Indholdsfortegnelse for No. 614 i Photography Week

Welcome to the world’s No.1 weekly digital photography magazine. If you’re already a reader, thanks for your continued support and involvement; if you’re new to Photography Week, you’ve come to the right place! In addition to expert advice, brilliant tips and step-by-step tutorials, every issue features interactive galleries of brilliant photos, how-to videos on essential shooting and editing techniques, and in-depth reviews of the latest camera kit. But that’s not the whole story. Photography Week is more than a magazine – it’s a community of like-minded people who are passionate about photography. To get involved, just follow any of the links below and share your shots and comments. JOIN THE PHOTOGRAPHY WEEK COMMUNITY AND START SHARING! FACEBOOK http://bit.ly/39py9lg TWITTER http://bit.ly/2vGadLP FLICKR http://bit.ly/2VIgsJO We’re more than just a magazine – read…

Finding unique landscapes to photograph doesn’t have to require extensive travel. With the right approach and perspective, many scenes can be viewed in a different light, and the resulting composition may even surprise you. It’s important to keep an open mind, and to analyse each landscape individually by testing out different viewpoints. The time of the day and year also has a significant impact on the scene, and is almost as important as the decision on which angle to shoot from. Although this feature focuses on summer light in particular, don’t forget that it can be beneficial to revisit the same location multiple times a year. By doing this, you’ll explore the scene differently, discovering hidden qualities and mastering capturing this landscape. Experimenting with landscape and portrait ratios can help…

In landscape photography, dynamic skies have a profound impact on composition and viewer engagement, adding an extra layer of interest and drama to the scene. Stormy skies are commonly observed in the summer months, due to the increased heat and humidity during this season, bringing a sense of mystery and intensity. Of course, monitoring weather forecasts is key to anticipating stormy conditions. To maximise your chances of capturing dynamic clouds and stormy conditions, scout locations known for dramatic skies, such as coastal areas or mountain ranges, where weather patterns are prone to rapid changes. The changing light under dynamic skies amplifies contrasts and alters colour temperatures, creating high-contrast scenes with dramatic shifts in hue. As sunlight penetrates the clouds, it spotlights specific elements; however, as these spotlights are not controllable…

1 STAY STEADY As you’re working with long exposures, mount your camera on a sturdy tripod to ensure stability and reduce the risk of motion blur. This helps deal with demanding angles and allows you to handle long exposures effectively. 2 TURN OFF VR/IS To ensure sharp results, deactivate VR/IS (Vibration Reduction/Image Stabilisation) on the lens and body. This is to prevent image distortion caused by movement – otherwise, the stabiliser may introduce vibrations, leading to blurry images. 3 SELECT MANUAL Switch to M mode for precise exposure control. Use a higher f/stop to widen depth of field to keep more of the scene in focus. Select a low ISO, as enough light will enter the sensor during the long exposure for clear images. 4 ADD THE FILTER Attach the…

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Photo booths have become hugely popular, and you’ll often see professional setups at big events. But with a few simple skills, a DIY booth can yield results that are just as good. If you want to set one up – perhaps for a wedding or party – you’ll find a host of tips over the following pages to get you started and in the party mood! A photo booth could be as simple as placing a mobile phone in selfie mode on a tripod. But there are ways to make the booth more polished and dynamic. First there’s the lighting, A couple of studio strobes allows for professional, flattering light that can illuminate groups large and small. Then there’s the user experience – a live-view monitor can make it easier…

We set the camera up on a tripod [1] and attached a Speedlight [2] to fire our studio strobes. We connected an HDMI monitor displaying the live view feed to help guests get into position [3]. We attached a wireless remote shutter release and transmitter for people to press themselves [4]. Next we set up two studio strobes with white umbrellas [5], set to optical trigger so that they would fire on detecting the Speedlight. We attached the camera to a laptop and tether using Lightroom [6]. A large display is connected to the laptop as a dual monitor, with Lightroom set to display images as they’re taken [7]. The images are uploaded to Google Drive so people can instantly access them on their phones using a QR code [8].…

