Indholdsfortegnelse for No. 563 i Photography Week

Welcome to the world’s No.1 weekly digital photography magazine. If you’re already a reader, thanks for your continued support and involvement; if you’re new to Photography Week, you’ve come to the right place! In addition to expert advice, brilliant tips and step-by-step tutorials, every issue features interactive galleries of brilliant photos, how-to videos on essential shooting and editing techniques, and in-depth reviews of the latest camera kit. But that’s not the whole story. Photography Week is more than a magazine – it’s a community of like-minded people who are passionate about photography. To get involved, just follow any of the links below and share your shots and comments. JOIN THE PHOTOGRAPHY WEEK COMMUNITY AND START SHARING! FACEBOOK http://bit.ly/39py9lg TWITTER http://bit.ly/2vGadLP FLICKR http://bit.ly/2VIgsJO We’re more than just a magazine – read…

PRO OLIVER WRIGHT CAMERA: CANON EOS R5 Based in Garforth, Leeds, Oliver has embraced Canon’s latest mirrorless full-frame cameras, and now shoots fantastic macro imagery of wildlife, plants and flowers with his EOS R5. A climbing accident in 2010 was the catalyst for Oliver realising his passion for photography, and in particular wildlife. Oliver now runs events with Canon and produces technique videos. You can see his work and get information about workshops at: https://bit.ly/30Kdrh9 APPRENTICE PETER LAU CAMERA: CANON EOS R5 Peter has a passion for nature stemming from an active outdoor lifestyle and was a firefighter for 25 years. In 2014, a accident left him paralysed from the chest down. Ever since, he’s been determined to prove that photography is a hobby everyone can enjoy, using a powered…

1 SUPER TELEPHOTO LENS You don’t always need a macro lens to take incredible close-up shots. A long telephoto zoom, such as Oliver’s Canon EF 100-400mm f/4.5-5.6L IS II USM or Peter’s Canon RF 100-500mm F4.5-7.1L IS USM, let you zoom right in on distant subjects. They’re ideal for shooting animals such as birds on a nearby tree branch, and they’re also great for close-ups of larger insects like dragonflies; they provide a longer working distance, so you don’t have to get as close which could scare off a skittish subject. 2 FULL-FRAME CANON EOS BODY Oliver has made the switch to Canon’s mirrorless system, and the EOS R5 is his workhorse full-frame camera body. He loves the 20fps burst mode, silent shooting mode for photographing wary wildlife, and features…

BIG DADDY - MALE BLACK BEAR TOM MORTENSON “Sightings of black bears this large are not at all common in North America. I was told that one had been spotted in Central Wisconsin, and I was lucky enough to capture it on camera.” https://bit.ly/3EykdWb CLIPPER BUTTERFLY MICHAEL ATKINSON “A clipper butterfly on a firespike flower, taken at Butterfly World at Stockton-on-Tees, UK.” https://bit.ly/3s49lL3 FLOWERS RODRIGO GODINEZ “A peach tree in bloom on my agricultural ranch in Mexico. Taken with a Panasonic DC-S5 and Sigma 105mm F2.8 DG DN Macro Art lens.” https://bit.ly/3CziEHM MISTY MORNING - MORGENNEBEL HUBERT SIGL “This was taken in the Mühlviertel region of Upper Austria, with heavy fog looming over the hills and beautiful yellow rape seed fields.” https://bit.ly/3paOOGE FACEBOOK http://bit.ly/39py9lg FLICKR http://bit.ly/2VIgsJO PHOTOGRAPHY WEEK WANTS YOUR…

N-PHOTO N-Photo is a monthly magazine for Nikon photographers, and is packed with technique and Photoshop video lessons every month. http://bit.ly/3atHLfO https://apple.co/2TNE26T PHOTOPLUS PhotoPlus is a monthly magazine for Canon photographers that features expert advice, tips and video tutorials on all things Canon. http://bit.ly/30FoOlQ https://apple.co/2vaIdzw DIGITAL CAMERA WORLD A monthly magazine that aims to improve your photography with an inspirational mix of amazing images and how-to articles. http://bit.ly/2RER7g6 https://apple.co/2RBrZqG  DIGITAL PHOTOGRAPHER The monthly kitbag essential for enthusiast and pro photographers, packed with tutorials, exclusive interviews and the latest reviews. https://bit.ly/3lH4ucX https://apple.co/2SJf6ff…

