Indholdsfortegnelse for N. 586 i Space

The exhibition ‘New Gameplay’ opened on July 20 at Nam June Paik Art Center, begins as expected with Nam June Paik’s work. A standing microphone is placed in front of a television screening of geometrical waves. Participation TV (1963), which fluctuates waves according to input signals of the audience, is one of Paik’s earliest representative works using digital media as the medium of his artwork. Paik has proposed that television is not a one-way media, but a bilateral media that can be manipulated and used for communication. This interaction is connected with a game, which is the main theme of the exhibition. Jinsuk Suh (director, Nam June Paik Art Center) explained that the art centre curated this ‘New Gameplay’ exhibition in order to ‘recall the relationship between human and technology…

The National Agency for Administrative City Construction announced the winners of the International Competition for the National Museum Complex Masterplan of Administrative City, Korea, launched last May. This competition was held to propose a development plan for the whole site of the museum complex and a masterplan for the first stage of the project of 75,000m2 , as well as to select finalists for the second competition. The competition jury carried out their assessment over two days from July 20-21 by the international jurors, Lee Sungkwan (principal, Hanul Architects & Engineers, The Chairman), Kim Yongmi (principal, Geumseong Architects & Engineers), Kim Junsung (design principal, Architecture Studio hANd), Furuya Nobuaki, (associate professor, Waseda University), and Sharples Christopher (principal, SHoP), Kim Sunghong (professor, University of Seoul, Deputy Juror). Five winners, including the…

On 12 May, Platform-L Contemporary Art Center was opened to public, announcing itself as the ‘place of exchange and collaboration of artists’. It is a cultural complex created by Taejin International Co. Ltd. running the French fashion brand LOUIS QUATORZE. It is expected to become a platform with no disciplinary boundaries, encouraging encounters between fashion, art, and culture. The architecture embodies a spatial ideal as a place to contain the art of this age and to create new networks. The architect Jeonghoon Lee (principal, JOHO Architecture), who designed the building, has captured the ‘emptiness’ by capturing the meaning of various events and actions. Within the paradigm shift between contemporary art and the changing demands of the general public, Platform-L is in close contact with the cultural phenomena of our time.…

Almost all conversations about architecture exhibitions begin with the assertion that architecture is difficult – in some cases impossible – to exhibit. The comparison is made with fine art, where the object, the thing itself, can be exhibited and in the case of architecture it cannot. Regardless of these commonly held beliefs, we have witnessed a rise in exhibitions and biennales on architecture and their related subjects. This is occurring in parallel with, or perhaps as the result of, an ever-growing public interest in the subject. It could also be said that the inherent difficulty, far from being a limitation, is actually part of what makes them so valuable; a vital part of developing the profession and enriching debate on the subject. When thinking about exhibiting architecture, one realises it…

Digitally constructed, atypical architecture is one of the hottest subjects on today’s architecture scene. We can find these kinds of projects, which make up nearly half of the new projects featured in any architectural magazine, with ease. The situation in architecture schools is not that different, as most students conduct their projects through the use of digital media. These types of projects are often found among competitions held by public offices. Most clients require architects to submit drawings drawn digitally with BIM. Now, 3D printers can recreate any form or shape, as long as it’s modelled with a computer. We see in the news stories about buildings constructed using massive 3D printers. Considering that we now live in a world in which AlphaGo wins a Go contest against a world-class…

The APMAP (Amorepacific Museum of Art Project), the public art project organized by Amorepacific Museum of Art (APMA), holds its fourth exhibition this year. After Osan in 2013, Jeju in 2014, and Yongin in 2015, this year’s exhibition will finally be held in Seoul at the Yongsan Family Park. Including the construction of the new AMOREPACIFIC Headquarters Site, which will be completed in 2018, the two projects began their respective journeys only about a month ago on 13 August. What exactly will visitors to the park gain from this project? written by Harry Jun | materials provided by Amorepacific Museum of Art A Detailed Look at APMAP APMAP is a public art project that was started in 2013 by APMA to discover new and upcoming local artists and to promote…

On Aug. 8 we witnessed the launch of the exhibition ‘Remembering Life, Seoul 2002’, as the last exhibition to be held at the Myeongdong Cathedral Catholic Building K’ARTS Studio Myeong-Dong. The exhibition featured a recomposition of the photographs taken by Reigh Young Bum (professor, Kyonggi University) of Chungjeongro and Nangok since 2002. The hanok village of Chungjeongro 3ga is a group of around 45 urban hanok that are gathered around the back of the Dong-a Ilbo Company Office, Chungjeongro. It is assumed that these hanok were built by a real estate developer in the late 1930s, much like Iksundong of Jongno-gu. Reigh took photos of the area each year, from the Dong-a Ilbo Company Office, Chungjeong-ro, where the area is best viewed, which ‘was thanks to visiting the site each…

