Indholdsfortegnelse for No. 554 i Photography Week

Welcome to the world’s No.1 weekly digital photography magazine. If you’re already a reader, thanks for your continued support and involvement; if you’re new to Photography Week, you’ve come to the right place! In addition to expert advice, brilliant tips and step-by-step tutorials, every issue features interactive galleries of brilliant photos, how-to videos on essential shooting and editing techniques, and in-depth reviews of the latest camera kit. But that’s not the whole story. Photography Week is more than a magazine – it’s a community of like-minded people who are passionate about photography. To get involved, just follow any of the links below and share your shots and comments. JOIN THE PHOTOGRAPHY WEEK COMMUNITY AND START SHARING! FACEBOOK http://bit.ly/39py9lg TWITTER http://bit.ly/2vGadLP FLICKR http://bit.ly/2VIgsJO We’re more than just a magazine – read…

PRO CLIVE NICHOLS CAMERA: CANON EOS 5DS R Clive is one of Britain’s leading garden photographers, and author of the book Brilliant English Gardens. He also runs workshops on plant and garden photography across the UK in locations including RHS Wisley, where we met up with him for our photoshoot. His clients include magazines such as Country Life, The English Garden, Gardens Illustrated and House & Garden. Clive was the Gordon Rae Photographer of the Year in 2017. www.clivenichols.com APPRENTICE MATTHEW FARRUGIA CAMERA: CANON EOS R7 Matthew is an optician from Peterborough who loves to get out and about with his Canon EOS R7 APS-C mirrorless camera. He’s an amateur nature photographer, and loves shooting wildlife as well as close-ups of plants and insects with his macro lens. He’s looking…

1 DEDICATED MACRO LENS Clive uses a Canon EF 180mm f/3.5L Macro USM, while Matthew uses a Canon 100mm f/2.8L Macro IS USM. Both are great options for close-ups, but Clive’s lens has a greater working distance, so he doesn’t have to get so close to subjects. A true macro lens has a reproduction ratio of 1:1, also referred to as life-size, as tiny subjects, such as a small petal or a bug, will be captured at the same size as if they were laid across your camera’s sensor. Canon’s RF 100mm F2.8L Macro IS USM lens has a reproduction ratio of 1.4:1, so can go even larger than life-size, and the legendary Canon MP-E 65mm f/2.8 Macro has a reproduction ratio of 5:1. 2 FULL-FRAME CAMERA BODY Clive uses…

The German Society for Nature Photography (GDT) has announced the winners of its 2023 Nature Photographer of the Year contest, with Silke Hüttche taking the top prize for her photo of two kites sitting on a telegraph pole. The birds are looking in opposite directions, as if having fallen out, prompting Hüttche to title her image Scenes of a Marriage. She says: “I was fascinated by this scene of perfect symmetry, and luckily both birds remained still for long enough until I had the picture I wanted.” Nature Photographer of the Year is open to GDT members, and this year almost 7,000 images were submitted by 424 members from 13 countries. The society also runs the European Wildlife Photographer of the Year contest, which is open to photographers across Europe.…

Filters are particularly useful for getting the correct exposure in landscape photography, and if you’re looking to invest in a filter system, then purchasing a decent filter holder is essential. Filter holders make it quick and easy to change between individual filters, plus you can stack filters in front of each other to combine effects. While they may seem more cumbersome at first glance, square filter holder systems can be much easier to use than a collection of screw-in circular filters, as you can switch between different-sized lenses with ease. Some types of filter work much better in a square system – for example, graduated neutral density filters, where you need the flexibility to be able to move the gradient up and down in the frame to match the horizon.…

N-PHOTO N-Photo is a monthly magazine for Nikon photographers, and is packed with technique and Photoshop video lessons every month. http://bit.ly/3atHLfO https://apple.co/2TNE26T DIGITAL CAMERA WORLD A monthly magazine that aims to improve your photography with an inspirational mix of amazing images and how-to articles. http://bit.ly/2RER7g6 https://apple.co/2RBrZqG  PHOTOPLUS PhotoPlus is a monthly magazine for Canon photographers that features expert advice, tips and video tutorials on all things Canon. http://bit.ly/30FoOlQ https://apple.co/2vaIdzw DIGITAL PHOTOGRAPHER The monthly kitbag essential for enthusiast and pro photographers, packed with tutorials, exclusive interviews and the latest reviews. https://bit.ly/3lH4ucX https://apple.co/2SJf6ff…

