Indholdsfortegnelse for July 2021 i Vogue Australia

Sending the July issue to print this year coincided with Afterpay Australian Fashion Week, where designers showcased their upcoming Resort ’22 collections. Not only was the week exceptional, because we’re the first country in the world post-Covid to host a fashion week attended in person, but also because, for the first time ever, the schedule included shows from both First Nations Fashion + Design and Indigenous Fashion Projects. Their inclusion in fashion week is long overdue, and the First Nations Fashion + Design show, in particular, marked a key moment in Australian fashion history. The first all-Indigenous runway with an all-Indigenous cast of models and performers, showcased seven incredibly talented independent designers, under the guidance of creative director and designer Grace Lillian Lee. As one model walked by during the…

In my family, it was the women who were at its heart, at least that’s how it seemed to me, but it may have been that there were just so many of us – the men standing singly on the sidelines, powerful but removed. I was one of two daughters, brought up by a single mother, who later joined forces with the father of three girls, merging us into a troupe of five. We lived in the English countryside in a sort of 1970s world of Laura Ashley offcuts and home baking. For the most part relations were cordial, although occasionally there were explosive fights – my mother once chased my sister around the garden with a breadknife before collapsing in tears of laughter and frustration – but our female…

Who: Yasmin Sewell, former fashion buyer, consultant, and now founder of Vyrao, a new holistic wellness and fragrance line. Where: The Dalston home she shares with her two sons, where she has lived for six years. What: A reworked Victorian home recently refreshed with the help of interior designer, friend and Vyrao co-founder, Joel Bernstein. IF EVER THERE was a home that embodied the introspection brought on by enforced pause, the verdant dwelling of Australian-born fashion creative Yasmin Swell could be it. Shrouded in lush shades of green, from electric emerald to enigmatic Scheele’s, it recalls something of the enveloping hush of a forest glen, or mossy grotto. Instead of soft foliage underfoot, however, it’s The Rug Company carpets and treasured furnishings reflecting her bowerbird style. It was all conceptualised…

For me, becoming an elder means owning my age, position and status and deliberately using it to cultivate and champion the next generation It wasn’t until I was constantly asked how I felt about turning 50 that I really stopped to think about it. Other than the hope for a fancy present, it didn’t feel much different than any other birthday. And that realisation was a bit of a light-bulb moment: 50 today isn’t what we’ve been taught it’s supposed to be. I am not my mother’s 50, certainly not my grandmother’s 50, and most certainly not what my 20-year-old self imagined that 50 would be. My friend and colleague Naima Brown and I have just completed Age Against the Machine, an Audible Original podcast series. It’s a global exploration…

WINTER IS WIDELY considered ‘skincare downtime’ for good reason: with less beach days and a tendency to hibernate during the cooler months, there’s ample time to focus on brawnier skincare treatments. Those services are the ones that often come with the caveat of being housebound for a few days post-treatment (cue flaking, peeling, redness) or leave skin vulnerable to hyperpigmentation when exposed to ultraviolet light in the days and weeks following the appointment. What’s more, if you’re targeting a specific concern (melasma, acne) your facialist may suggest a handful of treatments over a couple of weeks or months. But don’t let that deter you. Here is our round-up of the top treatments to reboot your skin. Fraxel When people talk about “getting laser”, they’re probably talking about Fraxel. The in-salon…

Some people dream of hiking to the top of Machu Picchu, riding a mule to the bottom of the Grand Canyon, or exploring every crevice of the Hermitage, but I have a rather different sort of bucket list. Before I shuffle off this mortal coil, I want to make sure there is not one corner of the globe – not one Alpine village, not one desert island – where I haven’t shopped. I travel to shop. The prospect of the world emerging from this year of hell, with borders and restaurants and theatres but, most of all, stores reopening with happy, fully vaccinated people crowding the aisles, is frankly what I am living for. There are those who believe that a long period of self-reflection may quell the desire to…

1. “For me, the perfect attire for the night before the wedding is Hill House Home’s Jewel Jammie in white for the bride and black for the bridesmaids.” 2 . “Grace Kelly is the epitome of timeless glamour, and always a reference point for many brides.” 3. “I love all types of jewellery, honestly. I can never have too many accessories. My favourite jewellery is always sparkly and just a bit different. My engagement ring by Alison Lou was inspired by vintage 1920s jewellery and feels timeless with a modern twist.” 4. “Olivier Theyskens and Prabal Gurung are two fashion icons and also the most wonderful humans. Each knows how to dress a woman and make you feel so strong and powerful in their clothes. My wedding dress was by…

