THIS MONTH City of Hope and Lone Star
Back in the 90s, writer-director John Sayles was a big deal. For cinephiles, at least. Building on the string of quality, genre-hopping titles he'd made in the 80s – Return of the Secaucus 7, Lianna, Baby It's You, The Brother from Another Planet, Matewan, Eight Men Out – he'd reached a point where each new release was an event. Respected magazines such as Time Out would salivate over the arrival of his fiercely independent films, and esteemed critic Geoff Andrew, the film editor of Time Out, penned Stranger Than Paradise, an excellent book dedicated to the figureheads of recent US indie cinema: Hartley, Haynes, Jarmusch, Linklater, Lee, the Coens, Soderbergh, Lynch, Wang, Tarantino and, naturally, Sayles.
Now, oddly, Sayles is hardly talked…
