Indholdsfortegnelse for No. 536 i Photography Week

Welcome to the world’s No.1 weekly digital photography magazine. If you’re already a reader, thanks for your continued support and involvement; if you’re new to Photography Week, you’ve come to the right place! In addition to expert advice, brilliant tips and step-by-step tutorials, every issue features interactive galleries of brilliant photos, how-to videos on essential shooting and editing techniques, and in-depth reviews of the latest camera kit. But that’s not the whole story. Photography Week is more than a magazine – it’s a community of like-minded people who are passionate about photography. To get involved, just follow any of the links below and share your shots and comments. JOIN THE PHOTOGRAPHY WEEK COMMUNITY AND START SHARING! FACEBOOK http://bit.ly/39py9lg TWITTER http://bit.ly/2vGadLP FLICKR http://bit.ly/2VIgsJO We’re more than just a magazine – read…

Low-light scenes are challenging to shoot and, more than in many other genres, it’s important to understand how your equipment works. Knowledge of the interdependence between light and technical settings will help guide you towards improving the quality of your shots. But first, you should be clear about the visual goals of your project, so that you can focus on the essential technical requirements. The choice of camera has a big impact on your image results and, once again, this brings up the question of whether to shoot with a DSLR or mirrorless camera. Mirrorless cameras have made great technical progress in recent years, and offer new possibilities in terms of in-body image stabilisation. This opens up new opportunities, particularly when shooting in low-light conditions. Due to the excellent stabilisation…

Preparation is the most important thing when it comes to low-light photography. The light will fade rapidly during the shoot, so it’s essential to familiarise yourself with the surroundings beforehand. It’s advisable to be at the location about two hours before it gets dark, so that you can prepare your equipment and try different framing options. In low-light scenes, the composition of the photograph is important and should be well considered. It can be difficult to create a good balance, as large areas of a subject or scene may be dark due to the reduced light. Such areas should preferably be excluded to avoid overloading the image, while elements that provide additional light should be integrated. It’s important to know what the lighting conditions will be in advance. Make a…

Now this is what we call a New Year fireworks display… a selection of of breathtaking images of our planet’s most spectacular natural light shows, courtesy of the annual Northern Lights Photographer of the Year showcase. Every year, travel photography blog Capture The Atlas features its pick of the 25 best images of the northern lights, or aurora borealis, and southern lights, or aurora australis, taken in the previous 12 months by photographers around the world. This year’s collection includes images from Norway, Finland, Iceland, Australia and Canada, with photos from new and unusual locations featured alongside shots from popular photography sites in the Arctic regions. Click the link to see all 25 spectacular images, and read the stories of how and where they were taken, at Capture The Atlas,…

https://radiantimaginglabs.com £129/$129 Let’s not mention any names, but there are already a couple of image-editing programs on the market that promise to leverage the power of AI to transform your photos into masterpieces, but with the emphasis firmly on ‘reality enhancement’ rather than image quality. Radiant Photo is rather different. It doesn’t attempt to change what you’re looking at, but instead optimises the colours and tones on a pixel-by-pixel basis to recreate scenes as our eyes see them. Human vision isn’t like a camera. Our eyes and brains use their own HDR, sharpening and colour corrections, which cameras don’t have. It might be going too far to say Radiant Photo tries to recreate what our eyes ‘see’, but it’s not far off. It doesn’t seek to replace your existing photo-editing…

Panasonic has announced the new Leica DG Vario-Elmarit 12-35mm f/2.8 ASPH. POWER O.I.S. lens for Micro Four Thirds (MFT) cameras. With a focal range of 12-35mm, which is equivalent to the popular 24-70mm range on a full-frame camera, and a wide aperture of f/2.8, the lens promises to be a fantastic upgrade over a kit lens. The new lens will replace the Lumix G X VARIO 12-35 mm f/2.8 II ASPH, and has been co-engineered with Leica. It has splash- and dust-resistant seals, and Panasonic says it’s able to perform at temperatures as low as 14F / -10C. The compact lens weighs just 10.8oz / 306g, and has a 58mm filter thread. It has a seven-blade aperture in a circular design, which should produce pleasant bokeh, and offers a minimum…

1 LOCATE THE SUN Here, the right timing is crucial. Arrive on site at least one hour before sunrise or sunset. To figure out the exact times, use apps such as Sky Live. A compass will help you to orientate either west or east to catch the sun. 2 COMPOSE YOUR PHOTO Before the optimal lighting conditions arrive, experiment with various angles while hand-holding your camera. Pay attention to all possible light sources and focal points to create balanced compositions. 3 GET PREPARED Including a tripod, weight and remote shutter release reduces the risk of movement. Depending on the scene you’re shooting, consider using additional filters to apply some light pollution reduction for maximum quality. 4 GAIN CONTROL Set your camera to manual mode. When you’re working with a tripod,…

When you’re shooting in difficult lighting conditions, it’s important to preserve as much image information as possible. Likewise, when you’re editing photos that have been taken in low light, special attention must be paid to clipped elements, grainy luminance noise and chroma (colour) noise. Shooting in raw format is essential to give you the maximum flexibility in post-processing. Start with the raw developer, as it allows you to make basic adjustments intuitively. Especially if the photo is underexposed, this step allows you to restore shadow detail that appears to be lost, and improve the overall exposure of the photo. You can also fine-tune the white balance at this stage. When it comes to further editing, work with layers and adjustment layers for great flexibility, and to preserve your original image.…