AS THE ALL-IMPORTANT embellishment for any wedding day, selecting your florals is a decision that requires discernment. Many of Australia’s market-bought flowers are imported from overseas – creating a large carbon footprint. Sustainability-minded couples can opt for a florist that cultivates locally, such as Sydney florist Bess, which mixes market-bought flowers with local varieties grown on its family farm, Passchendaele, on the New South Wales Central Coast. Similarly, event horticulturist Bethan Lacoba’s studio, Saint Fleur, aims to educate its customers on the environmental implications of importing flowers, as well as veering away from the use of ‘floral foam’ (a potentially harmful substance used in elaborate floral arrangements) and single-use plastics. Love is in the heir The once tricky option of reinventing an heirloom jewellery piece has never been more accessible.…

VENUE: Swifts, Sydney; Ghost 2 DRESSES: Aje SHOES: Jimmy Choo, all three pairs RINGS: Olivia Bond Diamonds HAIR: Paloma Garcia of Paloma Salon MAKE-UP: Joanna Luhrs NAILS: Jocelyn Petroni FRAGRANCE: Tom Ford Beau De Jour GROOM’S ATTIRE: P Johnson PHOTOGRAPHY: Alice Mahran FILM PHOTOGRAPHY: Sophia de Vries FLOWERS: The Dani Dean, The Make Haus CATERING: Kate White, Katering FIRST DANCE: Rock Your Baby by George McCrae INVITATIONS: Chanel Tobler WEDDING PLANNER: Ally Considine MG events CELEBRANT: Pip Best, In Light…

How did you meet? “We met as assistants working in magazines. We always got along really well, made each other laugh and loved hanging out from the beginning. It wasn’t until we were out one night at a friend’s farewell that I started to realise there was maybe something more there.” How would you describe the style of your wedding day? “Our ceremony was a relaxed but elegant garden theme. For the reception, I can only describe the theme as a good old-fashioned prohibition party with a touch of Paris in the roaring 20s. A burlesque dancer opened the reception and signalled it was time to enter the dining room. We had a jazz band throughout dinner and swing dancers to open the dance floor. Later, a magician entertained guests…

How did you meet? “Tim and I met through our mutual friend in Bali on New Year’s, but it was more in passing. Fast-forward a few months and we added each other on Instagram. We can’t remember who added who first, but eventually Tim asked me out for a lunch date, and the rest is history!” How would you describe the theme of your wedding day? “Coastal, elegant and modern.” Why did you pick your venue? “Our wedding ceremony was in a hidden grove on the beach in Noosa National Park. We then had our cocktail party on a boat, Catalina , which dropped us off at Rickys River Bar and Restaurant at Noosa for our reception. We picked Rickys as we love the feel of the venue and so…

Alique Collaborating with Vogue Australia for the very first time, celebrated Dutch photographer Alique captured the multi-hyphenate phenomenon Selena Gomez for the cover of this issue. Drawing inspiration from 1960s model and muse Penelope Tree, she set out to recreate the essence of her iconic look on the set of the LA-based shoot with a series of designs by the likes of Burberry, Saint Laurent and Balenciaga. “I thought it would fit Selena; Penelope is an iconic woman with a cool and fun energy,” says Alique. “When Selena walked in with the big silver dress, she looked at me and we both laughed.” Camille Charrière Tasked with reflecting on the impact of the global pandemic on her upcoming wedding in ‘Save the date’ on page 130, French writer, broadcaster and…

“Brands such as Max Mara and The Row have staked a claim on great tailoring and they somehow manage to come up with sharper, fresher takes every season. The key? Anchoring it to the tried-and-true codes of good tailoring: high-quality fabrics, excellent cut, and that’s what you should look for, too.” – ALICE BIRRELL, FASHION FEATURES DIRECTOR “If you want to really add to your tailoring repertoire, consider the lighter palettes of the moment, such as soft latte or taupe, a smoke grey, or, a favourite, pinstripes.” – JONAH WATERHOUSE, FASHION FEATURES AND NEWS ASSISTANT “For a different spin on a classic suit, play with the blazer shape, such as a cropped micro or an hourglass version, but keep the pants strict and straight. Come trans-seasonal months, break up the…