Tiles are made through the baking of clay, and used as attachments to a wall, set into the floor or as decorative ceramics rather than as individual objects. However, their functional and aesthetic value hasn’t yet been properly appreciated. What kind of artistic value do tiles have as a medium? The Clayarch Gimhae Museum is holding the exhibition ‘Post-Tile’ to reevaluate their value. This exhibition is focused on their true character, not as their use as a building material. Park Hannah (curator, Clayarch Gimhae Museum) explaining the exhibition’s concept, said that ‘Tiles have a 5000 year-old history but they are a very modern and contemporary media. This exhibition begins with the question: ‘which contemporary artists have best revealed their characteristics?’ In ‘Post-Tile’, nine artists, Kim Hyegyung, Kim Heeyoung, Nathan Craven,…

With the addition of the architecture department to the Museum of Modern Art (MoMA) in 1932 and the launch of the Venice Architecture Biennale in 1975, architecture exhibitions have been held in multiple locations throughout the world, including the RIBA, Architecture Gallery, the Victoria & Albert Museum, and The National Art Center, Tokyo. Even in Korea, architecture exhibitions have become so popular that National Museum of Modern and Contemporary Art (MMCA) and Daelim Museum host them often than never. This higher number of exhibitions has gone from from simply introducing and displaying architects and their work to dealing with architectural discourse and delivering theoretical messages. In turn, exhibition medium and exhibition methods have developed. In particular, you can have a more dramatic experience of experimentation at the Venice Biennale, the…

SPACE: Casal Balaguer is known for being a huge project carried out over five progressive stages since 1996. I would like to ask what the progress and main focus was at each stage. For example, the completion of the fifth stage this year marked the end of the whole project after the fourth stage was finished in 2014; what can be regarded as the differences between these two stages? Ricardo Flores, Eva Prats (Flores, Prats): The building has been through three stages of construction. This is due to increased funding to afford each of the phases. Construction began with the first phase in 2009. This first phase was to build: A new roof, with wooden structure and tiles, to stop the rain that was ruining the inner rooms, and to…

The Independence Hall of Korea was so named following a national consensus formed with the 1982 Independence Hall of Korea Construction Convention, and has a history stretching over three decades since its establishment on 15 August. The overall form of the Independence Hall site is established along an artificially developed linear axis that was formed at the centre of Heukseongsan Mountain to the entrance car park. The axis is of an impressive, almost insurmountable scale, in both width and length. The Gyeorenuri Hall is located within a small hill at the right of the entrance’s parking lot. From afar, the building appears as a couple of grey layers (entirely formed of brick), and a white layer that surrounds this (of granite). The grey layer is used as the body of…

Multiple avatars are a fate faced by painting throughout the centuries, and even if, since the modern era, it has been claimed in every decade that painting is dying or is predicted to die, it still hasn't happened. It doesn’t mean that it is good or bad, moral or immoral, due to this or that — a lack of theoretical discussion or excessive commercial trading — it is a fact that walls still desire paintings. And this is the way it has long been, for better or for worse. Easel painting is vivid, but other modes may be made available to artists and employed by painters: digital tools are now at work. Wade Guyton was born in 1972 in Hammond, Indiana. He received a BA from the University of Tennessee,…

An area near Beomeosa Temple in Cheongryong-dong 471, Geumjeong-gu, Busan, has become a public gathering place. This is ‘Hama Village’, located in a concentrated area of duck restaurants, a common sight around temples, and the downward mountain path of Geumjeongsan (mountain) from Beomeosa Temple Entrance bus stop heading towards Beomeosa. Although it does not have a proper approach nor an official signboard, the winding mountain path leads to a stretch of field on both sides of a stream, café, and two houses. Its appearance is distinct from the adjacent house-turned restaurants and cafés. Taking a walk along the stream and the field, looking around crops and trees planted in great abundance there, one notices people busy taking pictures in small clusters. Some people cool down from the summer heat by…

The dire working conditions of architectural design firms have been publicly revealed (SPACE issue 548). In this case, what kind of career prospects can be sought by architecture majors? An forum was hosted to share information on alternative employment prospects, outlining current examples and opportunities. The forum entitled ‘Finding New Values in Architecture’, hosted by the Architecture & Urban Research Institute. The forum held on Aug. 5 focused on finding methods to utilize architectural content. The first part featured case examples of those that are self-employed through utilizing indirectly published materials. Kim Myeongkyu (principal, MASILWIDE), Kim Hyungrae (principal, A+ PLATFORM), Shin Dongyeun (principal, ARCHIFEEL’D) and Han Gijun (principal, DIGIT) talked about the reasons for having started such work, and the trajectory of their work since that point. Kim Myeongkyu had…

‘The world is too old and there’s nothing new’: this is a line by Rimbaud uttered in the film Total Eclipse, and it is placed on the wall with an artwork. The line seems to be strange at a solo exhibition of an artist’s new works, but it also appears to be suitable for Yunseob Kim who tries to explore painting in earnest by getting away from animation. The exhibition ‘Pilgrim-Martyr’, held at Gallery Chosun from July 21 – Aug. 4, was a monologue of the artist that visualizes Kim’s thoughts about the role and position of an artist. Kim recalled specifically Van Gogh because the artists’ journey to pursue the truth of art can be considered the same with those of a pilgrim. Reflecting on this, and on the…