DJI has launched the Mavic 3 Pro, a new variant of its high-end folding drone, and its first with three cameras, including a new 70mm mid-telephoto camera. The Mavic 3 Pro will be available for around the same price as the Mavic 3, which DJI has announced it’ll no longer be making. The new camera system can be operated as a hybrid camera – with a pinch-zoom mode – or restricted to the three optical focal lengths. These are the original 24mm Hasselblad camera first seen on the Mavic 3, the new 70mm (3x telephoto) focal length, and a new 166mm (7x telephoto) mode. While the previous Mavic 3 also features a 7x camera, the equivalent camera on the Mavic 3 Pro has a new lens to improve resolution. This…

APERTURE PRIORITY To start with, Clive set Matthew’s Canon EOS R7 to Aperture priority mode (Av on the mode dial). The aperture is a hole, the size of which is controlled by a series of blades inside of the len, s and Av mode allows you to make the aperture larger or smaller to let in more or less light. This also affects your depth of field, or how much of the scene is in sharp focus. It’s a semi-automatic mode – you set the aperture and the ISO, leaving the camera to work out the required shutter speed for a correct exposure. CHECK THE HISTOGRAM The histogram is a useful graph that shows you the distribution of tones in an image, from deep blacks on the left to bright…

To find out how you can get Photography Week delivered straight to your device every week for just a few pennies, simply search for Photography Week on any of the platforms below AVAILABLE ON YOUR DEVICE NOW! https://apple.co/2RjoI0a http://bit.ly/2txbB2B http://bit.ly/36kQ7TC *Available for a limited time only. Standard subscription offer varies across platforms/devices – please refer to specific store for the most up-to-date offer…

Legendary photographer Gjon Mili captured a stroboscopic image of drummer Gene Krupa back in the 1940s and, working with Rich Westley, I tried to replicate this effect with modern tech. I combined a dark room, bursts of flash and a long exposure to create a dynamic multiple-exposure effect in a single image. 1 BLACKOUT To create stroboscopic images you need a dark photo studio. Mine wouldn’t do – it’s an old mill with roof windows – but Rich’s drumming studio has heavy black curtains for sound proofing, which darkens the space. I set up a solitary modelling light to give me just enough illumination to lock focus. 2 CAMERA GEAR Set your camera on a tripod and place a flashgun in the hotshoe. I used my Nikon D5, Speedlight SB-5000…

SPECIFICATIONS Filter size: 100mm type filters Mount: Screw-fit via adapter rings Construction: Aluminium with magnets Kit option: No It may not be the best-known filter manufacturer, but Marumi has been in the optics industry for over 85 years. It produces a huge range of filters with screw-in, round magnetic and square filter options. The company’s square and rectangular filters are produced in collaboration with H&Y, and feature an H&Y frame that allows them to be mounted in the Marumi M100 100mm Magnetic Filter Holder. As well as the standard graduated neutral density (ND) filters, Marumi offers more exotic options like reverse graduated ND and centre graduated ND filters, which can be useful when photographing sunset or sunrise. Marumi sells the 100mm Magnetic Filter Holder (M100) filter by itself, but the…

SPECIFICATIONS Filter size: 100mm type filters Mount: Screw-fit via adapter rings Construction: Aviation-grade aluminium; plastic filter guides Kit option: Yes Kase offers an extensive range of filters, with everything from 150mm x 170mm filters to rear-mounted filters that slot into the back of some lenses. There’s also a choice of circular magnetic filters and square or rectangular filters that fit into one of the company’s holders. Kase offers two different-sized filter holders: a small one for 75mm-type filters that are best suited to smaller mirrorless cameras, and two holders that are designed for 100mm-type filters. These are the Kase Wolverine Armour 100mm Filter Holder system, which has magnetic frames to surround 100mm rectangular filters, and the more widely known Kase Wolverine K9 100mm Filter holder, which is the holder we’re…

