Indholdsfortegnelse for No. 545 i Photography Week

Welcome to the world’s No.1 weekly digital photography magazine. If you’re already a reader, thanks for your continued support and involvement; if you’re new to Photography Week, you’ve come to the right place! In addition to expert advice, brilliant tips and step-by-step tutorials, every issue features interactive galleries of brilliant photos, how-to videos on essential shooting and editing techniques, and in-depth reviews of the latest camera kit. But that’s not the whole story. Photography Week is more than a magazine – it’s a community of like-minded people who are passionate about photography. To get involved, just follow any of the links below and share your shots and comments. JOIN THE PHOTOGRAPHY WEEK COMMUNITY AND START SHARING! FACEBOOK http://bit.ly/39py9lg TWITTER http://bit.ly/2vGadLP FLICKR http://bit.ly/2VIgsJO We’re more than just a magazine – read…

LEVEL HEADED Andrea says… I attach a little spirit level to the hotshoe of my camera so I can ensure that all my images are level when I’m using a tripod. I also carry around small pieces of cloth that I place under my tripod legs when I’m shooting inside, so that I don’t scratch the beautiful floors of stately homes. DOF PREVIEW Andrea says… The depth of field preview button [Pv] allows you to observe – through the optical viewfinder – what the depth of field will look like by closing the aperture as per the selected f-number. I use this often-overlooked function almost as much as the shutter button! BRACKETING Andrea says… I use bracketing when lighting conditions make it difficult to capture a balanced exposure. I like…

Andrea says… The temptation when capturing close-ups is to frame the whole flower head and focus on the stigma, but your focal point can be anything that draws your attention. When Ian photographed this dahlia he wanted to depict the curvature of the petals, so we focused on the tip of the most interesting petal and used a very tight crop to fill the frame. Windy conditions are best avoided, but if you’re shooting in a breeze you can use stakes to hold subjects in place.…

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30 MINS In this project we’re taking you through the looking glass by showing you a fresh way to shoot landscapes. Many of us love to shoot outdoors, but there are only so many ways to shoot landscapes traditionally. However, with a clear glass sphere from a company such as Lensball, you can unlock creative new ways to shoot vistas. Due to refraction, when you shoot an image through a glass ball, the landscape inside will appear upside-down. You can choose to leave it as-is, flip the entire picture in Photoshop so that the sphere is the right way up (go to Image > Image Rotation > 180º), or select just the image inside the ball and rotate that by 180º so that both the ball and landscape behind it…

N-PHOTO N-Photo is a monthly magazine for Nikon photographers, and is packed with technique and Photoshop video lessons every month. http://bit.ly/3atHLfO https://apple.co/2TNE26T DIGITAL CAMERA WORLD A monthly magazine that aims to improve your photography with an inspirational mix of amazing images and how-to articles. http://bit.ly/2RER7g6 https://apple.co/2RBrZqG PHOTOPLUS PhotoPlus is a monthly magazine for Canon photographers that features expert advice, tips and video tutorials on all things Canon. http://bit.ly/30FoOlQ https://apple.co/2vaIdzw DIGITAL PHOTOGRAPHER The monthly kitbag essential for enthusiast and pro photographers, packed with tutorials, exclusive interviews and the latest reviews. https://bit.ly/3lH4ucX https://apple.co/2SJf6ff…

Sony has announced the new FE 50mm f/1.4 GM, which is positioned as a replacement for the aging Zeiss Planar T* FE 50mm f/1.4 ZA, a lens is known for its clinical sharpness, beautiful bokeh capabilities, and premium build. Sony has established a coherent family of f/1.4 prime G Master lenses that share the same design aesthetic and technologies, with the new 50mm joining the FE 24mm f1.4 GM, FE 35mm f/1.4 GM, and FE 85mm f/1.4 GM. Its arrival means Sony now offers photographers a choice of fast primes for all common prime focal lengths. The FE 50mm f/1.4 GM is built using 14 elements in 11 groups, including one ED element to suppress color aberrations and distortion, and two XA (extreme aspherical) elements, which stop onion-ring effects in…

Andrea says… You don’t always have to shoot from a low angle – sometimes it pays to find some height. I carry a small stepladder in my cart, so that I can look straight through the viewfinder when my tripod is fully extended. If I want even more height I’ll shoot handheld atop a Henchman tripod ladder, which stands up of its own accord. Ian captured the below image (inset) while standing on the ladder in front of the hall. It allowed him to replicate the stunning view of the Great Basin from the hall’s second floor, without entering the house.…

1 A HOME FROM HOME Andrea says… My VW Transporter allows me to sleep on site, meaning I can access a garden whenever I want. It also makes life much easier having nearby access to a bed when you’re shooting at first or last light. I group together my shoots that are far from home, and sleeping in the Transporter is easier than arranging accommodation – and it’s more cost-effective too. 2 CART Andrea says… I carry a lot of kit and, as I tend to work on big estates, I can end up covering a lot of miles. My Foldit Cart allows me to haul everything around with relative ease. It’s US-made and it wasn’t cheap, but it’s stood the test of time. I do have to be mindful…