Textiles occupy a unique space that encompasses art, culture and fashion, but all those elements are not mutually exclusive, just different sides of the same coin. Often, however, where fashion is the focal output that loudly speaks to the masses, the artisanal quality of textiles can get lost, with no depth of meaning beyond the transactional. For First Nations artists, textiles are an expression of culture with layers of meaning far deeper than simple aesthetics. If we honour textiles as art, valued for longevity and worth, far beyond the disposable model of fast fashion, we can understand their stories and their strength. We see the preservation of First Nations Australians’ knowledge systems and cultures as old as they are modern, but still deeply rooted in their strong connection to Country,…

If you set out to dismiss Amy March in Greta Gerwig’s 2019 adaptation of Little Women , it’s safe to assume you failed. You probably protested just as much against Paige Bevis in the wrestling comedy Fighting with My Family , before coming around to her side of the ring and cheering on the anti-protagonist from the nosebleeds. And, if you dared to watch Ari Aster’s folk horror film Midsommar , you’d be forgiven for warming to the troubled Dani, even as she smiles at the sight of her boyfriend trapped inside a bear’s body while being burnt alive. That’s because in this strange trilogy of diverse performances, Florence Pugh’s distinct ability to soften the edges of disagreeable characters comes into focus on screen, as everything we dislike about them…

Shapeshifters With the right cut and arsenal of products, natural texture lends itself to angular shapes with dramatic effect. Top loader To get towering height at the roots, spritz a root lift spray into wet tresses and sweep the hair upwards with a barrel brush. The higher the better. Side step A pixie cut is liberating but for an androgynous take on a cropped style, sweep back the sides and affix with the heartiest hairspray in your beauty cabinet. Up style The humble ponytail may be the default style between wash days, but that’s not to say it can’t be architectural and considered. How to elevate it further? With an equally creative metallic liner. On the fringe Fringes in every iteration are a mainstay backstage, but the key to one…

Call it a 2020 hangover spurred on by the inordinate amount of time we spent staring at our own reflection through a screen, but the real estate from our chin to our chest is coming into focus. Once a bit like flossing – the added extra we know we should do but seldom muster the energy for – a multi-step neck-care regimen, as well as a suite of hi-tech collagen-boosting devices, and a menu of in-clinic treatments are drilling down, literally, on the neck, chest and décolletage. “No matter how healthy your face looks, your neck can tell a very different story,” warns Emma Hobson, director of education at Dermalogica. The reason those accordion lines and general laxity may begin to show up on our neck at an accelerated pace,…

Maree Clarke is an artist who has made Melbourne her home for many years, and who has contributed immensely to the local art community. Born in Swan Hill in the north-west of Victoria, Clarke is connected to the traditional lands of the Mutti Mutti, Wamba Wamba, Yorta Yorta and Boon Wurrung peoples. The National Gallery of Victoria (NGV), in the city of Melbourne or Naarm, is built on the traditional lands of the Boon Wurrung and the Wurundjeri, making the new retrospective Maree Clarke: Ancestral Memories the second solo presentation of a person upon whose Country the NGV stands, and the first-ever solo exhibition by a living artist and a woman with ancestral ties to Naarm. In 2019, Clarke’s jewellery featured as part of a five-page spread in Vogue Australia’s…

The glamorous guests who poured into Sydney’s Felix Bistro & Brasserie for Chanel’s ‘100 years of Chanel No.5’ dinner on a crisp autumn eve, were instantly transported to Paris. Romantically lit, with intimately arranged tables and fine French fare, the setting was the perfect tribute to the iconic French brand’s signature fragrance. It was 1921 when Gabrielle ‘Coco’ Chanel sought to create a scent representing the liberated woman of the 20s, and of the 10 samples presented, it was number five she chose. One hundred years later in Sydney, dinner attendees posed for photos dressed in Chanel and spritzed, of course, with the scent of honour. As one of the first truly glittering events of the season since pre-Covid, there was a tangible frisson of excitement on the night, only…

When Romance Was Born founders Anna Plunkett and Luke Sales speak about their approach to fashion it is wise to listen. The duo’s brand, launched in Sydney in 2005 and noted for its playful irreverence, has become an industry mainstay for almost 16 years by offering its devoted customer base the polar opposite of conventionality. In the case of their newest collection, think delicate embroidery, designs made from the likes of repurposed wedding veils, bedsheets and duvet covers, plentiful sequins, and maximalist silhouettes that don’t align with fleeting fashion trends of the moment. “For us, we are just always ourselves, so that might come across pretty campy,” Plunkett says, when reminded that Romance’s creations even made it to the Metropolitan Museum of Art’s revered camp-themed Costume Exhibit in New York…