Nikon has unveiled the Z6 III, the successor to the original Z6 and 2020’s Z6 II. While the Z6 II largely added incremental quality-of-life improvements to the Z6, the Z6 III takes the Z6 line a few steps further, with new sensor technology, and a new emphasis on hybrid video and content creation. Launched back in 2018, the Z6 series kicked off Nikon’s new mirrorless lineup, and the Z6 III might be a signal of Nikon’s future ambitions. While the sensor resolution remains at 24.5 megapixels, the sensor itself is a new ‘partially stacked’ design, offering much faster readout speeds. This allows for an electronic shutter that’s capable of shooting up to 120 frames per second in DX crop mode, and 60fps in full FX mode. The maximum shutter speed…

1 ADJUST WB Fine-tune the colour temperature to match the mood of the landscape, whether it’s warm and inviting or cool and mysterious, ensuring an accurate representation of natural tones. 2 BOOST CONTRAST Increase the overall contrast to add depth and drama to the scene. By emphasising differences in light and shadow, you intensify the landscape’s visual impact. 3 OVERWATCH DETAILS By balancing the exposure via the Tone Curve, you ensure that details in the highlights and dhadows are preserved, and control lights and darks, maintaining a natural and balanced look. 4 ADJUST TONALITY Refine Saturation and Vibrance to enhance the richness of the summer landscape’s colours. When doing so, avoid oversaturating, as this makes the natural colours appear fake. 5 BALANCE EXPOSURE Add a graduated filter to selectively adjust…

BLUE JAY BARB D’ARPINO “Ever wonder where your fall decor goes? Well, wonder no more! A blue jay enjoying my fall decorations against a suitably autumnal backdrop.” https://bit.ly/44HqL0t ROCK STACK NEIL SHAW “With good views out to the Sound of Jura, this rock stack cuts an impressive figure on the walk out to Craignish Point on Scotland’s West coast.” https://bit.ly/46SWxJa FORKOLOGY RICHARD HARVEY “Having fun with my Canon EF 100mm f/2.8L Macro IS USM lens and the kitchen cutlery. I experimented with many variations of light to achieve the desired effect.” http://bit.ly/3DiGCWx THE COBB SIMON WEEKS “Taken from The Cobb at Lyme Regis in Dorset, south-west England, looking towards the Isle of Portland.” FACEBOOK http://bit.ly/39py9lg FLICKR http://bit.ly/2VIgsJO PHOTOGRAPHY WEEK WANTS YOUR PHOTOS! Taken a portrait you’re particularly proud of? Shot…

1 BOX FOR THE CAMERA We don’t want anybody touching the camera, so a good solution is to make a box that fits over it. We used a cardboard box and cut frontal holes for our external monitor and lens, and a hole in the top for a Speedlight. We taped a tube along one corner of the box so that we could slot it into a light stand. 2 TETHERED LAPTOP We tethered the camera to a laptop tucked out of sight, connected to a second screen on a table so that guests could instantly see their photos. To tether, connect the laptop to camera via USB cable. In Lightroom go to File > Start Tethered Capture and direct it to save to a cloud-based folder (see next page). 3 CAMERA…

Photoshop offers various boxes of tricks for creating all kinds of effects. There are tools and filters that can transform your image into something unreal, and others that let you make more realistic changes. The Depth Blur filter falls into the latter category. As the name suggests, this filter can mimic the effects of in-camera blur. If your image has a foreground in front of the subject, this is blurred too, and the result is realistic fall-off in front of and behind your focus plane, as you’ll discover in this issue’s video tutorial. We’ve been able to simulate depth of field effects in Photoshop for a long time by using filters like Lens Blur, but Depth Blur is one of the relatively new range of neural filters, which work by…

N-PHOTO N-Photo is a monthly magazine for Nikon photographers, and is packed with technique and Photoshop video lessons every month. http://bit.ly/3atHLfO https://apple.co/2TNE26T PHOTOPLUS PhotoPlus is a monthly magazine for Canon photographers that features expert advice, tips and video tutorials on all things Canon. http://bit.ly/30FoOlQ https://apple.co/2vaIdzw DIGITAL CAMERA WORLD A monthly magazine that aims to improve your photography with an inspirational mix of amazing images and how-to articles. http://bit.ly/2RER7g6 https://apple.co/2RBrZqG DIGITAL PHOTOGRAPHER The monthly kitbag essential for enthusiast and pro photographers, packed with tutorials, exclusive interviews and the latest reviews. https://bit.ly/3lH4ucX https://apple.co/2SJf6ff…

