Indholdsfortegnelse for No. 526 i Photography Week

Welcome to the world’s No.1 weekly digital photography magazine. If you’re already a reader, thanks for your continued support and involvement; if you’re new to Photography Week, you’ve come to the right place! In addition to expert advice, brilliant tips and step-by-step tutorials, every issue features interactive galleries of brilliant photos, how-to videos on essential shooting and editing techniques, and in-depth reviews of the latest camera kit. But that’s not the whole story. Photography Week is more than a magazine – it’s a community of like-minded people who are passionate about photography. To get involved, just follow any of the links below and share your shots and comments. JOIN THE PHOTOGRAPHY WEEK COMMUNITY AND START SHARING! FACEBOOK http://bit.ly/39py9lg TWITTER http://bit.ly/2vGadLP FLICKR http://bit.ly/2VIgsJO We’re more than just a magazine – read…

AUTO TO AV MODE Carole was used to relying on Auto mode because she didn’t feel confident adjusting the exposure settings, so Rebecca showed her how to use Aperture Priority mode for more control. “To help Carole control her aperture for nice-looking portraits, I got her using Av mode,” she says. “Setting a wide aperture of around f/4 will enable her to get sharp subjects with blurred backgrounds, which helps the subject stand out.” RAW IS BEST “I always shoot raw, as it gives me much more scope when editing my images afterwards,” says Rebecca. “With a raw image, you can quickly change things like the exposure and white balance, and lighten shadows without damaging the image quality.” As Carole wasn’t confident about editing raw images, Rebecca set her camera…

WOODPILE MARIO OTTAVIANI “Woodpiles have always fascinated me, and this particular pile will certainly have been used since I took this photo in a mountain town.” https://bit.ly/3Akm016 HELENIUM ‘SHORT & SASSY’ HELEN GEORGE “I captured this high-key image of a bee visiting a helenium flower with my Panasonic DMC-FZ1000.” https://bit.ly/3sjw9ab CRY ME A RIVER STEVE PELLATT “This was taken at a very well-shot location in the UK, so while many people might recognise it I won’t identify it. I couldn’t get the exact shot I wanted, due to a large tree that had fallen in one of the storms that hit the UK last winter.” https://bit.ly/3Nare2m EARLY SEPTEMBER EVENING SKY JEFF GUILE Taken from the top of the cliffs on the north coast of the Llyn Peninsula in North Wales.…

As much as it’s about skill, perseverance and downright nerve, skateboarding is also about creativity – which is something we photographers can relate to. Both pursuits rely on spontaneity as much as technique; perhaps this is why the best skate photography has a visual poetry to it that most other action sports can’t match. Or maybe it’s because the motion of a talented skateboarder in full flow is so visually appealing, especially when you combine several frames for a sequence photograph like ours. Photographers have always wrestled with the challenge of conveying a sense of motion within a still image. There are lots of tricks of the trade – motion blur, rear-curtain flash, panning blur. But one technique is ideal for skate photography… As a flick through any skateboarding magazine…

Laowa has launched new 2x macro cine lenses for Super35 and full-frame cameras: the Laowa 65mm T2.9 2X Macro APO Cine (S35), and Laowa 100mm T2.9 2X Macro APO Cine (FF), pictured above. Laowa is renowned for its twin specialities – ultra-wide primes and high-magnification macro lenses, and as the creator/video market booms, it’s adapting more and more of its lenses to the specific needs of video shooters. The Laowa 65mm T2.9 2X Macro APO Cine (S35) is designed for Super35 cameras (APS-C in photographic terms), and the Laowa 100mm T2.9 2X Macro APO Cine (FF) is for full-frame cameras. Both offer T-stop (light transmission) settings as favored by videographers, and external gears for both focusing and stepless iris (aperture) control. The 65mm T2.9 2X Macro APO Cine (S35) will…

1 FULL-FRAME MIRRORLESS CAMERAS Rebecca has gone mirrorless, and has updated her Canon EOS DSLRs to an EOS R and EOS R6. “I love the smaller bodies, and the EVF is brilliant – especially in the R6, so I can see how my photos will look before I take a shot,” says Rebecca, “I love the EOS R6 for portraits as it has improved AF, including Eye Detection AF.” 2 PRIME LENSES Rebecca used to rely on zoom lenses for most of her portraits, but recently she’s found herself making more use of prime lenses. “My primes are all fast lenses with wide maximum apertures from f/1.4 to f/1.8, which enables me to capture beautiful bokeh and brilliantly sharp shots,” she says, “I carry Canon’s smaller RF 50mm f/1.8 STM…

A remarkable image of a ball of bees has won top prize in the prestigious A Wildlife Photographer of the Year competition. The photo was captured by US photographer Karine Aigner on a ranch in Texas, and shows a group of male cactus bees competing to mate with a female at the centre of the melee. Commenting on the image, chair of the jury, Rosamund Kidman Cox OBE said: “The sense of movement and intensity is shown at bee-level magnification, and transforms what are little cactus bees into big competitors for a single female.” Aigner says that shortly after she captured the photo, a single triumphant male bee and the female flew away to mate. Click the link to see all the winning and commended images from this year’s contest,…

www.fujifilm-x.com £1,899/$1,999 (body only) Fujifilm sold us a dummy in 2022. Rumours abounded of a new 40MP APS-C flagship, which was later confirmed by Fujifilm as being ‘in development’, but then talk shifted to an ultra-fast camera with a stacked sensor. It later became apparent that Fujifilm was launching two flagships, and not one. The first of these to arrive was the high-speed Fujifilm X-H2S, which is a spectacular camera in its own right; but for many observers it was just the precursor to the main event: the Fujifilm X-H2. The X-H2 has the highest resolution yet in an APS-C camera, with its 40MP sensor surpassing that of all but a handful of full-frame models. It can also shoot 8K video, a feat which has never before been achieved with…

PRO REBECCA FAITH CAMERA: CANON EOS R6 Rebecca is professional portrait and wedding photographer based in Somerset, UK. Her photographic journey began after she travelled around the world with her camera after finishing university, and in her 20-plus years as a pro she’s built up a portfolio of clients, including international corporations, and has shot everything from big weddings to private parties and public figures. rebeccafaithphoto.com APPRENTICE CAROLE STEVENS CAMERA: CANON EOS 70D Known to her friends for always being the one with a camera, Carole studied A-level photography, and got her first DSLR when she was working at the 2012 Olympic Games in London. However, in recent years she’s fallen out of the habit of taking photos, and is looking for some help to get her mojo back. She…

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1 HOUR On one level, motorsports photography is extremely accessible: you simply buy a spectator ticket, find yourself a decent vantage point with a low fence, and fire away. However, the long lenses and beefy cameras that many pro and enthusiast motorsports photographers swear by cost a pretty penny. So what if you’re working on a tight budget, or you want to find out if motorsports photography is your thing before investing in top-tier kit? To prove that you can get great motorsports photos without spending a fortune, we took an entry-level DSLR, the now-discontinued Nikon D3400, and a Nikon AF-S DX 55-200mm f/4-5.6G ED VR II lens to Thruxton Race Circuit in Hampshire, UK. Note that on any camera with a APS-C senor, the crop factor will give you…

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