ANY GOOD HAIRSTYLIST will attest that healthy hair starts with a healthy scalp. It may not be the sexiest topic, but it’s entirely necessary if you’re looking to rehabilitate limp, lacklustre, oily (or dry and flaky) strands. And given our hair grows at a rate of half an inch per month, sprouting new nourished growth is a bit of a long game. But it’s worth it. And there are a host of hard-working formulas to get you there. Gwen-approved Goop G.Tox Himalayan Salt Scalp Scrub Shampoo, may sound, well, Goop-ish, but the addition of Himalayan pink salt satisfyingly exfoliates product build-up (think of it like a clean sweep) while cold-pressed moringa oil imparts nourishing vitamin E to promote shine. If your hair is naturally prone to dryness, then forgo the…

How did you meet? “We m t at the original Rockpool back in 2012. Mike was working in the kitchen and I was hosting. I had a huge crush on him from the minute I saw him. We realised we lived on the same street and it was one fateful night after knock-off drinks that we ended up in the same taxi and I never went home.” Why did you pick your venue? “I have always loved Rockpool Bar & Grill [originally opened by Neil Perry, Josephine’s father] and I had always dreamt of getting married there. We met at Rockpool, we walked to Rockpool the night we got engaged and had dinner … it just seemed so fitting for us as a couple as we had shared so many…

I faltered over writing this farewell to Marion von Adlerstein – both of us formerly of this magazine. Not only is it odd to say goodbye to a friend with whom you share a name, I have found myself in what I suspect must be a widely shared time warp I’ll call ‘grief disbelief’. For how many others must there be all over the world, who, separated by closed borders and quarantine, denied by the global pandemic the necessary rituals with which we deal with death, feel the same? In the past, we rushed for planes in response to teary late-night phone calls. We packed black. We arranged for flowers. We said goodbye. I find my brain tricking me into believing I might once again say hello. Marion – MvA…

Nawal Sari is vocal about fashion’s power. For her, it’s an important form of expression, and a vehicle for creativity that should be available for everyone. “There’s nothing more empowering and non-oppressive than me wearing whatever I want to, which every woman should have the right to do.” With an engaged Instagram following, the Muslim Australian and Lebanese 22-year-old posts about things close to her heart, from inclusion, human rights and gender equality, as well as modest fashion – claiming its rightful place in the mainstream. “When you wear the hijab, you are so visibly different. When I first wore it, I tried to blend in and not be too ‘crazy’.” Tired of toning herself down back in school, she’s emerged now with a confidence and a digital platform on…

“THIS BOLD YET classic pattern is appearing on everything from furniture to footwear. Whether your earliest memory of the motif is a traditional tiled floor, learning to play chess or a pair of slip-on Vans, there’s no doubt this trend will stir up a feeling of nostalgia.” Outside the square “Bold patterns, such as these, are best introduced in an accent piece. If you want to go all out, then look for grids of varying scale to create visual interest and depth.”…

Mea Campbell had the idea at night. Her husband Scott was away, and the lawyer and legal writer was at home in Dubbo worrying about the pandemic. Thankful that her late grandfather had been spared the social isolation brought about by lockdown, she was concerned about other vulnerable people like him, with little access to technology. She reflected on the connection that could be felt through the simple act of writing and receiving a letter – the ultimate in low-tech communication – and considered how she might use modern tools to enable a way to help. The next day, she set up a website and social media accounts for Connected AU. Just over a year later, Connected AU has hundreds of people registering every day to write or receive letters,…

It was a scene that played out as pure fashion hysteria. For autumn/winter ’14/’15, Paris’s Grand Palais was transformed into Karl Lagerfeld’s ‘Supermarket Sweep’ extravaganza, which saw catwalk aisles stocked with Cambon Jambon, Coco Choco cereal, Paris Dallas ketchup and Mademoiselle Privé doormats; commonplace items reimagined as exclusive objects of desire. By recasting the ordinary as extraordinary, Lagerfeld delivered a Warholian spectacle of consumer hedonism that turned even the most composed buyers and editors into frenzied shoplifters – his novelty merchandise simply too magnifique to resist. Seven years on, the house may be set for a similarly well-heeled stampede with the limited edition launch of Chanel Factory 5. In celebration of Chanel No. 5’s 100th birthday, the maison has formulated 15 collector’s edition bath and body products that are as…

