide, we’ll show you how to take amazing close-ups of a box cheese grater: once you’ve tried it out, you could give it a go on other items around your house, too. The key is to use a wide-angle lens to really show off the detail that the subject contains. We used a 16-35mm lens, although the wide end of a kit zoom lens like an 18-55mm or even a fisheye lens would also work well. Here’s how it’s done… PRO SHOT BOX GRATER Our 16mm ultra-wide-angle lens reveals the incredible detail on the inside of this box grater – it almost looks like a scene from a science…

There’s been no shortage of ‘best photos of 2021’ collections doing the rounds over the Christmas and New Year period, but the eclectic selection from UK-based creatives’ platform Picfair is as good as any we’ve seen. Picfair enables photographers of any experience level to set up a free portfolio and list their images for sale and licensing, with full control over pricing. The service has helped thousands of users sell their images, both as digital downloads and as prints. Picfair whittled down its selection of its top images of 2021 from over 10 million contributed by 600,000 photographers across 130 different countries, with the list compiled via a combination of curation algorithms, social media channels, and Picfair’s own in-house photography experts. Click the link to see the full selection at…

CAMERA DRONE TEST DJI MAVIC 3 www.dji.com £1,879/$2,199 The Mavic 2 series has seemed a little unloved at the top of DJI’s folding drone series, remaining unchanged while the Mini and Air 2 drones both came along and were susquently refreshed. Indeed, the Air 2S swiped a lot of the Mavic 2 Pro’s features – especially the one-inch sensor – and has made a reasonable claim for the crown of supremacy amongst DJI’s folding drones. Until now, that is. The Mavic 3 has two big changes that will stand out for photographers: a Four Thirds image sensor and a secondary camera with hybrid zoom. The Mavic 3 range comprises the Mavic 3 (£1,879/$2,199), for customers content with recording stills or H.264 and H.265 video to microSD; the Mavic 3 Fly…