ROBIN SIMON WEEKS “I photographed this robin at Cotehele House, on the River Tamar near Calstock in Cornwall, UK, using my Nikon D7100 and 18-105mm f/3.5-5.6 lens. CRASPEDIAS LOTTE GRØNKJÆR “I find craspedias very attractive, and I like to try to find new ways to shoot them. The two in this image are at different stages of growth.” http://bit.ly/3X7Mdcr NATURE’S TUNE STEVEN BULMAN “Without clouds to catch the sunset colours in the sky, I instead went traipsing about on the beach looking for a more intimate landscape. This image was taken with my Canon 5D Mark IV and Canon 24-70mm f/2.8L lens.” http://bit.ly/3xvRTkC MULLION COVE SUNDOWN PETER JUERGES “This Cornish scene lent itself to a panoramic take, but the undulations of the cliffs, and the mix of sunset colors and…

This scene of Lake Bled in Slovenia looks like it’s come out of a fairytale, so we’ve given it a suitably enchanting treatment: black-and-white infrared. Genuine infrared images can only be captured in-camera, using either a dense IR filter or an IR-converted spare camera; but the glowing white foliage, dark skies and fine grain that are characteristic of infrared images are fairly easy to replicate in Photoshop, using a combination of tonal tools and simple filter effects, as you’ll discover in this issue’s video tutorial. WANT MORE PHOTOSHOP TUTORIALS? CHECK OUT PRACTICAL PHOTOSHOP For more Photoshop tutorials, tips and advice subscribe to Practical Photoshop, the world’s premier Photoshop magazine. Each month you’ll find an array of inspirational tutorials and accompanying video lessons that will help you master Adobe’s industry-leading photo-editing…

THE PRO ANDREA JONES CAMERA: NIKON D850 Andrea is one of the world’s leading plant, garden and landscape photographers, and her pictures have been published and exhibited worldwide. Now based in Scotland, she was raised in the south of England, where she studied art and photography. In 2018 she was named Garden Photographer of the Year, so Ian has the good fortune of learning from the very best. You can see more of Andrea’s work by visiting: www.andreajones.co.uk THE APPRENTICE IAN WILLIAMSON CAMERA: NIKON D750 Recently retired Ian was inspired to take photography more seriously following a chance encounter with a pod of orcas while on a cruise – a fellow passenger’s ‘proper’ camera prompted him to upgrade his Nikon 1 J1, and he’s now a camera club member and…

EDIT YOUR SEQUENCE Andrea says… I opened my bracket sequence in Lightroom and ticked Remove Chromatic Aberration. I then reduced the highlights and cooled the tones slightly using the Temp slider. Next, I lifted the shadows, and synced these changes to the other images before choosing to discard the darkest image. PAINT THE HIGHLIGHTS I imported the images into Photoshop, and chose a base shot before selecting and pasting the overexposed version on top. I added a mask and inverted it (Cmd/Ctrl+I). I then used a white brush to paint in the highlights. The two images were then merged together (Cmd/Ctrl+E). PAINT THE SHADOWS I then pasted in the underexposed frame, and repeated the previous step to add a mask and paint in the shadows. For even more control you…

NAUMKEAG Naumkeag – a historic garden in Stockbridge, Massachusetts – provided the backdrop for this early-morning image. I adore how the designers cleverly accentuated the sweep of the garden, which falls away into the landscape beyond. I hope I captured something of its composition in this photograph. THE MOONGATE This was taken at Caher Bridge Garden in Burren National Park, Ireland. I love the way the moongate frames the view of the woodland borders and how the light filters through, highlighting the stone orb and ferns. I used bracketing to capture the details in the highlights and shadows. FOG ON THE PRAIRIE Rattlesnake master and prairie blazing star plants in the private, experimental prairie garden of leading garden designer Tom Stuart-Smith. No fog was forecast, so it took me by…

The Concrete in Life photo contest is one of the more niche-sounding events on the awards circuit, but given the building material’s ubiquity in our everyday lives it offers a wealth of opportunities for photographers, and the Global Cement and Concrete Association (GCCA) has just announced the winners of its 2022 competition. The winning and commended images feature an eclectic mix of buildings and other structures, and Ferdz Bedana won the top prize for his striking black-and-white image of a boy skateboarding in a half pipe at a skate park in Sharjah in the UAE. More than 14,00o entries were submitted to the 2022 contest, with prizes awarded to professional and amateur photographers in four categories: Urban Concrete, Concrete Infrastructure, Concrete in Daily Life, and Beauty and Design. Click the…

www.gopro.com £499/$499 (£399/$399 with GoPro subscription) Hot on the heels of the DJI Osmo Action 3 and Insta 360 X3, GoPro launched its latest action cam, the Hero 11 Black last September. This all-action/adventure camera’s headline feature is that 8:7, 27MP, 10-bit camera sensor, which captures virtually square 5.3K content that can be cropped to create 4K clips in a host of aspect ratios. Building on the success of the Hero 10 Black, the Hero 11 Black brings back a virtually identical design. This time, though, the camera software has been simplified, and the phone software – GoPro Quik, has been upgraded. You can’t talk about GoPro without mentioning its HyperSmooth stabilisation, and for version 5.0, GoPro has introduced 360-degree Horizon Locking at up to 5.3K. The 11 Black also…