The chaotic world gets more chaotic.” Chaos? Disorder? This is not the usual terrain of Max Mara’s Ian Griffiths, at least not outwardly as he helms the nearly 75-year-old house, a bastion of serene, supremely luxurious Italian style. He is speaking about women’s lives today from his studio at the Max Mara headquarters, a slick, modern campus, like an Apple Park of fashion, in Italy’s northern Reggio Emilia. He continues apace: “This woman gets up in the morning and her head is crowded with things that she has to do: her agenda at work, the kids, her husband, her ex-husband, her travel, her job, the garden.”
To hear him speak about the tumult of the everyday so matter-of-factly – a straight-talking, Manchester-raised, steady hand – has, for a moment, a…