Wherever you are in the world you’re likely to be spoilt for choice for stunning summer landscapes you can shoot, although you may have to do some travelling if you’re keen to photography some of the iconic locations that have become famous through social media. Summer shoots aren’t all plain sailing, though. While the light presents us with a wide range of opportunities, it can also produce high contrast and harsh shadows that are challenging to work with, and this is especially true for photographers who are new to this genre, who may find mastering summer lighting a greater challenge than the smoother and more subtle light of autumn, for example. However, by incorporating a few simple techniques, while optimising your camera’s features to support you, it’s possible to capture…

FOCUS ON SHAPES Leading lines such as a path or street, or repeating shapes in the form of trees, add interest to the frame. Also, pay attention to any shadows created by the harsh summer sun to take your composition further. ADD INTEREST One strategy for creating further elements of interest is to lower your perspective and include more foreground. This way smaller objects are blended into the composition, offering the viewer a ‘step’ into the frame. ELEVATE THE VIEW Get on a high viewpoint, such as a nearby mountain, and discover how the scene visually changes. From on high, the sunlight will often envelop the subject. Alternatively, if you have a drone, avoid the climb by sending it up. MIRROR ELEMENTS When working around lakes and other smooth water…

1 TEST THE LIGHT Shoot in Evaluative metering mode. Analyse the camera’s histogram, and note any signs of overexposure. When many areas are clipped, it might be best to reconsider your composition or to use supporting tools, for example, a graduated ND filter, so that you can better manage the exposure. 2 BE PRECISE To master challenging lighting, you need to work precisely. To take readings from smaller areas of highlights or shadows, switch the Metering Mode to Spot or Partial Metering. Both of these settings typically ignore the edges of the frame and minimise the exposure reading area. 3 COMPARE Take a reading from both the darkest and the brightest elements, and the camera will suggest exposure settings (in EV stops). If tones are one EV out of range,…

1 LEVEL IT Before capturing your shot, make sure to set up your tripod to avoid any unwanted shake that causes blur. Activate horizontal guidelines in the camera menu to ensure a straight horizon. 2 DIAL IN SETTINGS Shoot in M mode to gain control. Choose Evaluative metering, which analyses the entire scene to calculate exposure based on factors such as brightness, contrast and colour distribution. 3 SET WHITE BALANCE Access the camera menu to adjust the White Balance settings and test some presets. Experiment with unconventional WB settings to create a more dramatic and artistic effect in your photos.…

An image of an orangutan at a wildlife attraction in Bangok has won the top prize at this year’s Environmental Photography Award competition, which celebrates the beauty of our planet while also raising awareness of the growing threats to wildlife and natural habitats. See No Evil was taken by photojournalist and filmmaker Aaron Gekoski, who has reported on subjects such as the illegal wildlife trade, deforestation, marine conservation, and animal tourism. “The orangutans used in the shows are often stolen from the wild, smuggled across borders, and then trained using cruel methods,” says Gekoski. Now in its fourth year, the contest aims to be a benchmark event for wildlife and conservation photographers working to protect the planet. Click the link to see more winning and commended images at the Environmental…

1 BALLOON ARCH Create a backdrop for your photo booth. A balloon arch can be a great way to make a frame for the party people to pose in. We bought a set from Amazon for a few pounds, which we attached to a couple of light stands (equally it could simply be fixed to a wall). But, of course, you can let your imagination run riot. 2 PROVIDE PROPS Props and dress-up items can add an extra dose of fun to a photo booth. We arranged a table next to the booth with an array of wigs, funny glasses, toys, blow-up guitars, microphones, boxing gloves and other fun items. Don’t be surprised if some of these appear on the dance floor later. 3 INSTRUCTIONS Leave simple instructions so that people will…

www.canon.co.uk £380/$329 Since it first came onto the scene, the RF-S mount has struggled to find its place. Given Canon’s need to fill out its lens lineup for its professional RF mount cameras, lenses specifically made for the RF-S mount have been few and far between. The RF-S 10-18mm F4.5-6.3 IS STM, however, has come along to fill a hole in the existing lineup for a compact, wide-angle lens for photography and vlogging to give RF-S cameras a boost. Out of the three Canon RF-S lenses launched before this one, the Canon RF-S 18-45mm F4.5-6.3 IS STM was the widest lens available for the RF-S mount used by cameras including the Canon EOS R50 or EOS R7 – although the 18-45mm lens isn’t a true wide-angle, with an approximately 29-72mm…