Indholdsfortegnelse for July/August + September/October 2024 i Quiltmaker

There’s something magical about colors. When you choose fabrics for a quilt, it’s not just about the hues—it’s also how they play together and the emotions they evoke. Color has this uncanny ability to speak to our souls and ignite our imaginations. So, I couldn’t be more excited to share a little about the kaleidoscope of patterns and features we’ve assembled for you in this vibrant, super-sized color issue. From bold and bright designs to soft, soothing palettes, there is something for every taste and style. We’ll show you how the color wheel, like a quilter’s compass, can successfully guide you through the vast expanse of color combinations. See how two colors can complement each other as you piece Ramona Sorensen’s sweet Baby Checkerboard Squares. Experiment with three colors on…

EASY Finished Size 52" × 52" Finished Blocks 14" “When I design, I always start with the geometry of the blocks and the quilt as a whole. The foundation of the blocks and the quilt grid is the most important thing to me. When I’m happy with that, I work with the color palette I would like to use. But I never have just one idea for color. My quilts can be any combination of colors. For this quilt, I wanted black Nine-Patches ‘superimposed’ on the brightly colored blocks.” – Ramona materials Fabric yardage assumes 40" usable width of fabric (WOF) unless otherwise noted. Raspberry Print • ⅞ yard for blocks Black Tonal • 1 yard for blocks, cornerstones, and binding Lime Print • ¾ yard for blocks White Tonal •…

EASY Finished Size 71" × 77" Finished Blocks 8" × 12" “The idea for this quilt came from my living room bi-fold closet doors. It has three panels—1 small and 2 large. I love this quilt; it is one of my favorites! And I love each color! The challenge with this design was finding fabrics in each colorway—from light to dark. But it will help a quilter gain confidence with the color wheel. It was definitely a fun quilt to make. (Did I mention how much I love this quilt!) ” – Susan materials Fabric yardage assumes 40" usable width of fabric (WOF) unless otherwise noted. 8 Pale Color Batiks, 8 Light Color Batiks, 8 Medium-Light Color Batiks, 8 Medium Color Batiks, 8 Medium-Dark Color Batiks, and 8 Dark Color Batiks (See Step 1) • 1…

INTERMEDIATE Finished Size 60" × 60" Finished Blocks 8" “My inspiration for this quilt was the color wheel, and specifically, colors next to each other, also known as analogous colors. I made it with a warm color palette, but it would be equally successful with a cool color palette with the same dark blue background. I chose solid fabrics—so it would be graphic; the Moda Crossweaves have a bit of texture and add interest to the quilt.” – Jen materials Fabric yardage assumes 40" usable width of fabric (WOF) unless otherwise noted. Violet Solid • ½ yard for blocks and sashes Dark Blue Solid • 2⅝ yards for blocks, cornerstones, border, and binding Red-Violet Solid • ⅝ yard for blocks and sashes Red Solid • ⅞ yard for blocks and sashes…

INTERMEDIATE Finished Size 47" × 53" Finished Blocks 6" × 7" “For my design, I used Adobe’s color selector and a split complementary scheme, based on yellow-green, green, redviolet, and violet. Tints and shades were used to create depth and contrast. The color wheel helps me see harmonious combinations, especially when I line up the wheel on the line between two colors and see the possibilities. In addition, I use the Kona color swatch library to test color palettes, even when I plan to use prints. For me, the tints and shades are where the magic happens!” – Jane materials Fabric yardage assumes 42" usable width of fabric (WOF) unless otherwise noted. Download the Basic Lessons PDF at: www.quiltingdaily.com/quilt-basics-and-lessons/ cutting Patches are lettered in order of use. Measurements include ¼" seam…