Insta360 has launched a third version of its tiny GO action camera with an intriguing new form factor. The tiny magnetic camera, which weighs just 35.5g, is designed to attach to everything from helmets and surfboards to clothing and even pets, and a new design sees it nestle inside an Action Pod, which acts as a battery case to extend the camera’s battery life. The Insta360 GO 3 comes with a host of accessories, chief among them the Action Pod. While the camera itself has a 310mAh battery which is good for about 45 minutes, the Action Pod adds a 1,270mAh battery for an additional 125 minutes. As well as transforming the GO 3 into a more regular-looking action camera, the Action Pod adds a 2.2-inch flip touchscreen, making it…

MANUAL MODE Oliver and Peter both shoot on Canon EOS R5 mirrorless cameras, so Oliver suggested that Peter input his camera settings so he could follow along. To begin, he put his R5 into Manual mode and set the aperture to f/7.1 for good sharpness. Although it was a clear morning, light levels were still a little low, so Peter switched to ISO800, which gave him a fast shutter speed of 1/5000 sec – fast enough to freeze any birds in motion, and eliminate camera shake. HIGH-SPEED BURST MODE Whether it’s birds in flight or tiny macro insect subjects, Oliver uses the High Speed Continuous burst mode on his EOS R5 to make use of the blisteringly quick frame rates so he doesn’t miss the moment. He also uses the…

1 Banded demoiselle at sunrise This was taken early one morning when Oliver went out to photograph demoiselle portraits in ideal cloudy lighting. The sun suddenly came out, and he quickly reacted to take this lovely shot, shooting wide open at f/2.8 to make the sun as big as possible. 2 Tengmalm’s owl Oliver works in northern Sweden during parts of autumn and winter. After exploring the area where he was staying on a snowmobile for two days and returning home empty-handed, he suddenly found this stunning Tengmalm’s owl outside his bedroom window! 3 Zebra jumping spider This is a deep-field stack of a zebra jumping spider made up of about 60 images. The jumping spider was on a wall, and Oliver followed it for some time until it paused,…

One of the best things about digital imaging is the ability it gives you to create places and scenes that could otherwise only exist in the realms of fantasy. As you’ll discover in this video tutorial, with a few simple Photoshop skills, anyone can craft a scene that wouldn’t look out of place on a movie screen. You might have a selection of photos in your own library that would be ideal for a fantastical composite like this, but if you want to look further afield you’ll find plenty of free resources online. We’ve used several free images from www.pixabay.com, which is a useful resource for rights-free photos. The great thing about a project like this is that even though these photographs have probably been displayed thousands of times in…

Pergear has become the latest brand to enter the CFexpress Type A memory card market. The company was already producing the more widespread Type B cards, but it has now expanded into cards suitable for Sony cameras like the A1, A7 IV and A7S III. As with all Type A cards, transfer speeds are significantly slower than Type B cards are capable of, but they’re comparable with other Type A cards from more established brands like Sony and ProGrade Digital. Three capacities are available at launch: 80GB, 260GB and 520GB. Read/write speeds vary according to capacity, with the 80GB card capable of 800MB/s max read and write speed, and a minimum 600MB/s sustained write performance. The larger capacity cards have a slightly higher 880/900MB/s maximum read/write speed, but a slower…

1 SHOOT RAW Oliver shoots in the uncompressed raw format on his Canon EOS R5 so that he has all of the original exposure data to play with when editing, and the full-resolution 45MP files. 2 GET DOWN TO EYE LEVEL One of the cheapest and easiest ways to improve your wildlife shots is to make sure you’re shooting at eye level with your subjects, as this makes it much easier to blur the background because it’s further away. 3 TAKE A BREATH Tiny movements and vibrations in your hands can show up as camera shake when you’re shooting macro. Brace yourself against a wall or tree, and take a deep breath to steady yourself before firing the shutter. 4 CHECK YOUR SHOTS Focus is tricky with macro closeups of…

To find out how you can get Photography Week delivered straight to your device every week for just a few pennies, simply search for Photography Week on any of the platforms below AVAILABLE ON YOUR DEVICE NOW! https://apple.co/2RjoI0a http://bit.ly/2txbB2B http://bit.ly/36kQ7TC *Available for a limited time only. Standard subscription offer varies across platforms/devices – please refer to specific store for the most up-to-date offer…

30 MINS There’s nothing polarising about this kit bag staple; it’s arguably the most widely used filter of all. Circular polarising filters are used to help prevent glare, cut through reflections and bolster the intensity of blue skies. They’re particularly handy when you’re shooting landscapes and architecture, but their ability to reduce glare – even the shine of a person’s skin – means they have a broad appeal. You could write a very dense and scientific book on polarised light, but to put it simply, polarised light creates glare, which is something you can’t remove in post-production. A polarising filter blocks polarised light from a specific direction, and that’s why it reduces glare, increases contrast and boosts colour. Circular polarisers are one type of polarising filter, and they’re available as…