  Architect: JOHO Architecture (Jeonghoon Lee) Design team: Gaehee Cho, Il-Sang Yoon, Bong-gwi Hong, Junhee Cho, Moonyoung Jeong Location: 11 Eunju-ro 133-gil, Gangnam-gu, Seoul, Korea Programme: gallery, office Site area: 684.6m2 Building area: 312.94m2 Gross floor area: 2,173.6m2 Building scope: B3, 4F Parking: 17 Height: 18.15m Building to land ratio: 48.25% Floor area ratio: 149.76% Structure: RC Exterior finishing: anodized aluminum panels Interior finishing: exposed concrete, paint on the gypsum board Structural engineer: PRIME ENC Mechanical and electrical engineer: ACE Engineering Lighting: ALTO Landscape: Garden In Forest Exterior construction: Mohse, THE ONE PLANT Construction: JEHYO Co. Ltd. Design period: Mar. 2013 – May 2014 Construction period: Dec. 2014 – Feb. 2016 Client: Taejin International Co. Ltd. Platform-L Contemporary Art Center (Platform-L) is a new marginal space that reinterprets the limitations…

How can we bring architectural projects that exist in reality into the gallery space without losing the natural depth and complexity of its context? The issue of architecture exhibitions is always over the presence of its existence. Models and drawings act as supportive evidence, and through exhibited objects, that often obtain the status of an artwork, the audience becomes closer to the reality through the wings of imagination. However, when architecture emerges as a theme in curation (the scene of discourse) and not as part of an exhibition (the subject of representation), the situation changes. The contemporary architecture exhibition is a principal means of sharing and conveying knowledge, and takes on a crucial role in experiencing its related ideas spatially. Architecture curator Carson Chan said that these activities cultivated an…

Architect: Stocker Lee Architetti (Melanie Stocker, Lee DongJoon) Design team: Simone Bossi, Alessandro Rota, Elena Conconi, Lisa Filippi Location: 101-1, Nonhyeon-dong, Gangnam-gu, Seoul, Korea Programme: neighborhood living facility Site area: 327m2 Building area: 179m2 Gross floor area: 1,033m2 Building scope: B1, 5F Height: 18.3m Parking: 6 Building to land ratio: 54.7% Floor area ratio: 200% Structure: reinforced concrete Exterior finishing: clinker brick, exposed concrete Interior finishing: exposed concrete, paint on gypsum board, tile Structural engineer: Harmony Structural engineering Co. Ltd. Mechanical engineer: Ju-Sung MEC Electrical engineer: Hangil Engineering Corp. Ltd. Construction: JEHYO Co. Ltd. Design period: June 2014 – Apr. 2015 Contruction period: July 2015 – June 2016 Client: Park Kisook Melanie Stocker was born in 1976 in Lucerne. She started her studies in architecture at the ETH Zurich in…

Hyoung-gul Kook is a licensed architect(AIA) and assistant professor at Dep. of Architecture, Ewha Womans University. He received his Master of Architecture from Columbia University in New York and Barchelor of Science in Architectural engineering from Yonsei University in Seoul, Korea. He founded HG-Architecture 2012, and he has worked on various scales of projects with exploring the experimental design. Recently, he won the outdoor project S competition at SOMA Art Museum (2015), the finalists of MMCA YAP (MoMA Young Architects Program International)(2015), the Main Prize of Korea Wood Architecture Awards (2014), and he has worked on multiple projects including exhibitions and competitions, and various design projects. Son Jonghyeon graduated from Seoul National University of Science and Technology and experienced comprehensive practice in both construction and design in Hana General Construction.…

The star of the third ‘MMCA HYUNDAI MOTOR SERIES’ has been announced. In 2014, it was Lee Bul, and in 2015 Ahn Kyuchul; this year’s artist is Kimsooja. Based in New York, Paris and Seoul, Kimsooja is an artist who is active internationally and is widely known as the ‘Bottari Artist’. Excluding minor, intermittent project exhibitions, this is Kimsooja’s first large scale solo exhibition in Korea for 16 years, since her last one in 2000 at the Rodin Gallery. Observing the project aims of the HYUNDAI MOTOR SERIES, which advocates original work, Kimsooja brought many of her new works to Korea, all of which were incredibly novel and fresh. These works barely share any visual resemblance to her earlier work. The only meaningful clues that we are left with are…

teamLab: the Ultra-Technologist New media art is a genre that creates visual-perceptual and physical forms using machine arithmetic. The sub-genre which receives the greatest spotlight would be interactive media art, which focuses on interaction between artwork and the people. Interactive media art mainly uses sensors attached to actual objects or expresses content via screens. The representative case of the former is Germany’s Art+Com Studios, while the latter is generally considered to be teamLab. This is not only because of the technological level of perfection but also the fact that not many artist collectives who focus on interactive media art attempt to draw the attention of the public by crossing art and design. The founder, Inoko Toshiyuki began teamLab in 2000 while attending Tokyo University. The collective grew at an astonishing…