Individual MQG Member @kamiegrangroth quilted by Teresa Silva of Quilting is My Bliss AN ANCIENT GREEK ELITIST TERM referring to the common masses or general population, this “Hoi Polloi” is anything but! Equilateral triangles are transformed into a stunning argyle when paired in contrasting values, like the antique Tents of Armageddon quilts that inspired it. DIRECTIONS Skill Level: Intermediate Cutting Measurements include ¼ " seam allowance. Each diamond block requires 16 dark and 16 light triangles. 1. From assorted dark value fabrics, cut: ■ 78 (2½ " × 40") strips. From the strips, cut 1,872 (60-degree) triangles. 2. From assorted light value fabrics, cut: ■ 78 (2½ " × 40") strips. From the strips, cut 1,872 (60-degree) triangles. NOTE: 2 dark (2½ " × 40") strips and 2 light (2½ "…

INTERMEDIATE Finished Size 46" × 46" Finished Blocks 12" “I learn best through play, as I suspect most people do. This quilt was an opportunity to play with color and learn how different combinations from the color wheel work together. I discovered which combinations I love, and which are a bit more challenging for me. As you play, you’ll learn more about what you like, and this will help you choose the colors for your future quilts.” – Judy materials Fabric yardage assumes 41" usable width of fabric (WOF) unless otherwise noted. White Solid • 1⅝ yards for blocks, border, and sashes 12 Assorted Color Tonals: Red, Red-orange, Orange, Yellow-orange, Yellow, Yellow-green, Green, Blue-green, Blue, Blue-violet, Violet, and Red-violet (See step 1) • 1 fat eighth each (a fat eighth is…

Getting Started About our Patterns We recommend that you read all of the instructions before starting a project and that you cut and sew one block before cutting all of your fabric. Using a rotary cutter, mat and an acrylic ruler, cut the shape to the size indicated in the cutting list. Pressing tabs indicate the direction to press the seam allowances. Our patterns list finished block sizes, which are typically ½" smaller than unfinished block sizes because they do not include seam allowances. Basic Quilting Supplies • Rotary cutter and mat • Acrylic ruler: Many shapes and sizes are available; a good one to start with is 6" x 24" with ¼" and 1⁄8" markings • Scissors: A separate pair for paper and fabric • Sewing machine • ¼"…

Ruby Ruler The handy Ruby Ruler is more than just a pretty little 5" square acrylic ruler. This tool can also be used to audition your fabrics. Viewing your fabrics through the red tint lets you focus on the values—the lightness or darkness so essential for good contrast in a quilt design. Suddenly, the hues flatten out, and it’s like seeing the world in various shades of gray. This neat trick shows you don’t always need fancy tools to see things in a new light. Sometimes, it takes just a little red filter and a fresh perspective. wisecrafthandmade.com Color Basics for Makers: Understanding the Rainbow by Lee Chappell Monroe Practice and play while you confidently unlock the secrets of color with Color Basics for Makers. Whether you’re a seasoned quilter…

This article first appeared in QUILTCON MAGAZINE 2019. if you told me a year ago that I would be writing about color theory now, I wouldn’t have believed you! But over the last year, my exploration of color theory has resulted in a quilty progression from monochromatic to colorful—while remaining graphic and linear. Today, I’m sharing the basics of color theory and how I blend it with technology. The pigment color wheel When we’re young, most of us learn about the red-yellowblue color wheel, also known as the pigment or painter’s color wheel. Johann Wolfgang von Goethe is credited with defining the pigment color wheel in 1810, based on physiological studies of the perception of color. The basic principles of the pigment color wheel include: • Red, yellow, and blue…

INTERMEDIATE Finished Size 70¾" × 85" Finished Blocks 8" “I love taking a traditional block and putting a modern spin on it. The primary block in my quilt is inspired by a Log Cabin block. I also love using gradients of color to create a three-dimensional effect. The quilt reminds me of the ‘whirlybirds’ that fall from the trees. These are actually called samara, and the seed is encapsulated and dispersed in the wind. With the overall look reminiscent of windmills and the colors of new birth—and knowing that samara seeds are dispersed with the wind—everything comes full circle. “There are 24 fat quarters used in the quilt (excluding the background fabric), so it is the perfect opportunity to use up fat quarter bundles in a quilter’s stash or make…