Vanguard has unveiled what it says is its most stable tripod ever, the VEO 3+ 303. It’s available in aluminium or carbon fiber versions, and even the heavier aluminum model is still comfortably portable at 2.3kg, yet can support a huge 25kg of camera gear. Three-section legs mean a relatively long folded length of 67cm, but the VEO 3+ 303 can reach a 139cm maximum height, or 165cm with the central column extended. Having fewer leg sections is good news for tripod rigidity, as there are fewer joints where leg flex could occur. A relatively large 30mm leg diameter further enhances the stiffness of the VEO 3+ 303, and you won’t find a removable leg / monopod conversion feature either, again in the pursuit of maximum rigidity. But what really…

1 MIRROR LOCK-UP MODE Clive uses the mirror lock-up mode on his Canon EOS 5DS R to prevent vibrations from the DSLR mirror ‘slap’ softening the image. 2 TAKE NOTES When you’re photographing plants at a garden like Wisley it’s a great idea to also grab a quick snap of the accompanying plaque, so you’ll know the names of all the plant you’ve taken pictures of. 3 SWITCH IS OFF Image stabilisation can increase blur when you’re working on a locked-off tripod, so it’s best to play it safe and switch stabilisation off when you’re not shooting handheld. 4 BANISH BLUR Either enable the 2-second self-timer mode on your camera, or use a shutter release cable, so that you don’t knock the camera when you press the shutter button, which…

AMERICAN MINK ALAN GIBBLE “This is an American mink feeding on a fish carcass” http://bit.ly/3FQmeza EQUINOX RICHARD HARVEY “I’m finally seeing some signs of spring after what seems to have been an endless winter. This image, which I captured in a stiff riverside breeze, gives me optimism for the coming season.” http://bit.ly/3DiGCWx STARS RICHARD JOINER “A wonderfully clear night sky, captured on a very early morning walk on the South Downs in Sussex, UK.” http://bit.ly/3wSyQA0 SPLASH OF COLOUR COOCHIE MURRATT “A rock pool in Cornwall in south-west England – mother nature takes some beating when it comes to creating intricate and beautiful patterns.” http://bit.ly/3rrYdp7 FACEBOOK http://bit.ly/39py9lg FLICKR http://bit.ly/2VIgsJO PHOTOGRAPHY WEEK WANTS YOUR PHOTOS! Taken a portrait you’re particularly proud of? Shot a sensational sunset you’d like to show off? Then…

WATCH THE VIDEO https://bit.ly/3o1D56g DOWNLOAD THE PROJECT FILES https://bit.ly/3cOl0XC ON A PC OR MAC One of the main challenges with landscapes is in balancing out bright skies with darker landscapes, especially if – as here – the foreground is in deep evening shade. When editing a landscape like this, where the contrast between land and sky is so extreme, many of us might simply lift the shadows and drop the highlights, but while this quick fix may help to pull detail out of the lightest and darkest portions of the frame, it can also lead to images looking over-processed and almost HDR-like. Sometimes it’s better to take a targeted approach, and by making local adjustments that are tailored to specific areas of a shot you can get results that look…

SPECIFICATIONS Filter size: 100mm type filters Mount: Via magnetic adapter rings Construction: Metal with plastic filter guides Kit option: Yes UK-based Formatt Hitech is not the most widely known filter manufacturer, but it’s a respected brand by those in the know. The Firecrest 100mm Magnetic Holder is an update to the Firecrest 100mm Holder MKII, and introduces a magnetic attachment for the polariser, which on the old system was hard to unscrew in the cold. Key features Like other filter holders, the Formatt Hitech Firecrest 100mm Magnetic Holder mounts onto a lens via a magnetic adapter. The supplied circular polariser is mounted via magnetic attraction, while the holder for square and rectangular filters is attached mechanically. Formatt Hitech supplies two magnetic adapters in the kit: one for lenses with an…

SPECIFICATIONS Filter size: 100mm type filters Mount: Via adapter rings Construction: Injection-moulded composite Kit options: Three are available, including Landscape and Long Exposure variants Lee Filters is one of the best-known names in photographic filters, and its 100 Filter System is very popular. In March 2019, the company introduced a new filter holder and polariser; some photographers were surprised because the old holder had served them well for years. However, the new LEE100 Holder looks and feels more modern, and does away with the need to use fiddly little screws to attach the filter guides. The LEE100 Holder is compatible with all existing Lee Filters 100 filters, as well as with same-sized filters from other brands. However, as I’ll explain later, the (old-style) LEE Filters 105mm Landscape Circular Polariser Filter…