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1 HOUR One of the big advantages of DSLRs and mirrorless cameras is that they use interchangable lens systems, so you can attach a lens to suit the demands of the subject you’re shooting: a wide-angle optic for landscapes, macro for extreme close-ups, or a super-telephoto lens to turn distant wildlife into frame-filling shots. There is one drawback though: every time you swap a lens there’s a chance that dust might find its way onto your camera’s sensor. This can then show up in your images as dark spots, also called ‘sensor spots’, and it’s a sign that your camera and optics need a clean. By default your DSLR or mirrorless camera will be set to use vibrations to shake dust off the sensor every time you turn the camera…

The software works on Windows and macOS, and can be used as a standalone application or as a native plug-in for Adobe Photoshop and Adobe Lightroom Classic. Nine functions are shared between the two plug-in use cases: scene detection with Smart Presets; support for Photoshop Actions; catchlights and dark circle removal for eyes; Deep Skin Presets; advanced colour grading and LUT support; addition of depth and light diffusion; sky and foliage toning; face-aware exposure calculations; and optimisation for print output. Photoshop plug-in functionality also adds non-destructive smart filter with smart objects and Photoshop image processor support; the Lightroom plug-in functionality also offers batch processing of multiple photos and Lightroom custom Export modules. Radiant Photo can also be used as a plug-in for Corel PaintShop Pro. Pricing Radiant Photo is available…

No other genre is considered as challenging as low-light photography. When the sun goes down and natural light all but disappears, well-known scenes look completely different, and are transformed by the reduced light. This offers great potential to capture magical images and transport the viewer into a twilight world, creating new perspectives in an otherwise bright and familiar environment. The limited amount of light presents photographers with a number of technical challenges, but it also offers certain advantages. The atmosphere changes as the light fades and shadows gain greater prominence, and through the use of minimal light sources, photography is enriched and placed in a greater context. Creative approaches find their place, and various technical methods can be used to develop your imagery and make it stand out. The advanced…

1 ENVIRONMENTAL LIGHTS When choosing a composition, include existing light sources, such as streetlights or lighthouses, to increase the overall brightness of the shot. Also take the opportunity to photograph large buildings, especially ones equipped with many exterior lights. 2 REFLECTIONS Whether it’s water in a landscape or glass in a city, reflective surfaces increase the amount of light in a scene. Including either of these elements in your composition means you can effectively double the amount of light entering the camera sensor. 3 LED TORCH Get creative, and use an LED torch to illuminate foreground elements such as rocks or trees in your long-exposure images. You’ll need to experiment to work out how long you need to shine the torch on an object for in order to achieve the…

When you’re shooting low-light landscape scenes, the sky is an important component in the composition of a balanced photo. By emphasising certain elements, such as stars or the moon, you add an extra touch to your image. It may sound paradoxical to talk about using filters, since filters are usually associated with reducing the amount of light that reaches the sensor, but when you’re shooting with long exposure times, this is no longer quite so important. Light pollution is one factor that must be considered. Especially in astrophotography, light pollution from the artificial light of nearby buildings or even a distant city can affect the visibility and clarity of the sky. To avoid this, filters can be used to reduce the effect. However, this is not the only reason why…

1 CHECK HIGHLIGHTS AND SHADOWS In your raw editor, start by recovering shadow and/or highlight detail. If you hold down the Alt/Option key while moving the Highlights or Shadows sliders, clipped areas will appear in colour. Use the sliders to restore detail from overexposed and/or underexposed areas. 2 REDUCE NOISE If you haven’t tackled noise in your raw editor, select the Reduce Noise filter. Noise reduction has the side-effect of softening detail, so you need to find the right balance between reducing the amount of noise in the image and maintaining the visibility of details. 3 CONTROL THE COLOURS Add a Curves adjustment layer to adjust the red, green and blue channels. This layer can be edited multiple times if your colour scheme goals change during the editing process. Alternatively,…

ALL AT SEA PETER JUERGES “As the boat I was riding in bounced across St Ives Bay in Cornwall, it was a struggle to keep the focus steady while trying to capture the starkness of the Godrevy Lighthouse sharp against the blues of the sky and sea.” http://bit.ly/3GlYrrY YOU LIGHT UP MY LIFE JOHN BAKER “I was trying out my new OM system OM-1 in Penzance, Cornwall, and I wandered into a small park called Morrab Gardens. Most of the flowers had finished for the year, but there were still some water lillys hanging on in a dark and murky pond.” http://bit.ly/3NRscmq GOLDEN HOUR ANDREAS LANZ “The setting sun immerses a rock formation looming over the medieval town of Moustiers-Sainte-Marie in Provence in France.” https://bit.ly/3CeGzxg COME CLOSER ROBBY VAN MOOR…

Noise in photos causes them to appear grainy and lack fine detail. It’s especially apparent in images taken at high ISOs, and even more so in the shadow areas of these images. Heavy image editing can also lead to increased noise, especially if you’re attempting to recover lost shadow details. However, there are tools that can help, and in this video tutorital we’ll explore some of the best noise-reduction tools in Photoshop – and reveal some you should avoid. Noise reduction is always something of a balancing act, because it can come at the expense of softening detail. It would be easy to remove all the noise from any image simply by blurring it, but we need tools that let us remove the noise while retaining sharpness. What’s more, we…

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