INTERMEDIATE Finished Size 61¾" × 81¼" Finished Blocks 9" “This design was inspired by swatch fabric cards and paint chip cards from the paint store with the different values of each color. The quilt easily lends itself to a variety of color wheel combinations to create different effects. Combining a strip pieced block and a modern log cabin block with thin sashing creates a mesmerizing effect of intertwined color blocks and secondary patterns. Changing the sashing from a light to a dark would allow these to either come forward (with white) or recede (with black) to the background to create bolder patterns.”  – Linda and Carl materials Fabric yardage assumes 40" usable width of fabric (WOF) unless otherwise noted. Light Blue, Yellow -orange, Dark Green, and Light Pink Solids •…

INTERMEDIATE Finished Size 84" × 84" Finished Blocks 12" A clever way to play with color is to use it to create the illusion of transparency. It’s like creating windows into different layers of color without actually using transparent fabrics. The illusion of transparency is achieved when colors or values seemingly overlap to create a new color or value. In this design, for example, medium green is placed between two areas of light green to create the illusion that the two light greens overlap. Adjacent colors on the color wheel can create a similar effect. This technique adds depth and dimension to your quilt design, making it look super-sophisticated and intriguing. Plus, it’s an exciting way to play with color and value. Are you up for a little quilting magic?…

INTERMEDIATE Finished Size 78" × 78" Finished Blocks 12" Members of the band on a football field march in formation, much like the bands used to create the blocks for this quilt. The interplay of light and dark strips in this monochromatic quilt’s blocks makes a captivating eye-teaser no matter how many blocks you use or how you position them. materials Fabric yardage assumes 40" usable width of fabric (WOF) unless otherwise noted. Medium Green Tonal • 3½ yards for blocks Dark Green Tonal • 3⅛ yards for blocks, border 2, and binding White Tonal • 3¾ yards for blocks and border 1 Backing • 7⅝ yards Batting • 86" × 86" Download the Basic Lessons PDF at: www.quiltingdaily.com/quilt-basics-and-lessons/ cutting Patches are lettered in order of use. Measurements include ¼"…

The practice of “making do” is something I learned to embrace long ago in order to live a beautiful life in spite of chronic illness. As a hyperscrappy maximalist quilter, it’s also something I do in my creative life. I bet you do, too! Learning to work with what we’ve got eases ALL kinds of suffering —sudden injury, job loss, misplacing our favorite shears, you name it. Today, I’ve got tips to boost your acceptance practice —so you can exert less energy railing against what’s bad and instead put that energy into creativity. Acceptance means making friends with hardship You may be asking yourself, “How the heck can I make friends with the hardest things in my life?” I use this simple practice: If I wake up in the morning…

Ever since childhood, Amy Struckmeyer (she/her) has explored textiles. Early Waldorf School lessons in knitting, weaving, and sewing set her on the path, and her later work in architecture influenced her creative process and design work. She’s written close to 50 sewing and quilting patterns for various publications. In February 2024, Amy gave her lecture, “Reframe Your Color Story,” to a packed house at QuiltCon, the annual conference of the Modern Quilt Guild. Her original quilt, “Deconstructed Lonestar,” won an award at QuiltCon in 2015 —and is now part of the Modern Quilt Guild Collection of the International Quilt Museum. Amy’s recent quilts are rooted in an investigation of geometry and color. It’s this passion that makes her ideal to speak with us today about using color effectively. Jenni: What…

INTERMEDIATE Finished Size 48" × 72" Finished Blocks 8", 12", 16" “I have a whole boatload of solid fabric scraps! If you are into the modern quilting aesthetic, you probably have a generous stash, too. The blocks in my design are super simple paper-pieced blocks in three sizes. Because they are 8", 12", and 16", they can be interchangeable to a certain extent. Don’t want to make four 8" blocks? Just make another 16" block and replace the four smaller blocks. The open areas of the wings offer a great opportunity for a fabulous quilter to go to town. They would also be fun to embellish with hand stitching or embroidery.” - Mary Kay materials Fabric yardage assumes 40" usable width of fabric (WOF) unless otherwise noted. Refer to step 1…