A perk of the job, if your job is being Selena Gomez, is that you get a front-row seat to the whole entire world. Back in the day, before coronavirus put a dent in global travel, and arena concerts, and the very premise of loud and sweaty live music, Gomez travelled the world most months; performing to crowds of people, walking red carpets at premieres and galas, meeting fans in cities as far flung as Rome, Manila and Nairobi. Or Sydney, which Gomez last visited in 2018. “I miss it … I feel like I could live there,” says Gomez, Zooming into this interview from her new home in Los Angeles, the afternoon light filtering through gauzy cream curtains. “I just love the energy.” It’s been three years since she…

Lately, no matter who I talk to, one subject eventually seeps into the conversation. It’s not the vaccine rollout, or work, or the strange state of the world. No – people want to talk about fatigue. Not so much a case of burnout or lack of sleep, more a cloudy and forgetful feeling of apathy that’s settled over us in 2021 as the pandemic drags on. Friends and colleagues share their symptoms quietly, knowing how lucky we are here in Australia. No one wants to sound ungrateful, what they really want to know is: Why am I feeling like this now? “Last year I ate badly, I stayed up until 3am scrolling my phone. It was stressful and different, but I still was able to accomplish things,” says Alicia, a…

CANCER 22 June–22 July It’s your month to shine. Refresh your look now, as investing in yourself could be an investment in your love life, too. The planets are aligning to help you make connections that could boost your self-esteem and bring the romance you crave. You might also feel more obsessed with money now, so be aware of your cashflow but don’t let it rule your life. STYLE ICON: Joan Smalls LEO 23 July–23 August There’s huge potential for meeting ‘the one’ now if solo, or for putting a ring on it if you’re loved up. Life has been magical lately but things get real. You could see how to fund a dynamic duo or finance a team goal. Want to do your own thing? That’s well-starred now, too,…

I AM TERRIBLE at logistics. It’s a running joke among those who know me that I shouldn’t be let anywhere near a diary. Ever. I’ll either double-book you, forget, or show up on time at the wrong address. Let me caveat that my abysmal logistical brain is not something I am proud of. Neither is it a reflection on how much a commitment means to me. I often joke that if left to my own devices, I would show up at the wrong church for my own wedding. So, to cut my losses I got engaged to a film producer. He proposed during ‘golden hour’, aka that brief period of respite in between lockdowns last year, when most of us still thought that second waves and variants were nothing but…

How did your partner propose? “Under a giant blazing maple tree in Bowral. I was admiring the enormity of the tree, turned around, and he was on one knee. I bawled like a baby. It was the day before the wedding of two friends, so we chose to keep it a secret so as to not take attention away from the bride and groom, which turned out to be incredibly romantic – it was our little secret. We must have enjoyed that feeling very much as we ended up keeping the engagement to ourselves for weeks.” How would you describe the theme your wedding? “A theatrical castle garden party with a modern execution. At the heart of the entire event was fun. I wanted every touchpoint to make each person…

How did you meet? “We met in London when Luciana (Lu) was taking a sabbatical from her job in Brazil for six months. Although we only spent three to four months physically together, we continued dating long distance, which involved lots of long weekends where one of us would fly to São Paulo or London!” Describe the style of your wedding day. “We wanted to create a minimalist atmosphere, which is why we chose a conservatory with the main decoration there being the beautiful plants and natural light.” Why did you pick your venue? “Plants, plants, plants! The conservatory at Bombay Brasserie is adorned with plants and also gave us the feeling of being outdoors (even though we were indoors) on a cold yet sunny December day.” Tell us about…

How did you meet? “We met on a night out at an East London club via a mutual friend. I had just moved to London a few months prior to undertake a masters degree and Michael had been living and working there for almost five years. It was January and freezing and he very clearly recalls the shaggy white faux fur coat I was wearing and still teases me about looking like a yeti when we first met.” How would you describe the style of your wedding? “The first wedding was inspired by the venue itself – the magical gardens of Melbourne’s Rippon Lea Estate. I envisioned an ethereal dreamscape reminiscent of Sofia Coppola’s Marie Antoinette. I wanted it to be simple with a soft colour palette. Our traditional Kashmiri…