MANI KAUL IS OFTEN REGARDED AS one of the foremost directors India has produced but he is also, in some ways, one of the best-kept secrets of Indian cinema. His films, though well received in the international film festival circuit, hardly saw a domestic theatrical release. When he died in 2011, there were moving obituaries from fellow filmmakers, students, artists, writers and film critics, attesting to the wide influence he has had on Indian aesthetic life. Yet, throughout his life, his films were also frequently critiqued by directors and reviewers as slow, obtuse or self-indulgent exercises that ignored the demands of the audience.
To read Kaul’s essays and interviews now is to encounter the philosophical complexity that surrounded his idea of cinema—a cinema of the future that is perhaps only…
